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IMDbPro

La morte può attendere

Titolo originale: Die Another Day
  • 2002
  • T
  • 2h 13min
VALUTAZIONE IMDb
6,1/10
236.126
LA TUA VALUTAZIONE
POPOLARITÀ
2137
360
Pierce Brosnan and Halle Berry in La morte può attendere (2002)
Trailer
Riproduci trailer1:12
6 video
99+ foto
SpiaAvventuraAzioneThriller

James Bond viene inviato a indagare sulla connessione tra un terrorista nordcoreano e un magnate dei diamanti, che sta finanziando lo sviluppo di un'arma spaziale.James Bond viene inviato a indagare sulla connessione tra un terrorista nordcoreano e un magnate dei diamanti, che sta finanziando lo sviluppo di un'arma spaziale.James Bond viene inviato a indagare sulla connessione tra un terrorista nordcoreano e un magnate dei diamanti, che sta finanziando lo sviluppo di un'arma spaziale.

  • Regia
    • Lee Tamahori
  • Sceneggiatura
    • Ian Fleming
    • Neal Purvis
    • Robert Wade
  • Star
    • Pierce Brosnan
    • Halle Berry
    • Rosamund Pike
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    236.126
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2137
    360
    • Regia
      • Lee Tamahori
    • Sceneggiatura
      • Ian Fleming
      • Neal Purvis
      • Robert Wade
    • Star
      • Pierce Brosnan
      • Halle Berry
      • Rosamund Pike
    • 1.3KRecensioni degli utenti
    • 116Recensioni della critica
    • 56Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 vittorie e 36 candidature totali

    Video6

    Die Another Day
    Trailer 1:12
    Die Another Day
    Die Another Day: Clip 1
    Clip 1:15
    Die Another Day: Clip 1
    Die Another Day: Clip 1
    Clip 1:15
    Die Another Day: Clip 1
    James Bond 007 Collection: Special Edition Dvd B-Roll
    Featurette 3:31
    James Bond 007 Collection: Special Edition Dvd B-Roll
    Die Another Day: Featurette
    Featurette 5:36
    Die Another Day: Featurette
    What Roles Has Halle Berry Turned Down?
    Video 4:04
    What Roles Has Halle Berry Turned Down?
    Ben Schwartz Is Don Corleone, James Bond, and Pennywise
    Video 3:21
    Ben Schwartz Is Don Corleone, James Bond, and Pennywise

    Foto719

    Visualizza poster
    Visualizza poster
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    Interpreti principali73

    Modifica
    Pierce Brosnan
    Pierce Brosnan
    • James Bond
    Halle Berry
    Halle Berry
    • Jinx
    Rosamund Pike
    Rosamund Pike
    • Miranda Frost
    Toby Stephens
    Toby Stephens
    • Gustav Graves
    Rick Yune
    Rick Yune
    • Zao
    Judi Dench
    Judi Dench
    • M
    John Cleese
    John Cleese
    • Q
    Michael Madsen
    Michael Madsen
    • Falco
    Will Yun Lee
    Will Yun Lee
    • Colonel Moon
    Kenneth Tsang
    Kenneth Tsang
    • General Moon
    Emilio Echevarría
    Emilio Echevarría
    • Raoul
    Michael Gor
    Michael Gor
    • Vlad
    • (as Michael Gorevoy)
    Lawrence Makoare
    Lawrence Makoare
    • Mr. Kil
    Colin Salmon
    Colin Salmon
    • Robinson
    Samantha Bond
    Samantha Bond
    • Moneypenny
    Ben Wee
    • Snooty Desk Clerk
    Ho Yi
    • Hotel Manager
    Rachel Grant
    Rachel Grant
    • Peaceful
    • Regia
      • Lee Tamahori
    • Sceneggiatura
      • Ian Fleming
      • Neal Purvis
      • Robert Wade
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.3K

    6,1236.1K
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    Recensioni in evidenza

    6namideo

    The End of an Era.

    It's the 20th Bond film and premiered on the 40th anniversary of the series, and, in many ways, it is really a tribute to the entire series itself. This film's strength and its weakness both lie in the fact that it is a blend of the classic Connery films, the outlandish Moore films, and the grittiness of the Dalton films. It's rolling the entire series into a single two hour adventure and the result is actually pretty entertaining. The first half is definitely stronger than the second; a more serious adventure with a classic feel to it, before taking a nose dive down into utter camp territory. I didn't mind the idea of making some scenes a little over-the-top, but I think they went overboard at times. Throughout the movie, the filmmakers toss in little references to previous Bond films. I suppose it's a fun idea to stop and consider how far these films have come over the last 40-something years, and a long time Bond fan can find amusement in finding these subtle, but long remembered treasures that poke their head in this film for one last time. As for the technical aspects of the film: The special effects are a little too ambitious and don't always come across convincing. The dialogue goes back and forth from excellent to atrocious. The ensemble of actors is pretty strong, except for Halle Berry, who in my opinion was completely wrong for a Bond movie. The villains are a little more dynamic. The action sequences are an improvement, in my mind. Granted, there are some instances where the filmmakers push the envelope a little too far, as mentioned above. However, they also show a certain amount of creativity that seemed to be lacking in the previous two films. Overall, this film is really a mixed bag. At moments there is potential for one of the greatest Bond adventures. At other moments you're thinking, "What the heck am I watching." Personally, I feel the positives balance out the negatives, but if anything, this film is a good popcorn movie. All in all, it wasn't a bad way to close out the series before rebooting it again with Casino Royale.
    ametaphysicalshark

    Worst Bond to date

    To its credit, "Die Another Day" starts out reasonably well, even the much maligned title song actually isn't terrible. Then it gets worse, and worse, and worse. You know, there's ridiculousness that's enjoyable, like in "GoldenEye", then there's "Die Another Day", a movie so caught up in its complete silliness it forgets to realize it, thinking its overzealous use of gadgetry, its hilariously bad Robo-villain (cut me some slack, I couldn't think of a better nickname), and Halle Berry. Miss Berry is easily among the very worst Bond girls, and the fact that she's alongside Rosamund Pike, who manages to do such a good job with what little she's given, doesn't really help at all.

    In "Die Another Day", there's not a second of humor that works. All the one-liners will have you cringing, albeit less than any attempt at actual serious dialogue this pathetic mess makes, as the script is completely ludicrous from start to finish, which is a continuation of the 'good writers writing terribly' theme in Bond history, where genuinely good writers write horrible messes like this, mainly because it seems they're lazy. I do find it humorous that the biggest fans of "Casino Royale" who claim it is by far the best Bond film conveniently ignore the fact that it was written by the same writing crew (with the addition of script-polisher Paul Haggis) which gave us the last three installments of the Bond franchise. Writers do what they're asked to do, and my guess is that "Die Another Day" is as much the producers' fault as the writers'.

    Lee Tamahori is a completely bizarre choice for director, and a terrible one at that, seeing how he has never made an especially good film. David Arnold's score is again very good but he can't save the film and though I really like Brosnan's Bond the direction the series was going in at this point was truly dangerous and could've resulted in the end for Bond if allowed to go on. There was no reason to stop- "Die Another Day" was a massive financial success, the highest grossing of Brosnan's films and actually about as well-reviewed by major critics as the last two films in the series, but audience feedback and hopefully common sense led to the reinvigoration of the franchise in "Casino Royale". Thank heavens for that.

    3/10
    kphurley-1

    Well, what did you expect??

    Look, let's be clear about it...it's the year 2002, not 1962. This franchise of movies has evolved over the years from a cool and clever spy series to an over-the-top slam bang action series. When you go to see a James Bond film, you should EXPECT any or all of the following: 1) A completely unrealistic, contrived plot 2) Unbelievably cheesy and corny one-liners (almost all of which are sexual in nature) 3) A supervillain seemingly brilliant and mad enough to quest for world domination, but is somehow stupid enough to let Bond get close enough to spoil the whole thing 4) A female counterpart (or several) that looks good, gets captured, and ultimately gets saved by our hero 5) Gadgets, cars, and weapons that do fantastic, unbelievable things 6) Action sequences and stunts that defy fundamental laws of physics and logic

    Having said all of that, and knowing what I knew, I was so excited to see this movie, and I loved it. Why? Because I got to escape for a couple of hours in a fantasy-spy world. Because I've seen the other 19 movies and I got to see what other directions they went with the characters. Because I love the characters and have gotten to know them over the course of the last 19 movies. Of course it has its shortcomings (the CG was weak in parts) but it has everything that makes the franchise successful. It pays homage to the older films while pleasing younger fans with it's incredible action sequences.

    Like it or not, this is what the series has evolved to. Personally, I like it, but having seen Dr. No, From Russia With Love, etc, I know that the newer movies don't really appeal to many of the fans of those movies (my dad hates the new movies) because they have completely moved away from reality (not to mention the novels). So understand that before you go and see this movie. If you can just sit back and enjoy the ride, you will. But if you're looking for the magic of 1962 to return, than you might be disappointed. But I will bet on this...judging by the reaction of the theater I was at, James Bond isn't going away anytime soon.

    Oh by the way, what's with the comment "Look out Bond, xXx is taking over." Huh? When xXx has 20 successful movies under his belt, then we can start comparing the two.
    6cariart

    Fourth Brosnan 'Bond' Starts Promisingly, but Falters...

    Creating new, exciting adventures for 007 after 20 feature films in forty years is a difficult task at best, particularly as public tastes change, and the character of James Bond has to maintain at least a degree of the 'persona' created by Ian Fleming. While the heirs of Albert Broccoli, his daughter Barbara and son-in-law Michael G. Wilson, have done a remarkable job in keeping the series 'fresh', if DIE ANOTHER DAY is any indication, the creative forces surrounding them seem to be losing 'touch' with James Bond, and his world.

    After an astonishing pre-title sequence, climaxing with Bond being captured by the North Koreans, the film offers a horrendous montage of torture, with Bond only surviving due to a timely prisoner exchange (with an unsympathetic M remarking, "If it had been up to me, you'd have stayed in North Korea...", obviously forgetting that 007 had saved her life in THE WORLD IS NOT ENOUGH). Pierce Brosnan, at fifty, is superb in this sequence, vulnerable yet defiant, and to this point, DIE ANOTHER DAY has all the makings of a first-class Bond entry.

    Then Bond jaunts off to find the agent who betrayed him, becoming involved in an investigation involving diamonds, solar power, and a 'too-good-to-be-true' industrialist (smarmy Toby Stephens), and all of the creativity of the opening is lost, with the film becoming an uneasy mix of references to past films and silly, unbelievable situations, sets and gadgets (culminating with an 'Ice Palace' and an 'invisible' Aston Martin).

    As she had won an Oscar prior to filming DIE ANOTHER DAY, sexy Halle Berry, 36, was publicized extensively as Bond's latest leading lady, CIA agent 'Jinx'. Unfortunately, after a spectacular 'rising from the waves' introduction (borrowed from Ursula Andress, in DR. NO), and a few nicely choreographed fights, she spoke...and lost all of her credibility in the role. While much of the problem was certainly in the script, she was never believable as Bond's 'counterpart' in the American intelligence community. On the other hand, Rosamund Pike, 23, was both sexy and duplicitous as British double agent Miranda Frost, as chilly as her name, but capable of igniting under 007's gaze. In a part equally poorly written, she made far more of her scenes than the writers gave her.

    The most interesting character in the film was certainly Rick Yune, as Graves' 'enforcer', Zao. Charismatic, ruthless, and nearly unstoppable, Zao was nearly a primal force, far more menacing than Graves at his worst.

    While a sword-fight sequence between Bond and Graves provided a rare film highlight, and certainly ranks as one of the film series' more memorable sequences, much of the rest of the production was silly, with the story set at a break-neck pace to 'hide' the absurdities. The climax, as a solar 'ray' destroyed the minefield between North and South Korea, allowing an 'invasion' to occur, as 007 and Jinx attempted to commandeer the aircraft controlling the 'ray', stands as one of the most ludicrous finales to a Bond film since MOONRAKER.

    Although DIE ANOTHER DAY would become Pierce Brosnan's highest-grossing Bond, to date, the film, despite heavily promoting Halle Berry's presence, failed to crack the 'Top Ten' box office attractions in the U.S., and disappointed many fans, worldwide.

    With the purchase of MGM by Sony, which has wanted to produce a Bond film for years (the studios were entangled in a legal suit that ended just as DIE began production), surprising changes were in store...CASINO ROYALE, the only Fleming title NOT owned by Eon Productions was named as the next 007 adventure...and Pierce Brosnan was FIRED (a sad finish for an actor who'd worked so hard to make 007 viable in the new millennium!) While Broccoli and Wilson are still 'in charge' of Bond productions, they have to answer to new bosses, with definite opinions of their own on where the franchise should go...Can 007 survive THIS?

    We can only wait and see!
    RTomZ

    Three and one-half of four stars

    Die Another Day 3½ Stars (Out of Four)

    After forty years of mostly phenomenal success, the latest James Bond film, Die Another Day, faced a SPECTRE-like challenge to bring something new moving forward, while including essential ingredients from the past. The twentieth official EON-produced James Bond film celebrates its own anniversary with several sly winks to long-time fans of the series, while delivering a solid, if not rollicking, fun adventure in its own right.

    Sean Connery has said that the role of James Bond should not be underestimated. Pierce Brosnan, to his considerable credit, does not. He is once again perfectly tough, suave, and witty. That he is able to do so seemingly effortlessly may be a double-edged blade, as it is also likely an explanation as to why he is somewhat under-rated in the role.

    Brosnan has attempted, throughout his tenure, to explore the inner workings of the James Bond character, and has consistently presented a decidedly more introspective interpretation than any of his predecessors. In this, his fourth 007 adventure, he has combined that with all of the right moves, and it is a fair statement that he has solidified the role as his own. It is certainly a continuation and outgrowth of what he accomplished in the very good The World Is Not Enough (1999), and had hinted at in 1995's GoldenEye and in the Stoke Poges hotel scene of Tomorrow Never Dies (1997).

    That said, never before have we seen James Bond as we see him in Die Another Day, and by that I am not referring to the Hawaiian shirt or cigar. Brosnan's tone and straight-forward approach throughout the film is perfect, and the rest of the film follows suit nicely. No tie-straightening scenes here!

    The best James Bond pictures have always followed a formula. One essential component of that formula is that no matter how outlandish the plot, the approach and tone of the film remains serious. So when a mute Korean throws a deadly bowler hat, or a megalomaniacal villain uses a bevy of unsuspecting women armed with cosmetics compacts to carry out his evil plans, or James Bond's car features an ejector seat and smoke screen, the audience simply is pulled along for the glorious ride. Another component is that the villain and his henchman must be memorable as well as dangerous, no easy task in a series that lists Dr. No, Red Grant, Goldfinger, Odd Job, and Blofeld on its baddie roster. Die Another Day delivers on all these counts.

    Neal Purvis and Robert Wade have written a very good screenplay that slyly celebrates the series' anniversary, as well as includes all the essential ingredients of the James Bond films. Most (myself included) would have been satisfied with that, and be done with it. Surprisingly, Die Another Day goes the extra length, and includes some elements as non-formulaic as ever seen in the series. The plot is indeed over-the-top, but one would never know it from observing the characters executing it.

    There are elements that are today very topical, and interestingly, the twisted motivation of the villain Graves includes paternal approval as well as world domination. He rails against "Western hypocrisy" and the British government as "policeman of the world". He has the chutzpah to parachute into Buckingham Palace. He reads Sun Tzu. It would not be a cliché to say there is more much more to this guy than meets the eye.

    Ian Fleming's novel "Moonraker" serves as a touchstone in many ways for this film, and a great one it is. James Bond is up against his fellow countryman and universally respected Gustav Graves (Toby Stephens, who delivers a terrific performance). Graves, the mysterious "industrialist", has developed technology that can be used for human good, or cause great catastrophe. It is up to James Bond to determine which. A nice touch, we even get to see Bond at the private club, "Blades", where the arrogantly snobbish Graves (shades of Hugo Drax!) is also a world-class fencing champion. This sets up a balls-out match between he and Bond that escalates into a full-scale sword fight. Not once played for a laugh, it is a highlight of the film.

    The pre-credits and credits sequences depict Bond captured by the villain, I mean seriously captured, and tortured and imprisoned for a considerable time. A haggard James Bond is not something the audience is used to seeing, and it is precisely this kind of touch that separate and elevate the last two Bond pictures this close to the level of the series' glory days. (That would be the 1960's, for those who might consider the arched eyebrow the height of Bondian sophistication.)

    During the initial sequence, Colonel Moon (Will Yun Lee) is seen during an intense work out with a kick-boxing bag. After he finishes his vicious session, the bag is opened to reveal an under-achieving underling. Well done! James Bond, under the guise of selling diamonds for weapons, meets up with Moon in North Korea. Bond is ultimately unveiled as a spy, leading to his capture and imprisonment. But not before a kick-ass hovercraft chase, and an especially witty bon mot. (This is also the only scene where James Bond fires a machine-gun, if that matters.) Zao (Rick Yune) is introduced as a worthy physical adversary for Bond. A well known and effective trademark of all the Bond henchmen is some type of physical exaggeration or deformity, and Zao has a personal score to settle with Bond for causing his own.

    This leads right into Danny Kleinman's credit sequence, and it may just be his best, if not the best of the entire series. That is saying quite a lot considering the great talent and legacy of Maurice Binder. Simultaneously stunningly beautiful and achingly disturbing, this sequence is reason enough to see the film, which I also said of Kleinman's work in Tomorrow Never Dies. There is also no denying that Madonna's controversial theme song has a tangible synergy with the credits, and although the song is certainly a departure, I think it will eventually rank with some of the most memorable Bond themes. Overall, the credit sequence is easily one of the highlights of the film.

    Bond eventually does get out of North Korea, and finds himself in an MI6 hospital, where he encounters a particularly harsh M concerned with what he might have revealed under torture. She rescinds his "00" status, he escapes, and is off to track tracks Zao (and Graves) to Cuba, London (where his licence to kill is reinstated), Iceland, and eventually back to North Korea, where he ultimately confronts Graves. The plot is nicely straightforward, certainly not so unwieldy as to render itself moot, though there are a couple surprises including a traitor within MI6 that make it all the more a satisfying story.

    Bond meets up with the beautiful Jinx (Halle Berry) in Cuba while posing as an ornithologist named James Bond(!) Beautiful and talented, casting Berry was a major coup, though depicting her in the film as 007's equal took some of the essential focus from Bond. This is one of my biggest quibbles with the film. The climactic fight scene at the end between Bond and Graves was intercut with Jinx's own battle. Ironically, I think Jinx's was superior.

    The rest of the stellar cast includes Rosamund Pike as "Miranda Frost", and she is a wonderfully pleasant surprise. Judi Dench is as per usual, excellent. Samantha Bond's "Moneypenny" gets to experience some things we've always suspected she has desired, and at least one she probably hasn't. Toby Stephens is very good as already noted, and Rick Yune is more than memorable as the dangerous and lethal henchman, Zao. Michael Madsen isn't given much to do, which is unfortunate as he is a great and interesting actor. Nice touch to again include Colin Salmon as Charles Robinson. Madonna's character is quite unnecessary, although she does get in one good line.

    It has been well publicized that Die Another Day contains many references to previous Bond films. Impressively, none of them seem forced, and several are especially well done. One needs to pay attention to catch many of these subtle touches, if one is so inclined. (The fan in me was, and loved every one.) They do not take away from the experience of the film, but add to it. Somewhat similarly, an ongoing criticism of the James Bond films has been "blatant product placement." Even though Die Another Day has one of the biggest marketing campaigns in memory, blatant product placement here is minimal. The Aston-Martin Vanquish gets quite a bit of screen time of course, and the Jaguar XK8 is simply a beautiful car, but besides that, there is but one mention of Bollinger, and just a few unobtrusive shots of well-placed products such as Heineken, Sony, Brioni, and Norelco.

    John Cleese as "Q" is inspired casting, and he does the memory of Desmond Llewelyn proud, while still putting his own stamp on the role. The chemistry between Brosnan and Cleese is much more apparent than in The World Is Not Enough, and works as well and is as crisply written as any `Q scene' in the previous films. Bond's invisible Aston Martin sounds particularly unbelievable, but somehow, Q's matter-of-fact and simple explanation makes it work. A brilliant moment during one of their scenes, a subtle film reference had me rolling on the floor in laughter, though it has more to do with John Cleese's history than James Bond's.

    The very talented David Arnold delivers a wonderfully Bondian musical score, and occasionally includes a subtle homage to John Barry, which is very much in keeping with the tone and celebration of the rest of the film. In addition, I don't think a James Bond movie has ever included an original song by the original artist to enhance what is depicted on-screen. Nice touch.

    New Zealander Lee Tamahori takes the directorial reins, and his approach suits the film and character well. Incorporating several stylistic techniques (slow-motion, black-and-white, flashbacks) could have been a distraction, but they work, and do provide the film a contemporary feel. The staccato action sequences also reminded me somewhat of Peter Hunt's editing work from way back when. Tamahori should also be given credit for maintaining the more serious tone of the film. There has not been much continuity with Bond directors since the 1980's, it would be interesting to see him do another.

    Cinematographer David Tattersall has assured that the film looks great and Peter Lamont has again delivered some beautiful sets. The car chase on ice, "Blades" and the Ice Palace are especially memorable. Though most everything looks marvelous, Die Another Day contains a surprising amount of CGI in its second hour. My biggest criticism about the film is its over-reliance on that arcade-game look and feel at times. I would add, a scene where a CGI Bond is "surfing" while holding onto parachutes is a pale reminiscence of a far more exciting scene from earlier in the film which was physically shot in Maui. What is the logical extension of using extensive CGI, an animated Bond film? The films have sometimes been described as "cartoonish". I trust the producers do not interpret that as a preference.

    But these are relatively minor quibbles. Overall, Die Another Day works exceedingly well, and is superb entertainment that will also please the long-time fan of the series.

    Finally, it might be said that Gustav Graves has no advantage over M and James Bond when it comes to understanding Sun Tzu and his "The Art of War": "It is the wise general who uses the highest intelligence of the army for the purposes of spying, and thereby achieves great results."

    Great results indeed. Well done, 007

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    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The book that 007 picks up from the Cuban sleeper, along with a revolver, is "A Field Guide to Birds of the West Indies", written by James Bond. Ian Fleming, an avid birdwatcher, named Bond after the author.
    • Blooper
      When Bond is using the sniper rifle, Jinx utters some nonsense about "Windage 1 and 1/2." This information is useless to Bond, without some type of direction or denomination. Equally we are told that Bond is only shooting from 300 metres making such information unnecessary.
    • Citazioni

      James Bond: You know, I've missed your sparkling personality.

      Zao: [punching Bond in the stomach] How's that for a punch line?

    • Curiosità sui crediti
      The opening credits play over scenes directly related to the plot of the film (in this case, the torture of 007). This is a first for a Bond film. Also, footage from this sequence later appears as a brief flashback - something only seen in the series twice before (OHMSS and Moonraker).
    • Versioni alternative
      The R1 DVD release includes a special feature that allows viewers to watch raw footage of several key scenes, with the choice of multiple angles. One of these scenes - the sword fight between Bond and Graves - contains a rare blooper when Brosnan is unable to find the diamond in his pocket. Another multi-angle scene showing Halle Berry emerging from the water in her bikini, is hidden away on the DVD as an easter egg.
    • Connessioni
      Edited into Omega 'Die Another Day' Television Commercial (2002)
    • Colonne sonore
      Die Another Day
      Performed by Madonna

      Written and Produced by Madonna and Mirwais Ahmadzaï

      Madonna appears courtesy of Warner Bros. Records

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    Dettagli

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    • Data di uscita
      • 28 febbraio 2003 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Sito ufficiale
      • Official Site
    • Lingue
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    • Celebre anche come
      • 007 - La morte può attendere
    • Luoghi delle riprese
      • Avenida Duque de Nájera, Puerta de La Caleta, Cádiz, Andalucía, Spagna(Cuba)
    • Aziende produttrici
      • Eon Productions
      • Danjaq
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 142.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 160.942.139 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 47.072.040 USD
      • 24 nov 2002
    • Lordo in tutto il mondo
      • 431.971.781 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 13min(133 min)
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • DTS-ES
      • Dolby Digital EX
      • SDDS
    • Proporzioni
      • 2.39 : 1

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