Un uomo ingiustamente imprigionato riesce a fuggire e a trovare un tesoro nascosto, con il quale finanzierà la sua vendetta contro coloro che lo hanno accusato.Un uomo ingiustamente imprigionato riesce a fuggire e a trovare un tesoro nascosto, con il quale finanzierà la sua vendetta contro coloro che lo hanno accusato.Un uomo ingiustamente imprigionato riesce a fuggire e a trovare un tesoro nascosto, con il quale finanzierà la sua vendetta contro coloro che lo hanno accusato.
- Regia
- Sceneggiatura
- Star
- Partygoer No. 2
- (as Maireid Devlin)
- Jacopo
- (as Luis Guzman)
Recensioni in evidenza
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
Guy Pierce surprised me with a performance that was totally believable. His dry humour only made him more appealing, very well acted.
The entire epic, though long, never gives you the impression that you have been sitting still for ages. It moves along swiftly and always had me gripped, from the action, suspense, and even to the humour that was evident from time to time. The love story surprised me most of all. Instead of taking on a highly sexual slant, as all these new films do, it was understated, the female lead doing an admirable job of portraying the wounded lover, who has always longed for her Edmund. I loved the innocence that she managed to bring to the role, a really terrific actress and a really beautiful one as well.
Wonderfully scripted, exceptionally carried out! This has to be the best adaptation yet!
An emphatic 10!
I also put on the English subtitles on the second viewing in parts, which helped me understand a few things I missed on the first viewing and had made the film just a bit confusing in several parts. That was cleared up, and the rest was just enjoying the scenery and performances.
Most fun to watch was Richard Harris as "Priest," the longtime prisoner who tutors young Jim Caviezel, the man (Edmond Dantes) unjustly imprisoned who exacts his revenge in the last hour of the movie. Yes, Harris' teaching stretched credibility as he seems to teach his pupil about everything there is know in life! Harris, too, had some of the best lines in the movie, several very profound statements. Ironic that he would be giving Caviezel - who two years later was playing Jesus in "The Passion Of The Christ" - sermons about believing in God! That's Hollywood! One film you're an atheist, the next you are God.
For those who might think the first 30-40 minutes of this movie are a bit slow, stay with it as the action picks up once Caviezel escapes from the prison. Shortly afterward, he is aided by the other character I found most fun to watch, played by Luis Gusman, who still sounds like he's more at home in the streets of New York but, once again, you suspend belief and just go along for the ride.
Strange how our human nature makes revenge so sweet when forgiveness is the right thing to do, but Hollywood has always capitalized on this human failing, making enjoyable films like this. To be fair, it isn't just revenge, as this film points out, it's "justice" we all like to see. In here, the two words are interchanged, depending upon ones rationalizations.
Rating = B+
- VideoGameHollywood.com
Lo sapevi?
- QuizScreenwriter Jay Wolpert came up with the idea, not present in the novel, that Fernand Mondego (Guy Pearce) and Edmond Dantes (Jim Caviezel) started out as best friends. His logic was that it would work better as a "buddy" film that turned sinister. Wolpert believed that when a friendship soured, the hate generated was both more terrible and more believable.
- BlooperEdmond's eye color fluctuates between brown and blue throughout the movie.
- Citazioni
Edmond: Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you: as Albert Mondego, the man!
- Versioni alternativeThe UK release was cut, the distributor chose to remove two shots of a man hanging to avoid giving children the impression that a person can hang for some time with no ill effects and in order to obtain a PG classification. An uncut 15 classification was available.
- ConnessioniFeatured in The Count of Monte Cristo: An Epic Reborn (2002)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Count of Monte Cristo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.234.062 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.376.150 USD
- 27 gen 2002
- Lordo in tutto il mondo
- 75.395.048 USD
- Tempo di esecuzione2 ore 11 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1