Chunhyangdyun

I stumbled into Chunhyang through a teaser on Sundance Channel today. The story is a variation of a timeless theme of forbidden love found and lost. Or is it lost and found?

The presentation includes a staged classical Korean theater performance where a singing storyteller and a drummer (Pansori) act as the narrator. His singing punctuates and accompanies the visual story and dialog.

I was afraid that the acting would be too stylized and therefore distracting, but it was very believable and engaging.

Having recently become interested in Korean history and culture through their pottery, I was familiar with some of the images, values, and traditions, but the beauty of the costumes, architecture, and scenery were strikingly beautiful and compelling.

I'm looking forward to seeing this again. It was so visually rich that I'm certain it will continue to be a source of beauty.

Introductory lines extracted from its trailer: "It will take you to a place you've never been and wrap you in a life time you've never lived. It is a story of a governor's son favored by birth-right, and a courtesan's daughter, Chunhyang, marked from birth. beautiful, sensual, innocent, brought together by love, bound by loyalty, but torn apart by law. their life became their legacy until their names became legend." A film of epic beauty and eternal devotion of a broken heart that cannot be divided and a heart that cannot be taken where"

There are a number of lines I found particularly worth meditating and deep thoughts. I didn't think this film would be a great film especially judging from its opening introduction where chants with singing were all I heard. Of course then I must remove the mentality of what a movie should be like set by Hollywood. Having done that, Chunhyang as well as the movie, has taught me a great lot of moral values, and wisdom, and not to mention loyalty. The number of people devoted to marriage and love these days are on the declining slope and it is in my opinion that modern thinking is to be blamed. However, these are two very different contexts. Truly, Chunhyang, is a very 2 hour inspiring film, in a different way from Hollywood.

Its musics are as though playing with the strings of my heart. oh my god, so good! Enjoy!

This is a Korean film telling the story of two lovers torn apart by class. The son of a governor and the daughter of a courtesan. It has the air of a fairytale and is a very good film.

It may be difficult for some people to get into the film in the beginning if you are not familiar with pansori. Pansori is a centuries old Korean form of storytelling in which a storyteller sings the story while a drummer drums and makes short vocal sounds or words of encouragement. It is initially jarring for those of us who mostly watch American and European film, but stick with it. I first saw this in a film class and it was among two films that I wrote about for class and liked so much that I purchased on my own once the class ended.

As the film begins the viewer is placed in the position of someone watching a pansori performance. From here the film transitions from the world of Chunhyang to the pansori audience. Part of the enjoyment of the film comes from watching the reactions of the pansori audience to the story. It is akin to being in a movie theater and sharing the same experiences with everyone else watching the film.

Aside from the format, the story itself is enchanting, full of love, loyalty, and courage. The acting is very good and the actors are not bad looking themselves. The pansori performance is a song of the story so it has some poetic qualities that don't necessarily push the story forward, but are enjoyable if you are patient. All in all it is a look into Korean culture and storytelling that not many films from America, Europe, or the rest of the world do for their own cultures. Most films today just stick to the basic narrative design or are pretentious and abstract. This one creates a new experience for anyone who is willing to give it a chance.

Cahiers Du Cinema called this epic an "experimental film", and indeed, it is as experimental as Lars von Triers DANCER IN THE DARK by heavily relying on music and songs. On the other hand, the differences are quite obvious. Here the songs come from the off most of the time (until the camera surprisingly moves to the classic singer on a stage) and do something that usually reduces the quality of a movie: they tell you what's going on in the pictures. But those pictures are of such an elegic beauty (with the typical yellow "Im-tone") that you feel a story is told to you by your grandfather and it unfolds perfectly in front of your eyes. I saw the screening during the MIFED 2000 together with only one (!) other guest and am quite astonished that film fans and buyers might overlook this masterpiece about an exclusive one-on-one love that touches our hearts.

Before video, before film, before printing, before writing -- people told and sang stories.

"Chunhyang" is a wonderful way to experience this oral tradition, listening to the music of language as chanted by a Pansori telling a Korean folk tale. For those of us without facility in the Korean language, the film paints for us the images conjured by the singer. These are beautiful images of a colorful, far-away land in ancient times -- images locked into the race memory of the Korean people familiar with the story, but now on the screen for our benefit as well.

This collision of old and new art forms generates a synergy evident, for example, in the scene in which Chunhyang is beaten for refusing to take to the evil lord's bed. Most of this takes place off-screen -- instead we see shots of the Pansori and of his audience, sitting on the edge of their seats and weeping as he tells of the heroine's defiance. It was one of the most gut-wrenching scenes I've experienced in many years.