VALUTAZIONE IMDb
6,1/10
75.978
LA TUA VALUTAZIONE
Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.Due marine statunitensi durante la seconda guerra mondiale vengono assegnati per proteggere i marines Navajo, che usano la loro lingua madre come un indistruttibile cifrario radiofonico.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature totali
Clayton J. Barber
- Hasby
- (as Clayton Barber)
Recensioni in evidenza
The film is actually quite good. One of the main drawbacks about this film however is its focus. The timing seems off regarding some aspects in my view, which is the fault of the director. John Woo is better at creating beautiful looking battle scenes than he is at letting characters capture their moments and develop. At times the war violence definitely also looks too impressive and choreographed, which in another way slightly takes away from the film. Are we watching a ballet, or a war film here? At the same time the story is mostly very good and Cage in my view was excellent. Even despite a director who's not overly great with developing characters and allowing us to feel them fully. Somehow, Cage still manages to create something special here. Despite what anyone may say about Cage, the guy, when given the right role can knock it out of the park. He pretty much does here. The film and his character in some ways are certainly a little Hollywood cartoonish one could say, but you also have to give some credence to the fact that some people really were and are brave war heroes. Extraordinary events like war can lead to extraordinary actions by human beings, sometimes both good and bad.
I have heard there is now a Director's cut of this film available, and to be honest I'm not sure what version I saw, since I just streamed it. Anyway, even so, there's little doubt in my mind that the best Cage/Woo film will probably always be, Face/Off. Nonetheless, this film is well worth checking out too. 7/10.
I have heard there is now a Director's cut of this film available, and to be honest I'm not sure what version I saw, since I just streamed it. Anyway, even so, there's little doubt in my mind that the best Cage/Woo film will probably always be, Face/Off. Nonetheless, this film is well worth checking out too. 7/10.
I just watched the director's cut on DVD after having seen the theatrical cut some time ago.
Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.
A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.
Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.
I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.
Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.
I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.
If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.
My ratings: 6/10 for the original cut. 8/10 for the director's cut.
Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.
A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.
Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.
I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.
Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.
I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.
If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.
My ratings: 6/10 for the original cut. 8/10 for the director's cut.
Although the intentions are very noble (showing the world how Navajo Indians helped in the war ... through their native language as code), the movie is not that good ...
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
First, the bad: Nicholas Cage's over-the-top, suicidal maniac, idiotic self-pitying marine played with no subtlety at all. Peter Stormare's lousiest performance to date, he's been going downhill since the excellent work in FARGO. Perhaps that one was just luck for him, and a good script. Excessive battle scenes, so much so as to give the viewer shell-shock too. For these, a ONE.
The good: both Adam Beach and Roger Willie give solid, well-bodied performances as the Navajo code talkers. The effort to recognize the contribution of the Navajo code talkers is a very positive aspect here, and for these reasons the film deserves a NINE. I give it an average of FIVE.
The good: both Adam Beach and Roger Willie give solid, well-bodied performances as the Navajo code talkers. The effort to recognize the contribution of the Navajo code talkers is a very positive aspect here, and for these reasons the film deserves a NINE. I give it an average of FIVE.
A war movie done John Woo-style sounded like such a good idea on paper. The slow-motion action sequences and other typical Woo-ism elements are often even more laughable than beautiful or realistic. Same goes for the deeper and sentimental meanings of the movie.
It's obvious John Woo wanted to make a "Saving Private Ryan" realistic like war movie but the movie gets stuck somewhere between Hollywood action/war entertainment and a serious war movie.
The battle sequences look too fabricated and planned out, which is of course a killer for the movie its realism. Sure the battle sequences all look fine and it obvious cost some serious money to make this movie.
Between all of the battles and action within the movie, there are lots of slow moments. Guess it tries to be deep or something, also about the Navajo-culture, in those moments but it instead feels pointless and often like a drag. Same goes for most of the sentiments within the movie. It's also the reason why the movie is quite long.
The movie is an underwritten one that for a genre movie is too formulaic. It's mostly a predictable movie that offers very few surprises or original moments. A shame, since the concept of the movie is definitely an original one. The movie also doesn't bother to tell where and why they are fighting. What are all these battles? Why are they being fought? And yes, of course the movie also finds room to put in a love-story. All of the character also remain pretty shallow one's, no matter how far they dig into their past.
Nicolas Cage just wasn't made for these sort of movies. The movie is filled with some other well known names in it and most of them do a good job. It's not like the acting is one of the weakest elements of the movie but that still doesn't mean that everyone was correctly cast.
It's definitely a watchable movie but its shortcomings just prevent this movie from being a great or really memorable one.
6/10
http://bobafett1138.blogspot.com/
It's obvious John Woo wanted to make a "Saving Private Ryan" realistic like war movie but the movie gets stuck somewhere between Hollywood action/war entertainment and a serious war movie.
The battle sequences look too fabricated and planned out, which is of course a killer for the movie its realism. Sure the battle sequences all look fine and it obvious cost some serious money to make this movie.
Between all of the battles and action within the movie, there are lots of slow moments. Guess it tries to be deep or something, also about the Navajo-culture, in those moments but it instead feels pointless and often like a drag. Same goes for most of the sentiments within the movie. It's also the reason why the movie is quite long.
The movie is an underwritten one that for a genre movie is too formulaic. It's mostly a predictable movie that offers very few surprises or original moments. A shame, since the concept of the movie is definitely an original one. The movie also doesn't bother to tell where and why they are fighting. What are all these battles? Why are they being fought? And yes, of course the movie also finds room to put in a love-story. All of the character also remain pretty shallow one's, no matter how far they dig into their past.
Nicolas Cage just wasn't made for these sort of movies. The movie is filled with some other well known names in it and most of them do a good job. It's not like the acting is one of the weakest elements of the movie but that still doesn't mean that everyone was correctly cast.
It's definitely a watchable movie but its shortcomings just prevent this movie from being a great or really memorable one.
6/10
http://bobafett1138.blogspot.com/
Lo sapevi?
- QuizWeapons coordinator Robert "Rock" Galotti amassed over 500 vintage World War II-era firing weapons and 700 rubber replica weapons for the film from private collectors and prop houses. Also featured moving across battlefields are vintage Sherman tanks, their smaller Stuart brethren, and Japanese Hago tanks.
- BlooperWhen Ben Yahzee is leaving his family he shares a firm handshake with an elder. In Navajo culture personal contact is very limited. The handshake would have been a brief, light touch if given at all.
- Citazioni
Private Ben Yahzee: Radio Man:
[to Private Ben Yahzee]
Private Ben Yahzee: Remember Marine, ours is not to question why, ours is but to do or die. Semper Fi. Over
- Versioni alternativeA few scenes and lines of dialouge were either altered or missing from the finished film. An early scene of Joe and a nurse in their car on the beach has them two talking about the world being a pretty place and joe says it's not. Another scene of Joe and Yazi talking. Joe asks "seen any combat?" Yazi answers "No, but i am looking forward to getting into some" There are a few other small lines of dialouge that was left out. These were most likely cut because of pacing.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Códigos de guerra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 115.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.914.068 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.520.412 USD
- 16 giu 2002
- Lordo in tutto il mondo
- 77.628.265 USD
- Tempo di esecuzione
- 2h 14min(134 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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