La città incantata

'Spirited Away' is the first Miyazaki I have seen, but from this stupendous film I can tell he is a master storyteller. A hallmark of a good storyteller is making the audience empathise or pull them into the shoes of the central character. Miyazaki does this brilliantly in 'Spirited Away'. During the first fifteen minutes we have no idea what is going on. Neither does the main character Chihiro. We discover the world as Chihiro does and it's truly amazing to watch. But Miyazaki doesn't seem to treat this world as something amazing. The world is filmed just like our workaday world would. The inhabitants of the world go about their daily business as usual as full with apathy as us normal folks. Places and buildings are not greeted by towering establishing shots and majestic music. The fact that this place is amazing doesn't seem to concern Miyazaki.

What do however, are the characters. Miyazaki lingers upon the characters as if they were actors. He infixes his animated actors with such subtleties that I have never seen, even from animation giants Pixar. Twenty minutes into this film and I completely forgot these were animated characters; I started to care for them like they were living and breathing. Miyazaki treats the modest achievements of Chihiro with unashamed bombast. The uplifting scene where she cleanses the River God is accompanied by stirring music and is as exciting as watching gladiatorial combatants fight. Of course, by giving the audience developed characters to care about, the action and conflicts will always be more exciting, terrifying and uplifting than normal, generic action scenes.

Through Chihiro, Miyazaki is clearly (but non-patronisingly) talking to youth of Japan. There's a certain sense of revile about the youth of Japan at the moment. Many people consider them to be ill-mannered and baring no respect for their elders or their forefathers. They are simply bi-products of their material world and consumerism. 'Spirited Away' taps into this. At the start Chihiro is a selfish, spoiled, whiny brat. But as she plunges deeper into the spirit world, she becomes more independent, more assured, more respectful and learns some manners. No Face, a black figure with a white mask, is the catalyst behind Chihiro's transformation. Once he is let into the bathhouse, we are no longer tourists – the story propels forth. Watching No Face prey on the greed of the workers is a terrifying delight. The three main characters in Miyazaki's youth allegory are Chihiro, No Face and Bô. All of these characters are disconnected with their world. They are lonely, misunderstood and largely ignored. But when they go on their journey together, they united and become stronger individuals.

Miyazaki also talks about the ecology of Japan. What was once a beautiful; grassland has now turned into the Asian New York. That The Last Samurai had to be filmed in New Zealand to get a turn of the century Japanese look speaks volumes. The River God sequence is an unsubtle but unpretentious commentary on pollution. While these two themes are very much current in Japan, they are also universal themes – which makes 'Spirited Away' a universal story that most of us can connect with. I'm willing to bet everyone reading this has at some time seen bicycles lying on a lake bed or have had a child talk to them disrespectfully. Sure these themes aren't advanced philosophy. They are everyday issues told in an inventive, fun way.

The animation is wonderful, if not as smooth as Disney's works – but there's something superior to that. 'Spirited Away's imperfect, but detailed world is far more fascinating than the perfected blandest of Disney's latest offerings. The animators successfully balanced the tight-rope between not-enough animation on characters and too much animation on characters. No Ralph Balski ADD antics here! The film is full of vivid images – both beautiful and horrifying. The line between those two extremes is crossed over seamlessly. From Chihiro and Haku running through an opening flower field to Haku's dragon snarling with a bloody mouth, both extremes seem to belong in the film. It's also excellently done with the characters. Kamaji can be seen as a scary, daunting figure at the beginning, but soon he seamlessly changes into a humble, wise figure. Yubaba also seems to be able to turn from kind to witch with the snap of a finger.

The sound on the film was expertly done. The sounds perfectly match the on screen actions and objects. My sub woofer got a wonderful workout when Haku swoops Chihiro past the bridge at the beginning. And while I don't speak Japanese, I think the voice actors did a wonderful job of conveying their personality and emotions true their voice. Joe Hisaishi's music is sublime, definitely one of my favourite scores. His main piano theme is simple and evocative. His thunderous action music hits the viewers on the chest like a hammer. Like all great scores it heightens the greatness of a scene about three times. The score, unlike many American composers', is unobtrusive. It plays excellently with the scenes, but never overbears them. A lot of the time the it is barely noticeable, a sole piano plays softly in the background evoking a dreamlike/lullaby quality.

'Spirited Away' is a simply a modern masterpiece, easily one of the Top 10 films of the new millennium. It works on a multitude of levels; a social commentary on Japan, a homage to ancient Japanese/Russian mythology, a moral film for both children and adults. But most importantly, it is a simple story brilliantly told by a great filmmaker who appears to be at the top of his game. 'Spirited Away' works much like a relaxing journey. Pop in the DVD; leave this world for two hours and when you will be almost certainly enriched and ready to take the trip again.

Despite an overlong run time, Spirited Away is a visually stunning film filled with some of the most imaginative characters I've ever seen. In addition to the visuals, the music is beautiful, and the story has something for audience members of all ages.

I have seen many international films over the years and quite a few of these were Japanese. In addition, unlike many parents, I have seen a lot of anime that my kids have watched so at least I have some familiarity with the medium. Yet, with my background I still felt pretty confused and baffled by the strangeness of this movie. Now this isn't to say I didn't like it, but so many times I just couldn't understand exactly what was happening. Interestingly, when I saw the film again, I understood it much better and appreciated it much more. And this may be exactly how you might want to approach the film unless you already are a die-hard anime fan. See it, but be willing to see it without trying to think out the odd plot too much or even try seeing it several times. I know that each time I did, the film became more and more enjoyable and I began to notice so many cultural references. Now, several years after I first saw it in the theater, I have seen a lot more Japanese anime and films and it's practically second-nature to follow the film. So, for adults and those unfamiliar with the medium, this movie might take a bit of effort to fully enjoy, though with more and more children being familiar with and loving anime, it's very likely your kids will love it and will then be able to explain it to you!! As for the film, the animation is the best I have seen in any Miyazaki film, the story deep and fascinating and it's full of cute and endearing little touches that make the movie magical. See this with an open mind, please.

Personally, I've never seen anything as original in an animated film as in this deeply mythical fairytale. What a surreal idea for a movie! It's hard to find an adequate description (because I also don't want to spoil this in the slightest way) but this film has a sense of "otherness" to it - for lack of a better word - like none I've ever seen. And the strange, mythical nature of this film - apart from the amazing artwork - is probably one of the main reasons for its appeal to me.

Maybe the themes of the story don't feel quite as strange to an eastern audience because they fit to a certain degree with some eastern/Asian mythologies - to me, this beautiful piece of wonder was something new. And a profoundly moving experience.

Outstanding animation; funny, weird, scary and touching at the same time, this unique work of art is one I can't recommend enough. 10 out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

Good morning. Last night I was able to catch the Disney US Release of Spirited Away ( originally The Spiriting Away of Sen and Chihiro). This is another Disney purchase of a Japanese hit. For those that don't know, Disney has a nasty habit of importing titles from Japan and then changing the story when dubbing films or creatively editing the endings or plot to "suit American audiences". Personally I think that's a travesty. So whenever you go see the Disney release of a foreign film, realize the film you are watching may not be the 'same film' the rest of the world sees.

OK, that aside, was it a good film? I deliberately did no research before seeing this film as I prefer to go into films with little or no expectations. All I knew was that the film was directed and written by Hayao Miyazaki, the same man responsible for Princess Mononoke ( a film released a few years back that I also enjoyed). In the case of Spirited away, I'm glad I did not know what I was getting myself into, otherwise I might not have come (and surprisingly, not for the reasons you likely assume).

The film concerns a young girl and her parents who find an odd tunnel in the side of a hill while moving to their new home. Upon investigating the tunnel, they find a strange "theme park" on the other side devoid of inhabitants. Upon investigating the theme park, things are obviously very "wrong" (at least to the little girl- her parents seem woefully oblivious) and as it gets closer to sunset, things just get worse. Unfortunately, this is all the plot I am able to reveal without spoiling the uniqueness of this film.

This is an 'adult-oriented' movie. It has some rather disturbing images and ranks among the weirdest films I have seen in my life. It's a bizarre amalgam of Wizard of Oz,The Neverending Story, Alice in Wonderland, My Friend Totoro, Chitty Chitty Bang Bang and The City of Lost Children (just to name a few). This film is interesting from beginning to end even though the plot advances rather slowly. There is always some new thing to see or some truly bizarre thing to witness. The animation is above average but not as impressive as Mononoke (and even features several gratuitous CGI sequences).

There is a great story and some great humor. I laughed more in this film than I have at any Hollywood 'comedy' in the last 5 years (and Spirited Away is not a comedy, it just has several good comedic breaks). No nudity. No Profanity. No 'gratuitous' violence. Some rather disturbing scenes of characters getting eaten alive (and some threats thereof) but even the eaten characters return unharmed later in the film.

This is not really a 'family film' (and definitely NOT a "kiddee film") but it is something you can take the whole family to. Smaller children will not understand the story, but they'll like the visuals and enjoy the humor. Mid-teens might be a bit "weirded out" by the subject matter and the visuals and older teens and adults may be too jaded by American cinema to enjoy the film for what it is- a lavish fairytale from a foreign country. This film runs about 2 hours so leave the "kidney-buster" sodas at the snack bar. If you have to take a bathroom break, you WILL miss something and I assure you no friend nor helpful audience member will likely be able to adequately convey what it is you DID just miss.

If you enjoy Anime or the bizarre, make an effort to see this film. Even if you don't normally like "cartoon movies", you might give this one a chance. It is not a 'casual moviegoer' film by any means and does rely on some thought from the audience to enjoy it. It will also likely be the oddest film you'll see this decade and you'll be sure to remember this film long after all the other 'disposable movies' have faded from your recollection. This film is receiving almost no advertising. I didn't even know it existed until I saw the poster tucked away in a corner at the theatre earlier this week. I hope Disney puts a little more effort into advertising this film's release because it is truly an original film and worthy of a large audience. Hopefully positive word-of-mouth will get this film the attendance it deserves.