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There is just something about seeing a western that has real characters in it. What is it about outlaws that peaks our interest? What was it about Jesse James that made people love him so much? Was he really as benevolent as he was made to be in this film? Was he really as crazy and theological as he was in the Rob Lowe/Bill Paxton film Frank and Jesse? I'm not really sure, I would probably have to guess he was somewhere in between. In American Outlaws Jesse is played rather blandly by Colin Ferrel. I can honestly say that I wasn't overly interested in Jesse James in this film the way I was in Frank and Jesse. Rob Lowe had a much more complete interpretation of outlaw Jesse James. But what may be lacking in the leads is more than made up for in some of the supporting characters, and for that I would say that American Outlaws is almost worth seeing. Not quite, but if you have nothing better to do with $10.00, go see this film.

Gabriel Macht plays Jesse's older brother Frank and Timothy Dalton, of James Bond fame plays Alan Pinkerton, the man responsible for hunting down the James gang. Macht plays Frank James as the older and much wiser brother. He calmly solves disputes, writes and plans many of the heists and robberies and helps Jesse court the love of his life. Yet he is not there to take the spotlight away from his brother or from Cole Younger. Frank is basically a peacemaker. I enjoyed Macht's performance and when he was on screen the picture was a lot more interesting. He adds some needed credibility to a somewhat lame film. When you have great actresses like Kathy Bates looking disasterous in their small roles, you know you are in trouble. I don't know if you can attribute all of this to the director, Les Mayfield, but it has to start somewhere. The actors weren't really allowed to shine and maybe a few more takes should have been filmed before deciding on which one to use.

Two other actors stood out as well and one of them was Timothy Dalton. He seemed a little out of place in this film. He just looked as though he was one step ahead of everyone else and just seemed to know something that we didn't. He could make you think that just by a smirk, or a tone of voice or a tip of his black fedora. He is evil, conniving and yet he has some admiration for the James/Younger gang. He can empathize with their situation but his job is to hunt them down and kill them. I would like to see Dalton in more roles like this, he was fun to watch in this film. Also intriguing to watch is Will McCormack as Bob Younger. He is unfamiliar to me but anyone who watches The Sopranos religiously will recognize him from a few episodes. I thought he was believable in his smaller role as one of the Younger brothers. At first he comes off as being a little slow, but his character builds towards the end and eventually he turns out to be one of the stronger characters.

It's a shame that American Outlaws couldn't build a better script around these three characters because they seemed better than the script they were given.

American Outlaws isn't a bad film, it's not really a great one either but it is worth a look. If anything, it will make you want to go home and pop in your copy of Tombstone and remember what it is like to have compelling Western characters.

6 out of 10--could be better, could be worse.

Many of today's younger viewers probably won't know too much about the James Boys, and The Youngers. So they can enjoy this for what it is, "a funny, bullet dodging romp, through the wild west. ". However the older generation should probably steer clear of this one. The Goodies are Baddies, and the Baddies are Goodies. Some of the one liners could have been written by the writers of Joey or Friends, with additional material by Mel Brooks, who might have called it "Men in Strides" I notice that the stunt men and special effects (which seem mandatory in today's films,) got all the awards. Figures about right. Jesse's escape from the train is strictly Van Damme. So, if you've never heard of Bob Ford, watch this, you'll probably enjoy it. However, if you are old enough to remember Bob, and Tyrone Power, I have a feeling that you won't.

It's not the Long Riders and it's not Who shot Jesse James. It's loosely factual and sometimes comical. Make up your own mind. It's entertaining and isn't that what movies are supposed to be?

I knew not to expect much from AMERICAN OUTLAWS. The glory days of westerns are long gone, and the new ones can't all be SILVERADOs and WYATT EARPs. But I was expecting to at least have a fun time, even if it was another film that portrayed real-life bad guys as the "heroes" of the movie.

Even on just a level of pure entertainment, AMERICAN OUTLAWS didn't score that well. I'm not sure why, but this film was just bland most of the time, and the actors (despite some talented ones in the parts) just seemed to walk through the performances, as if they were simply trying to just get the whole thing over with. Even the versatile Timothy Dalton seemed to be at a lost as to what to do.

And the characters themselves were terrible. By the end of the film, we still knew nothing about any of them. I like to have at least some understanding of the characters in a film. Whether they're the good guys or the bad guys, at least give me something about them to understand, sympathize with, or relate to. Sure, Frank and Jessie wanted revenge for a personal tragedy, but the depiction of that tragedy is handled so lazily we often forget about it for the rest of the film. The other characters tagging along with the brothers do so to make a stand against the railroad tycoon (Harris Yulin), but again, we don't get anything from them personally to make us root for their success.

A couple of the action scenes are nicely-executed, if sometimes over the top. The Hyperion job is the standout sequence of the entire film, as the James-Younger gang must fight their way out of a trap while attempting to rob a bank. And Trevor Rabin's exciting score (which I had already bought a few months ago and really enjoyed) helped make some of the boring parts seem more important.

Perhaps if the script had treated the material seriously and if the director had stayed awake during the shoot, it might have at least passed as a good time-waster for a dull Saturday night.

Released in 2001, "American Outlaws" is yet another rendition of Jesse James, Cole Younger and their Gang. This one focuses on the end of the Civil War and the first few years of the gang's activities,which lasted a whole decade in reality, from 1866-76, ending with the foiled Northfield, Minnesota, bank robbery on September 7, 1876. Jesse & Frank escaped while the others were captured or died. While Frank tried to settle down to a normal life in Virginia Jesse restarted the gang in 1879, but was shot by Robert Ford, one of his trusted gang members on April 3, 1882.

"American Outlaws" is highlighted by a great cast with palpable chemistry, including Colin Farrell as Jesse, Scott Caan (aka 'Danno') as Cole, the beautiful Ali Larter as Zee, Jesse's girlfriend/wife, and Timothy Dalton as the lead Pinkerton. Gabriel Macht, Will McCormack, Nathaniel Arcand and Gregory Smith are also on hand as notable members of the gang. The film plays it fairly serious accented by a fun, joie de vivre spirit, sorta like Indiana Jones in the wild West. You can tell the cast had a blast during filming. This is the exact opposite of the grim "The Long Riders" from 1980, which is arguably the best and most accurate film about the James-Younger Gang.

As far as historical accuracy goes with "American Outlaws," well, there was a group of outlaws in Missouri called the James-Younger Gang and they did rob banks, trains, and stagecoaches in Missouri, Kentucky, Iowa, Texas, Arkansas, Kansas, West Virginia and Minnesota (whereas Jesse's later group continued the gangs' criminal legacy in Alabama, Missouri, Louisiana and Mississippi), other than this the historicity is pretty butchered for the sake of rousing Western entertainment. See "The Long Riders" for a more austere and accurate version of the tale.

BOTTOM LINE: Even though "American Outlaws" loses points for inaccuracies and implausibilities, it scores high in overall entertainment value. It's a turn-off-your-brain-and-have-a-blast kind of Western. The movie performed poorly at the box office in 2001 and Roger Ebert gave it a scathing review. Ebert compared it to 1972's "The Great Northfield Minnesota Raid," which he praised. This was strange because that film wasn't exactly realistic either; in fact, it's a veritable parody or black comedy. These movies shouldn't be compared in the first place since "American Outlaws" details the gang's first year in action and "The Great Northfield Minnesota Raid" the gang's final bank robbery, a whole decade later. Furthermore, the two films are expressly opposite in tone: "American Outlaws" makes the wild West larger-than-life and ALMOST fun while the other film de-glamorizes it, making it profane, ugly and idiotic. In any event, "American Outlaws" is seriously rollicking Western lore worthy of one's video library.

The film was shot in Central-East Texas (great locations, by the way) and runs a short-but-sweet 94 minutes.

GRADE: B