La rapina

At times this film delivers the high-octane action and intrigue just as promised. Unfortunately, it runs too long in too many directions and loses its "punch". It starts out as a Vegas heist caper. Then it turns into a road movie. Then it tries to be a mystery. Then they pump things back up with some mega-action but by this time they've lost me. It could have been a really satisfying package if they'd wrapped things up a good half hour sooner.

On the plus side, I have to say, this is my favorite Kevin Costner performance. Turns out he's REALLY good at playing the "heavy". Sure hope he does it again, maybe in a tighter movie. I credit him for making the absolute most out of a not-very-good script.

`3000 Miles to Graceland' isn't quite as dopey as the cover art featuring Kurt Russell and Kevin Kostner clad in Elvis regalia would suggest. Although it breaks little new ground in its already overworked genre, the film does emerge as an efficient crime drama thanks to a gallery of interesting characters, some impressive performances and Demian Lichtenstein's flashy directorial style.

After a shaky first half hour or so, in which the film seems to be struggling to establish its direction and tone, the movie miraculously hits its stride and, thereafter, never really lets up. The story centers around a band of ex-cons, united by their almost obsessive love for the King of rock'n'roll, who decide to knock over a Las Vegas casino dressed as Elvis impersonators. Predictably, the heist serves merely as the pretext for one of them, the obviously psychotic Murphy (Kostner), to cold-bloodedly eliminate his accomplices. The fly in his ointment turns out to be Michael Zane (Russell), the most principled one of the group, who survives the holocaust and spends his time, along with a pretty single mother and her precocious child, trying to keep out of Murphy's way.

In terms of plotting, the film follows a pretty traditional route for this kind of film. However, the characters here seem a bit more fleshed out than they often do in some of those other films, particularly Zane, who seems caught between his criminal inclinations and his innate goodness as a human being. Cybil, the single mother played by Courteney Cox, likewise seems conflicted between genuine love and emotion and the excitement of easy wealth and a life lived on the edge. But it is Kostner as Murphy who sets the real tone for the film. His portrayal of a steely-eyed psychotic killer literally sets the teeth on edge, as he callously mows down scores of policemen and innocent bystanders who happen to get in his way. He makes for a truly soul-cringing villain. Russell, who played the actual legend back in his own younger, more halcyon days, makes a fascinating subtle counterpoint to Murphy's unbridled ruthlessness.

The film is not, however, a total success. For one thing, the violence often seems excessively brutal, graphic and mean spirited for a movie that seems to want to be a lark of sorts (after all, a movie featuring robbers dressed as Elvis impersonators can't be bidding to be taken too seriously). Moreover, the plotting, which far too often relies on unlikely coincidences to keep it rolling, also borders frequently on the incoherent. Finally, the morally ambiguous ending doesn't really sit well with those of us who find a couple of thieves, no matter how charming they may appear to be, unlikely candidates for heroism in the context of a `happy' ending.

All in all, however, `3000 Miles to Graceland' will probably appeal to those who like their crime dramas offbeat, quirky and filled with interesting characters.

I saw elements of "Out of Sight" and "Honeymoon in Vegas" in this action movie. The film deals with a heist pulled off by thieves posing as Elvis impersonators during a convention, and their following dillemas afterwards. The film becomes fairly predictable and unbelievable in the ensuing chaos, as most of the action takes place in showdowns between Kurt Russell and Kevin Costner's characters, the latter of whom claims to be an illegitimate child of Elvis. I thought it was a pretty good movie, and you might find something you like in it.

** 1/2 out of ****

This movie is a very mixed bag. First of all, it's not at all what I expected. I thought this was going to be a comedy where guys stage a heist dressed up as Elvis impersonators. And whilst it kind of is that, it's more of a crime movie and the heist takes place in the first thirty minutes with the rest of the runtime dealing with its fallout. This was very disappointing because based on the premise I was prepared to watch an Ocean's Eleven type of movie where the majority of it is the gang staging the heist and then executing the plan in the last act. There really is no planning involved in this and it just gets straight to it with the robbery being rather disappointing and unrealistic but also somewhat fun due to to how crazy and violent it is. I also wanted to see more of Kurt Russell's stellar Elvis impersonation which he has done so well in the past. There were a few scenes in which we got to see it but not enough when I expected him to be doing it throughout the whole film.

Surprisingly it is Kevin Costner that steals the show in possibly his only role in which he plays a villain, at least the only one where I've seen him do that. He is really unleashed in this movie in a way that I certainly haven't seen before, acting completely different from his usual shtick. Furthermore, the movie looks decent in terms of cinematography and the rest of the cast is also fine. As bad and insanely stupid as the movie is at times it really is entertaining. I can't give it a bad rating when I genuinely enjoyed watching it for the most part despite my complaints. It's the type of movie where you might be getting bored but suddenly Ice T appears hanging from the ceiling mowing people down with uzi's (this actually happens). At times it's laughably bad, especially during the terrible CGI intro and at times a decent enough crime film. However, the one thing that really annoyed me was the soundtrack which is very much of its time as it mostly consists of terrible early 2000's techno and we only get one or two Elvis songs. I'm sorry but In an Elvis themed movie I expect 90% of the soundtrack to be the King so to get techno instead was really grating. All in all though, despite the awful music the movie is certainly watchable and fun for the most part with the show-stealing performance by Costner being its main selling point.

This started with such great style, color and pizazz, I thought I had discovered a real "sleeper," a film I didn't expect to be good that was turning out to be very entertaining.

Well, after the big Las Vegas heist and shortly thereafter when we got a full look at the wild characters and even wilder action scenes, the film settled down and the dialog took over. Unfortunately, that was the film's downfall as the dialog is either incredibly stupid and-or annoying in the second half of this movie. Most annoying was this young kid, you know - the smart-ass kind that says things NO kid his age would say in real life. He also had a foul mouth, and I don't like to see that from young kids.

All the characters in here are pretty much low-life people, the worst being the one played by Kevin Costner, who seemed to relish this role. If you like low-class people, you'll like this story. I gave it points for the style and the fast-moving story, but it's too unpleasant overall for me.