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Un giorno a settembre

Titolo originale: One Day in September
  • 1999
  • R
  • 1h 34min
VALUTAZIONE IMDb
7,8/10
6602
LA TUA VALUTAZIONE
Un giorno a settembre (1999)
The Palestinian terrorist group Black September holds Israeli athletes hostage at the 1972 Summer Olympic Games in Munich.
Riproduci trailer1:30
1 video
41 foto
Documentario sportivoSportStoriaUn documentario

Il gruppo terroristico palestinese Black September tiene in ostaggio gli atleti israeliani ai Giochi olimpici estivi del 1972 a Monaco di Baviera.Il gruppo terroristico palestinese Black September tiene in ostaggio gli atleti israeliani ai Giochi olimpici estivi del 1972 a Monaco di Baviera.Il gruppo terroristico palestinese Black September tiene in ostaggio gli atleti israeliani ai Giochi olimpici estivi del 1972 a Monaco di Baviera.

  • Regia
    • Kevin Macdonald
  • Star
    • Michael Douglas
    • Ankie Spitzer
    • Jamal Al Gashey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    6602
    LA TUA VALUTAZIONE
    • Regia
      • Kevin Macdonald
    • Star
      • Michael Douglas
      • Ankie Spitzer
      • Jamal Al Gashey
    • 66Recensioni degli utenti
    • 38Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 5 vittorie e 7 candidature totali

    Video1

    Trailer
    Trailer 1:30
    Trailer

    Foto41

    Visualizza poster
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    + 33
    Visualizza poster

    Interpreti principali24

    Modifica
    Michael Douglas
    Michael Douglas
    • Self - Narrator
    • (voce)
    Ankie Spitzer
    • Self
    Jamal Al Gashey
    • Self
    Gerald Seymour
    • Self
    Gad Zahari
    • Self
    Shmuel Lalkin
    • Self
    Manfred Schreiber
    Manfred Schreiber
    • Self
    Walter Troger
    • Self
    Ulrich K. Wegener
    • Self
    Hans-Dietrich Genscher
    • Self
    Schlomit Romajo
    • Self
    Magdi Gahary
    • Self
    Zvi Zamir
    Zvi Zamir
    • Self
    Dan Shilon
    • Self
    • (as Dan Shillon)
    Heinz Hohensinn
    Heinz Hohensinn
    • Self
    Esther Roth-Shahamorov
    • Self
    • (as Esther Roth)
    Hans-Jochen Vogel
    • Self
    • (as Hans Jochen Vogel)
    Anouk Spitzer
    • Self
    • Regia
      • Kevin Macdonald
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti66

    7,86.6K
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    Recensioni in evidenza

    claudecat

    Don't watch this just before bedtime!

    Watching this documentary is a harrowing experience. I think the DVD version is unique in that even its menu page looks terrifying. By the end of the film, however, I was more angry than scared, because of the amazing level of incompetence German and Olympic officials showed in handling the hostage situation. The media also behaved abominably, broadcasting play-by-play accounts of the police's plans right into the ears of the terrorists. It made me think that the Bush administration might be partially correct in keeping the media in the dark about American military activities in Afghanistan.

    I don't understand why some people felt the film didn't give the "context" of the kidnapping. I think Jamal al Gashey, the only kidnapper left alive now, explained quite clearly why he did what he did. But if the film had spent an extra hour discussing the Israeli-Palestinian conflict, would that have made a difference? In my mind, nothing justified the kidnapping of athletes who by their very presence at the Olympics were trying to further world understanding. I can't think of many things that do justify holding innocent hostages for ransom. The director seems to feel that way too. Apparently that makes the movie too biased for some viewers.

    As for the comment that the movie "demonizes" the kidnappers, I don't agree. The filmmakers include a German official's statement that, if he had met him in a different situation, he would have liked the terrorist spokesman, Issa. al Gashey tells some very human stories, such as an ironic account of getting into the Olympic village with the help of American athletes out after curfew, and he insists that the plan was never to murder the Israelis. And al Gashey's brief but affecting account of being exiled from his childhood village does a lot more to argue the Palestinian side of the conflict than any brutal hostage-taking scheme. Too bad he never has realized that.

    Interestingly, filmmaker Kevin MacDonald wrote that in Israel he has been accused of giving too much time to the Palestinians. He also notes that Simon Reeve wrote a companion book to the movie, because "there were many aspects of the story we could not include in a 90-minute film." It's a pity the existence of the book isn't publicized more (assuming it's any good).

    I do wish the film had spent more time discussing the aftermath of the tragedy, and that MacDonald had used his incredible opportunity of interviewing the last remaining terrorist to ask him some more hard-hitting questions, instead of being satisfied with a step-by-step account of what the kidnappers did that day. (However, I just read that it was extremely difficult for MacDonald to get al Gashey to talk at all.

    I wasn't completely convinced that the Germans colluded with the terrorists in the Lufthansa hijacking, and would have liked to see evidence for that. I would also have liked to learn more about the Black September group. Basically, I think the film should have been longer. If it was kept to its current length for some marketing reason, I think the sponsoring studio should rethink that rule.

    However, the only choice I really wish the filmmaker had not made was to accompany extremely gruesome shots of bodies with loud psychedelic music. It would have been more respectful to show the images in silence.

    Watching the film in light of the events of a day in September of 2001, and after, makes me think that the world hasn't come very far since 1972, in terms of solving the Middle East's problems.
    8quest-21

    A Solid Documentary, and response to some criticism

    It would appear that many people believe that the documentary format should be held to some sort of objective, news-gathering standard. Whenever two clips are spliced together, regardless of the content there is some editorializing. A documentary is an editorial. If you want nothing more than unopinionated truth, than the only avenue open to you is uninterrupted security camera footage. You can, and sometimes should, disagree with the opinions offered by the documentary filmmaker as a critical viewer, but one faulting the filmmaker for offering an opinion is like criticizing water for being wet. The line that must be discerned is whether the filmmaker is overly deceptive or insidious in trying to convince you of his or her opinion. This is a line that can be very difficult to draw.

    Mr. Ruvi Simmons of London does not seem to realize these basic tenets of documentary film-making: "One Day in September, however, concentrates more on the human interest of the event itself, neglecting background information in order to convey a one-sided and grossly biased perspective on a tragic occurrence." I am a filmmaker, and I know that as such one must choose a theme and a perspective for a feature length documentary. The main problem that this person has with the film is that he is "that it neither explores the underlying issues behind the Israeli-Palestinian tensions." This is a 2 hour film, not a 40 hour mini-series. There is no way that the filmmaker could have adequately explored the history of the Israeli-Palestinian conflict and still told the story that he or she intended: the story of the hostage crisis at the Games of '72. Mr. Simmons also took offense at the filmmaker for vilifying the terrorists who perpetrated this plot. I do not need to offer a critical retort as any logical person can understand why this statement is foolishness. It sounds as though Mr. Simmons feels as though the terrorists were justified in hurting innocent athletes a continent removed from their conflict. Obviously, this person would dislike this documentary (although he does not mention that the documentarian interviewed one of the terrorists to present his side of their story).

    If you want to have a solid introduction to the acts of terrorism at the Games of '72, then this is a good work to watch. It is true that the thriller-style is a bit gimmicky, but it does add somewhat to the suspense if you do not know the outcome. If you are intending to see the film, "Munich," then this is probably a good primer (I have not yet seen it as it has not been released). Just remember, this film is just as much an editorial as Spielburg's film will be.

    ~C
    9dbborroughs

    I remember...

    One of my strongest memories of my grandparents farm was of watching the 1972 Olympics on their TV while vacationing there. I have faint memories of the tragedy that transpired thirty odd years ago and watching this documentary brings it all back for me.

    This is one of the best documentaries out there. It tells simply and clearly what happened and why. Using both news footage of the event and interviews conducted recently, amazingly the interviews include one with the only surviving terrorist who is now in hiding, this story tells the tale completely and compellingly. You get sucked into it even though you know whats going to happen, or think you do. The amazing thing about this film is that even if you know what happened it still manages to surprise you with new information that wasn't available before.

    This is a sad story told compellingly.
    LonesomeDove

    Bias in the film?

    I feel compelled to reply to the many people who say the documentary was completely biased toward Israelis. True, its focus was on the Israelis and their lives, and how they were killed by "evil" fundamentalist Palestinians. However, if you say the film is biased, then you're saying that maybe it should lean a little bit the other way, and tell more about the Palestinian terrorists and their personal plight in the conflict. But how can anyone be sympathetic to terrorists? The point has been brought up that both sides of the conflict experience terrorist attacks, so why should a filmmaker focus on one side more than the other; however, I think the fact that this attack took place at the Olympics, an event that represents the unity of the world and its people, is what makes the attack and this documentary so important. Therefore, Kevin MacDonald, in my opinion, has license to be as biased as he wants toward the Israelis, because they were the focus of this terrible event that occurred during a time that people around the world should have been united under the Olympics banner.
    9canadude

    A Fine Documentary

    "One Day in September" is a phenomenal documentary. Its focus is on the hostage situation during the 1972 Munich Olympics when Palestinian terrorists took Israeli athletes prisoner. The film does something which I think any great documentary should when it covers or explores historical events. It frames the entire hostage crisis in a larger context. Yes, the film covers 21 hours of September 5th on which the hostage situation commenced and (one could say) resolved itself. However, in order to understand the reactions of the German government, the Israeli government, the media and the Olympic Games' fans and participants, the film discusses the German desire to create the atmosphere of peace to erase the stigma of the 1936 Olympics, then full of Fascist propaganda. It touches on the ongoing Israel-Arab conflict. It touches on the meaning of the Olympics.

    "One Day in September" never strays from its focus, however, which is to document the hostage crisis and what it meant. What makes the film great, aside from its intelligent approach to the subject, is how well the atmosphere of the hostage situation is carried across. By the end of the film you do feel like you've watched the news for a day, glued to the TV screen hoping that the people will make it out alive. Watching it, you are reminded of how ill-prepared states are for terrorist attacks (still rings true even recently) because of the ulterior motives of statesmen. A lot of what happens at the state, political level, happens because it has to look good. The Germans were unprepared for the terrorists because they thought that extreme police security would welcome images of pre-War Olympics in Germany. They wanted to appear a certain way. The same went for how they handled the crisis.

    The film, like many terrorist crises, ends with a tragedy. What remains with the viewer is not only the deep sadness at how one of the most peaceful world events turns into one of the most hateful, but also how incredibly contemporary those events from over thirty years ago still seem.

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    Un documentario

    Trama

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    Lo sapevi?

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    • Quiz
      Director Kevin MacDonald finally managed to persuade the surviving terrorist Jamal Al Gashey to talk on camera after eight months of fitful negotiation and numerous aborted meetings in secret locations. Al Gashey specified certain conditions prior to their actual meeting in an Arab country insisting MacDonald was to travel alone, not to inform anybody where he was going and provide a wig and moustache for Al Gashey to disguise himself when in front of the camera. The interview piece used in the documentary was filmed by somebody Al Gashey trusted.
    • Citazioni

      Jim McKay: When I was a kid my father used to say our greatest hopes and our worst fears are seldom realized. Our worst fears have been realized tonight. They have now said there were eleven hostages; two were killed in their rooms yesterday morning, nine were killed at the airport tonight. They're all gone.

    • Versioni alternative
      Israeli version narrated by Rafi Ginat, and includes updated information regarding the claims of the families against the German authorities in the subtitles at the end of the film.
    • Connessioni
      Featured in The 50 Greatest Documentaries (2005)
    • Colonne sonore
      Immigrant Song
      Performed by Led Zeppelin

      Written by Jimmy Page and Robert Plant

      Copyright Flames of Albion Music Inc.

      Used by kind permission of Warner/Chappell Music Ltd.

      Courtesy of Atlantic Records

      by arrangement with Warner Special Products/Warner Music UK Ltd.

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    Dettagli

    Modifica
    • Data di uscita
      • 7 marzo 2001 (Regno Unito)
    • Paesi di origine
      • Regno Unito
      • Germania
      • Svizzera
    • Sito ufficiale
      • Sony Pictures Classics
    • Lingue
      • Inglese
      • Tedesco
    • Celebre anche come
      • Un día de septiembre
    • Luoghi delle riprese
      • Hauptbahnhof, Monaco, Baviera, Germania
    • Aziende produttrici
      • Passion Pictures
      • Arthur Cohn Productions
      • British Broadcasting Corporation (BBC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 156.818 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 15.149 USD
      • 19 nov 2000
    • Lordo in tutto il mondo
      • 156.818 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 34min(94 min)
    • Colore
      • Black and White
      • Color
    • Mix di suoni
      • Stereo

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