Aggiungi una trama nella tua linguaArchie MacDonald, a young restaurateur is called back to his childhood home of Glenbogle where he is told he is the new Laird of Glenbogle.Archie MacDonald, a young restaurateur is called back to his childhood home of Glenbogle where he is told he is the new Laird of Glenbogle.Archie MacDonald, a young restaurateur is called back to his childhood home of Glenbogle where he is told he is the new Laird of Glenbogle.
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It is great to have a series in which there is minimal violence, no ridiculous language, and virtually no sex--how refreshing for a change!
The scenery has already been noted elsewhere as spectacular, and as one of the stars. While I agree whole-heartedly with this, it is the acting which impresses me. Alastair Mckenzie does a superb job of portraying a suave Londoner who is suddenly thrust into a job he neither wants nor knows how to manage. However, (and you can see this most clearly when viewing the whole series, one episode after another) Mckenzie manages to convey that here is a man who grows from being a "fish-out-of-water" to being the LAIRD of Glenbogle. Mr. Mackenzie does it almost imperceptibly by degrees. Great work!
The rest of the original cast is equally strong. It is indeed too bad that most of the principal characters left over the seasons.
The scenery has already been noted elsewhere as spectacular, and as one of the stars. While I agree whole-heartedly with this, it is the acting which impresses me. Alastair Mckenzie does a superb job of portraying a suave Londoner who is suddenly thrust into a job he neither wants nor knows how to manage. However, (and you can see this most clearly when viewing the whole series, one episode after another) Mckenzie manages to convey that here is a man who grows from being a "fish-out-of-water" to being the LAIRD of Glenbogle. Mr. Mackenzie does it almost imperceptibly by degrees. Great work!
The rest of the original cast is equally strong. It is indeed too bad that most of the principal characters left over the seasons.
Perhaps the required caveat for this program, for those who need it, is that it is not action, special effects, or, for the most part, reality-based. (Of course "reality" and "accuracy" are not the point of most television and cinema, so this isn't really saying much.)
That in mind, Monarch of the Glen has an original premise, lightly portraying the transition of a once aristocratic, landed-gentry family into modern times, replete with the struggle to keep a majestic, ancient and beautiful castle afloat and functioning in a modern, capitalist world.
The series opens with the intersecting of two generations--the current "laird" of the castle, patriarch Hector MacDonald, and his wife, Molly, who both embody the last generation to have enjoyed a life of noble leisure and privilege, and their son and laird-to-be, Archie. While technically also privileged, the young Archie will have to rely on imagination, skill and a lot of sweat equity to sustain what is essentially now a white elephant: the sprawling and extraordinarily picturesque estate of Glenbogle, whose far-reaching land still supports various tenants with lives and minds of their own.
As the series' seasons pass, the plot thickens, some characters go and some remain, and Glenbogle inches gracefully into the 21st Century, even as as the castle remains a bit frayed around the edges.
(The sixth season recently ended, with the seventh commencing sometime in Fall 2005.)
While this British "we must save the farm" angle is the background narrative, Monarch of the Glen's primary investment is in exploring the personal exploits of its charming and idiosyncratic characters: the MacDonald family and their various estate "employees" and caretakers, who are essentially extended family. Romance, intrigue, interpersonal conflict, self-revelation, and the bonds of family and friends are the essence of the show, played out in that inimitably understated, witty and appealing BBC way (which can be particularly alluring for viewers a little shell-shocked by regular, American TV).
I find the able cast mostly quite believable in their respective parts, not to mention appealing and likable--particularly the roles of Archie, Lexie, Golly, Molly and Paul. An hour in their company is like a wonderful, genteel (but far from stuffy), little reverie, which keeps you wondering what's up for them next.
For romantics and Brit-o-philes.
That in mind, Monarch of the Glen has an original premise, lightly portraying the transition of a once aristocratic, landed-gentry family into modern times, replete with the struggle to keep a majestic, ancient and beautiful castle afloat and functioning in a modern, capitalist world.
The series opens with the intersecting of two generations--the current "laird" of the castle, patriarch Hector MacDonald, and his wife, Molly, who both embody the last generation to have enjoyed a life of noble leisure and privilege, and their son and laird-to-be, Archie. While technically also privileged, the young Archie will have to rely on imagination, skill and a lot of sweat equity to sustain what is essentially now a white elephant: the sprawling and extraordinarily picturesque estate of Glenbogle, whose far-reaching land still supports various tenants with lives and minds of their own.
As the series' seasons pass, the plot thickens, some characters go and some remain, and Glenbogle inches gracefully into the 21st Century, even as as the castle remains a bit frayed around the edges.
(The sixth season recently ended, with the seventh commencing sometime in Fall 2005.)
While this British "we must save the farm" angle is the background narrative, Monarch of the Glen's primary investment is in exploring the personal exploits of its charming and idiosyncratic characters: the MacDonald family and their various estate "employees" and caretakers, who are essentially extended family. Romance, intrigue, interpersonal conflict, self-revelation, and the bonds of family and friends are the essence of the show, played out in that inimitably understated, witty and appealing BBC way (which can be particularly alluring for viewers a little shell-shocked by regular, American TV).
I find the able cast mostly quite believable in their respective parts, not to mention appealing and likable--particularly the roles of Archie, Lexie, Golly, Molly and Paul. An hour in their company is like a wonderful, genteel (but far from stuffy), little reverie, which keeps you wondering what's up for them next.
For romantics and Brit-o-philes.
I love this show. Compared to all of the trash that's on TV right now, this one is a breath of fresh air. The scenery is absolutely gorgeous. I love it when they show the beautiful views of the loch. This is definitely a place I'd love to live. I think Hector and Killwillie are hilarious together and Molly is simply delightful. Lexie is a real spitfire and Duncan is so sweet and innocent. Golly is quite a man and I adore Archie and can't wait to watch his weekly adventures. I plan on buying this DVD ASAP because I will watch it over and over. Monarch of the Glen is a great series that I hope will not end anytime soon. Keep the refreshing characters coming and the breathtaking scenery!!!!!!
I watched this when it was first screened in early 2000 and eagerly await the new series starting in January 2001. It was a thoroughly engaging series that was fun to watch.
The Scottish castle and backdrop make a pleasant setting and the characters are delightful. I hope it will continue for more series and the excellent cast will re-appear. The story in a way is incidental. There is a place for this sort of drama which is neither heavy nor shallow. It just makes you feel good - quality for a popular audience.
If you have a good script, a good cast and a committed production team, then drama could always be like this. I wish it was. Who needs soaps when you can have the real thing. More please!
The Scottish castle and backdrop make a pleasant setting and the characters are delightful. I hope it will continue for more series and the excellent cast will re-appear. The story in a way is incidental. There is a place for this sort of drama which is neither heavy nor shallow. It just makes you feel good - quality for a popular audience.
If you have a good script, a good cast and a committed production team, then drama could always be like this. I wish it was. Who needs soaps when you can have the real thing. More please!
I am now home all day with my toddler and I told myself I would never descend to watching soap operas. However, I became totally hooked on this show when BBC America began running it at 5:00 pm. It has romance, hunks to look at (as well as gorgeous natural scenery) and also melodrama...but it is certainly many cuts above a "soap". The quirky characters are so much fun to watch. This show has some of the feel of Northern Exposure...but, as an Anglophile, I feel it is even more appealing.
I really came to look forward to unwinding with this show near the end of each busy afternoon. More please!
I really came to look forward to unwinding with this show near the end of each busy afternoon. More please!
Lo sapevi?
- QuizTom Baker described his character of Donald MacDonald as "a combination of an old George Clooney with a touch of the ghost of Hamlet's father and a bit of Vanessa Feltz".
- BlooperThe details of Hector's history as a laird are altered throughout the series. For example, in the first episode of the series he claims to be the 14th laird of Glenbogle but in the 6th season he is referred to as the 23rd.
- Citazioni
Donald Ulyses MacDonald: [referring to Molly's 60th birthday party] I will help in any capacity. Perhaps I could help with the car parking?
Paul Bowman-MacDonald: Great idea, Uncle! And we can put King Herod in charge of the creche!
- ConnessioniFeatured in The Heaven and Earth Show: Episodio datato 5 settembre 2004 (2004)
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