In un futuro opprimente in cui tutte le forme di sentimento sono illegali, un uomo incaricato di far rispettare la legge si ribella contro il sistema e lo stato.In un futuro opprimente in cui tutte le forme di sentimento sono illegali, un uomo incaricato di far rispettare la legge si ribella contro il sistema e lo stato.In un futuro opprimente in cui tutte le forme di sentimento sono illegali, un uomo incaricato di far rispettare la legge si ribella contro il sistema e lo stato.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Angus Macfadyen
- Dupont
- (as Angus MacFadyen)
Danny Lee Clark
- Lead Sweeper
- (as Daniel Lee)
Recensioni in evidenza
I think this movie was a good movie, and I also think that most critics were unjustified in their reasoning for panning it. Almost seems like a conspiracy. Anyway, the story was interesting, it set up some kind of a reality where we have this "gun kata", and stuck with it. The "gun kata" never became a deus ex machina, it just drove the action sequences, while staying clear of the actual plot, which had some interesting twists, certainly more than the matrix. I think Christian Bale's character was a kind of clone of keanu reeves in the Matrix, but he is clearly a better actor, and his range was really challenged. The other characters were much less "wooden" and comic book like than the evil characters in the matrix, which ironically made them more human, almost too human for an action movie, and that is probably why the critics were so hard on it. The matrix (at least the first one) didn't take itself too seriously, but this one did...and I think it lived up to the challenge as much as any action movie set in the distant future with some reality bending. I really enjoyed it, and would have liked to see it in the theatre, none the less a great rent if you liked the first matrix, kill bill, or any other film that blends action with choreography and weaves an interesting tale of reality. My suggestion might have been more extreme antagonists, but then, perhaps this movie will help me accept more human-like villains in action movies. Anyway give it a try!
After the third world war had ended, the survivors realised that mankind would not be able to survive much longer if it didn't tackle the thing that makes them fight - emotion. To tackle the drive to hurt and hate, the Government issues drugs to sedate the populace from the highs or lows of feeling. Meanwhile the police round up those who still feel and destroy art, books and anything that would stir feeling. The heads of these police are the elite Clerics. John Preston has always been a Cleric, but the failure of his partner and an encounter with a feeler start him thinking and feeling.
With sighs of `matrix clone' and `cashing in', I, like many viewers overlooked this film in favour of other things that may have come across as more original. However, in the mood for a bit of slick action, I rented this film and was pleasantly surprised by it. The plot may not be original - but what is these days? The film has shades of 1984 and Brave New World about it and it uses these ideas reasonably well. The concept does fall down a little bit with too much thought but on the surface it works well enough to suffice for a sci-fi action movie - the running time doesn't allow for much more than superficial thought here, although there is enough in this future to be thought provoking.
The action is good considering the low budget involved here. Yes, it's all very much thanks to the influence of the Matrix but at least it is quite stylish and exciting in it's own right rather than just being a lazy copy. The action scenes are well spread out over the film and they have good pace despite being very much style over substance. The explanation for all the acrobatics and semi-invincibility here is not as good as the explanation/justification for the same in Matrix, but again it is acceptable for this level of film. If anything, the plot goes too fast and too far - it is difficult to accept that things happen so fast, but generally it works.
The cast is a strange mix but works. The thing that surprised me was the sheer number of British actors in the cast. Bale is good in the lead role despite his American accent, he is pretty cool and manages to do the emotional change required despite the rush enforced on him by the film. Diggs is disappointing - his character doesn't get enough screentime and he doesn't fulfil the role of rival to Bale, he is a good looking guy but that isn't enough here. The support cast features Bean, Pertwee, Connelly, Fincher and McFadyen but really it is totally Bale's movie and he does pretty well to make it together.
Overall this is not a great film but it is an enjoyable action sci-fi that manages to produce an interesting, if unoriginal plot and some slick and fun action that is no less slick or fun for being a low rent version of The Matrix's effects. Well worth a Friday night look!
With sighs of `matrix clone' and `cashing in', I, like many viewers overlooked this film in favour of other things that may have come across as more original. However, in the mood for a bit of slick action, I rented this film and was pleasantly surprised by it. The plot may not be original - but what is these days? The film has shades of 1984 and Brave New World about it and it uses these ideas reasonably well. The concept does fall down a little bit with too much thought but on the surface it works well enough to suffice for a sci-fi action movie - the running time doesn't allow for much more than superficial thought here, although there is enough in this future to be thought provoking.
The action is good considering the low budget involved here. Yes, it's all very much thanks to the influence of the Matrix but at least it is quite stylish and exciting in it's own right rather than just being a lazy copy. The action scenes are well spread out over the film and they have good pace despite being very much style over substance. The explanation for all the acrobatics and semi-invincibility here is not as good as the explanation/justification for the same in Matrix, but again it is acceptable for this level of film. If anything, the plot goes too fast and too far - it is difficult to accept that things happen so fast, but generally it works.
The cast is a strange mix but works. The thing that surprised me was the sheer number of British actors in the cast. Bale is good in the lead role despite his American accent, he is pretty cool and manages to do the emotional change required despite the rush enforced on him by the film. Diggs is disappointing - his character doesn't get enough screentime and he doesn't fulfil the role of rival to Bale, he is a good looking guy but that isn't enough here. The support cast features Bean, Pertwee, Connelly, Fincher and McFadyen but really it is totally Bale's movie and he does pretty well to make it together.
Overall this is not a great film but it is an enjoyable action sci-fi that manages to produce an interesting, if unoriginal plot and some slick and fun action that is no less slick or fun for being a low rent version of The Matrix's effects. Well worth a Friday night look!
My review is one on Christian Bale rather than the movie per se. His going from stone-cold to an emotional man is simply flawless. He gets to transmit everything the story needs at the right time. Bale is the greatest actor of his generation and never afraid to get his hands REALLY dirty. He's played a highly controversial psycho (in an admittedly light version of a really crude and insightful novel... But you realise after you watch him, every time you read the novel again HE IS Patrick Bateman), a LITERALLY starving and tormented loner (please see The Machinist if only for his PERFECT, ground-breaking work of art, which includes both his acting skills and his beyond-emaciated body), a hopeful gay teenager turned hopeless adult (Velvet Goldmine, where he's amazingly accurate in a minor -as length goes- role and you really believe he's a shy and lively teenager and minutes later you believe he's a weary, melancholy adult), a conflicted superhero (the best Batman by far, followed by Michael Keaton of course) and all sorts of middle-of-the-road characters. He's not your average mainstream star and he'll never be, I hope... He's too much in love with his work to become that. Good for him.
Equilibrium is a very fine movie. Highly entertaining, the score was more than okay, the casting does a really good job (I liked The Matrix -although I prefer Equilibrium's sobriety and rhythm, which many may find boring-, but come on... The actors were inferior and I'm sorry but Keanu Reeves just can't make it. Where Bale is all complex, nuanced and charismatic, Reeves is just handsome wood) and the fight scenes are beautiful to look at. Cons are the Father, who seemed too weak to me, and the ending which doesn't do justice to what comes before. In any case, this is an above-average sci-fi flick. Take a look.
Equilibrium is a very fine movie. Highly entertaining, the score was more than okay, the casting does a really good job (I liked The Matrix -although I prefer Equilibrium's sobriety and rhythm, which many may find boring-, but come on... The actors were inferior and I'm sorry but Keanu Reeves just can't make it. Where Bale is all complex, nuanced and charismatic, Reeves is just handsome wood) and the fight scenes are beautiful to look at. Cons are the Father, who seemed too weak to me, and the ending which doesn't do justice to what comes before. In any case, this is an above-average sci-fi flick. Take a look.
I've seen this movie 5 times (it's the nature of satellite TV) within the past week and it's true...you catch something you've missed or see something new with every successive viewing. This movie is way ahead of its time, and much better than the over-rated Matrix. Bale is always exceptional, and so is his "Metroland" co-star, Emily Watson. Maybe it's the Anglophile or Brit-flick fan in me, but I must say that the added presence of Sean Bean and Angus MacFadyen all but confirms the pre-eminence of UK acting in quality films. Accompanied by very appropriate techno-musik, the action sequences are fast and Euro-flashy, heavily influenced by Jan De Bont--different from the weird, drawn-out, "suspended/string puppet" thing that apparently passes for martial arts these days. (I miss Bruce Lee)
Anyway, if you haven't seen it, give this a shot. If you already have & weren't impressed, take a look at it again. It will grow on you. See if you're inclined to show up to work the next day looking and acting very much a "Cleric" who missed a Prozium dose.
Anyway, if you haven't seen it, give this a shot. If you already have & weren't impressed, take a look at it again. It will grow on you. See if you're inclined to show up to work the next day looking and acting very much a "Cleric" who missed a Prozium dose.
I really enjoy this movie, it's not perfect, but its enjoyable and is a good package considering its low budget. Christian Bale's acting style compliments the cool emotionless feel to the movie, plus there's a bit of heart in there to. It is a bit gimmicky, yes, but it packs a punch, with simplistic costumes that look realistic, to the brutalistic architecture style. I really recommend this movie for a fun scifi movie night, but don't be overly serious or you will look like a emotionless dictator.
Lo sapevi?
- QuizDespite popular belief, absolutely no wires were used in the film at all. All of the gravity-defying stunts were done through conventional means. For example, the backflip off of the motorcycle was done with a trampoline.
- BlooperBrandt shows clear anger all throughout his quest to arrest Preston, yet no one questions it.
- ConnessioniEdited into Honest Trailers: Lord of the Rings (2012)
- Colonne sonoreSymphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso
(uncredited)
Composed by Ludwig van Beethoven
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Librium
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.203.794 USD
- Fine settimana di apertura Stati Uniti e Canada
- 541.512 USD
- 8 dic 2002
- Lordo in tutto il mondo
- 5.368.217 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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