Equilibrium

First of all, a extremly tought provoking film!

Definitely a great film that really captures the essence of what makes us human. And how we need to protect freedom, democracy and culture forever.

I really think it manages to capture the human mind and the human experience of life and society.

Christian Bale fits perfectly for this role capturing his classic performances and abilitys as a actor during these "cold" roles he usually does.

Soundtrack is amazing!

Amazing script and filming aswell!

What makes my rating abit lower, from being a stable 8 or 9 is the exaggerated actionscenes that takes too much space.

Otherwise then that, its a movie that everyone should watch to understand how dangerous power could be and that we need to fight for freedom every day.

A strong film with plenty to recommend it, EQUILIBRIUM was released to the noise of "not another MATRIX rip-off" and similar sentiments. This instant decision is a little unfair, because – although obviously inspired by the Keanu Reeves blockbuster in places – EQUILIBRIUM is a decent and intelligent science fiction thriller with a pleasing change of pace. Once again we're in an Orwellian style future of grab greys and mundane apartment-block buildings, where emotion is suppressed and evil henchmen in motorbike helmets go around shooting little dogs. In this world we meet Christian Bale, a martial arts superhero who goes around murdering all those emotional and artistic folks.

Sure, it's an old story, but it works well here. CGI cityscapes aside, there are no fancy special effects robots or monsters; instead the basis is on good old-fashioned characters, and with a supporting cast that includes Sean Pertwee, Sean Bean, Taye Diggs, William Fichtner, and Emily Watson; you can't go wrong. Much of the story is predictable and there are a couple of sappy moments, but for the most part this is suspenseful, exciting stuff. A handful of violent, ultra-stylish action sequences (displaying originality, even in this day and age) add to the impact and help make the underlying dreariness rather enjoyable. Very entertaining viewing that deserves to be given a chance. A lot of this works thanks to Bale; once again, he's excellent in the part. I'd go so far as to say that this is actually better than THE MATRIX; whereas that film was all action, this one makes you think in a moral sense, and the action supports the story – rather than the action being the story.

I bought Equilibrium just because Christian Bale is in it. To tell you the truth I was certain that it was going to be a goofy, direct-to-video sci-fi fiasco that most involved would just as soon forget. The cover box reminded me of Universal Soldier. As it turns out however, it's not a movie that those involved want to forget, it's an overlooked gem, no doubt because it came at the height of the Matrix craze, which it may resemble in too many ways. Unfortunately, too many people will callously write it off as a Matrix rip-off, and it's a shame because this is one of the best science fiction films to have come along in quite some time.

It takes place in the far off 21st century, but it's not about the future (given that it exists in a future that can't ever exist), it's about the disturbing reality that war is a part of human nature, and in order to eradicate it from the modern world we would have to become a homogenized society of emotionless, drug-controlled zombies. No jokes about that already being a reality.

The movie's biggest assertion is that it assigns blame for man's inhumanity to man to his ability to feel (ignoring the real causes, such as religion, political power, and less dogmatic things like national pride and human rights). The current government is based on enforcing the mass removal of emotion from the masses using a drug called Prozium, and is the source of the movie's main irony, that in order to eradicate war, it has waged war on all of it's own citizens, who constantly live under close surveillance.

The government employs Grammaton Clerics to handle that surveillance. They are highly trained officers authorized to kill anyone they deem to be "sense offenders" on the spot ("I trust you'll be more vigilant in the future?"). There is, in fact, a staggering amount of irony in the film, given that all emotion or feeling is strictly forbidden under penalty of death, and yet anger, suspicion and fear are all alive and well, and even flaunted. It's also interesting to consider that in real life it is the dogmatic, Cleric-like believers who aspire for war, and the normal people who just want to live their lives.

For the most part the movie ignores the fact that it is governments that wage war, not citizens (even emotionally sensitive ones), but no matter. The important thing that you need to know about the movie is that it goes way, way too far, and because of that, it's fun. I cheered out loud several times during the film because the gun fights, which are so unrealistic it's almost funny, are genuinely well-choreographed and exciting. If I may say so, this is what gun fights in hard core science fiction movies should look like.

Many people criticize the movie for being unrealistic or too extreme, altogether forgetting what kind of movie they're watching in the first place. The movie is not about moral dilemmas, even though the main character suffers a tremendous one, it's a fast, gritty science fiction movie that makes no apologies, and owes none. The characterization may be just a little heavy (Bale's character going from not understanding a question about what he felt when his wife was incinerated to having a soft spot for puppies, etc.), but like another outstanding and equally over-the-top film, Shoot 'Em Up, nothing is out of place. All of the excesses look right at home.

It is interesting to consider the real-world implications of the content of the movie though, regardless of how unrealistic it is. The totalitarian regime, for example, resembles Mao Tse- tung's manner of oppression with startling closeness, even down to the children spying on and reporting their parents. Under Mao, children who reported their parents engaging in "counter'-revolutionary activities" were publicly hailed as national heroes while their parents were generally tortured and executed. Whether the crimes were real or not was unimportant, what mattered is that, as you can imagine, in a society where people were so easily made to desperately fear their own children, you can imagine the level of control the government (Mao) had over the people. Something similar happens in this movie.

The similarities to The Matrix films are obvious, but limited mostly to superficial things like the fight scenes and some costumes. Thematically, the movies are totally different, and even with all of the similarities, this movie is more than able to stand on its own, and any similarities are more just an unfortunate bit of timing, as this is probably what caused the movie to be so overlooked. If you can't handle a little excess in the movies, definitely stay away from this one. But if you can watch a movie just for a good time, you could do a lot worse than this.

Note: Keep your eye out for Dominic Purcell, Prison Break's Lincoln Burrows, in the opening scene. He should have had a bigger role in the movie...

I've seen this movie 5 times (it's the nature of satellite TV) within the past week and it's true...you catch something you've missed or see something new with every successive viewing. This movie is way ahead of its time, and much better than the over-rated Matrix. Bale is always exceptional, and so is his "Metroland" co-star, Emily Watson. Maybe it's the Anglophile or Brit-flick fan in me, but I must say that the added presence of Sean Bean and Angus MacFadyen all but confirms the pre-eminence of UK acting in quality films. Accompanied by very appropriate techno-musik, the action sequences are fast and Euro-flashy, heavily influenced by Jan De Bont--different from the weird, drawn-out, "suspended/string puppet" thing that apparently passes for martial arts these days. (I miss Bruce Lee)

Anyway, if you haven't seen it, give this a shot. If you already have & weren't impressed, take a look at it again. It will grow on you. See if you're inclined to show up to work the next day looking and acting very much a "Cleric" who missed a Prozium dose.

I think this movie was a good movie, and I also think that most critics were unjustified in their reasoning for panning it. Almost seems like a conspiracy. Anyway, the story was interesting, it set up some kind of a reality where we have this "gun kata", and stuck with it. The "gun kata" never became a deus ex machina, it just drove the action sequences, while staying clear of the actual plot, which had some interesting twists, certainly more than the matrix. I think Christian Bale's character was a kind of clone of keanu reeves in the Matrix, but he is clearly a better actor, and his range was really challenged. The other characters were much less "wooden" and comic book like than the evil characters in the matrix, which ironically made them more human, almost too human for an action movie, and that is probably why the critics were so hard on it. The matrix (at least the first one) didn't take itself too seriously, but this one did...and I think it lived up to the challenge as much as any action movie set in the distant future with some reality bending. I really enjoyed it, and would have liked to see it in the theatre, none the less a great rent if you liked the first matrix, kill bill, or any other film that blends action with choreography and weaves an interesting tale of reality. My suggestion might have been more extreme antagonists, but then, perhaps this movie will help me accept more human-like villains in action movies. Anyway give it a try!