Aggiungi una trama nella tua linguaChicago cop Robert Malone (Fred Williamson) finds himself in The Philippines, ostensibly to learn the techniques of Interpol. Before he exits the Manila airport, his wallet is stolen by a pi... Leggi tuttoChicago cop Robert Malone (Fred Williamson) finds himself in The Philippines, ostensibly to learn the techniques of Interpol. Before he exits the Manila airport, his wallet is stolen by a pickpocket. Malone endures a testy relationship with his new colleague Kevin McCall while ev... Leggi tuttoChicago cop Robert Malone (Fred Williamson) finds himself in The Philippines, ostensibly to learn the techniques of Interpol. Before he exits the Manila airport, his wallet is stolen by a pickpocket. Malone endures a testy relationship with his new colleague Kevin McCall while evidence surrounding the stolen wallet pulls both of them deeper and deeper into a web of in... Leggi tutto
- Asad Cabuli
- (as Majib Jadali)
- Detective
- (as Phil Gordon)
- Detective
- (as Peter Ladd)
Recensioni in evidenza
The intro/beginning of this film is actually pretty funny. See a crummy car keep up with a Suzuki racing motorcycle looping through a parking garage! See a harrowing 2 MPH motorcycle crash! See the running bad-guy actor slow down to let a winded Williamson catch up to him - several times!
After Malone blasts this evil motorcyclist into oblivion, he gets shipped off to the Philippines until Chicago cools down. Apparently to help Interpol (huh? wha?). At this point the film becomes incomprehensible and boring like BC#1. Malones wallet is pinched, there are some sinister Iranians, microfilm, then there is a surreal hostage taking/rescue which belongs in a DADA performance art happening rather than in an action film.
Fred Williamson is a bit more awake in BC#2 than he is in BC#1. His acting is a little better, more relaxed, more focused. There are more laugh-out-loud lines in this film.
The soundtrack is better than BC#1. Decent Jan Hammer/Miami Vice ripoff sound. The film is also full of whacky 1980's artifacts. Williamson is constantly wears a powder blue Members Only jacket with the sleeves rolled up. Leather pants, The women in the film have some pretty scary haircuts. The sets/props/hair-do's blend seamlessly with the cheese-ball soundtrack.
Even with all the faults, if the pacing was better this could have been a watchable flick. Unfortunately the film is clunky and boaring at points when it needs to be exciting. Worth watching just the goofy intro and then F.F. to some of the more absurdist scenes.
Apparently there is a Black Cobra #3.
This movie is directed by Edoardo Margheriti (Black Cobra 3) and stars Fred Williamson (Dusk till Dawn), Nicholas Hammond (Once Upon a Time in Hollywood) and Peter Ladkani (Delta Force 2).
This picture has fun 80s music throughout. I really enjoyed the soundtrack. The writing is very average, both the storyline and dialogue. The one liners were corny and not as witty as they hoped. There was too much about this film that was cliche and the end felt like a bubble gum commercial.
Overall, I would consider this a below average addition to the buddy cop genre. I would score this a 3.5/10 and recommend skipping it.
Financed incredibly after the failure of the first "Black Cobra" outing, Malone is back as the cop whose lips are as out of sync as they were in the original...only Michael Winslow could do better! As for Nicholas Hammond, the globally loved little Von Trapp, his future never took off. He made this shortly after a lengthy stint living in Australia and appearing in a few reasonable teleplays!
Hey, but what can you expect from Director Stelvio Massie who for reasons best known to himself, has helmed productions in many European countries as either himself, Max Steele, Stefano Catalano, Newman Rostel or Dan Edwards, amongst others?
If you thought Stallone's COBRA was less than Oscar material, you just gotta see this!
Lo sapevi?
- ConnessioniFollowed by The Black Cobra 3 (1990)
- Colonne sonoreStay Baby Stay
by Piero Montanari