Nella Francia del XVIII secolo, il Re, invia nella provincia di Gevaudan il Chevalier de Fronsac e il suo amico nativo americano Mani, per indagare sull'uccisione di centinaia di persone da ... Leggi tuttoNella Francia del XVIII secolo, il Re, invia nella provincia di Gevaudan il Chevalier de Fronsac e il suo amico nativo americano Mani, per indagare sull'uccisione di centinaia di persone da parte di una misteriosa bestia.Nella Francia del XVIII secolo, il Re, invia nella provincia di Gevaudan il Chevalier de Fronsac e il suo amico nativo americano Mani, per indagare sull'uccisione di centinaia di persone da parte di una misteriosa bestia.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 22 candidature totali
Jérémie Renier
- Thomas d'Apcher
- (as Jérémie Rénier)
Eric Prat
- Capitaine Duhamel
- (as Éric Prat)
Edith Scob
- Mme de Morangias
- (as Édith Scob)
Recensioni in evidenza
Candle-lit interior cinematography, lush misty landscapes, strong characters, exquisite costumes, an authentic boudoir recreation of 18th century French society, a new kind of savage 'monster' and some of the finest stylized fight scenes ever laid down in a 'genre' film, place "Brotherhood of the Wolf" among the classiest horror adventure films of all time.
Great moments include the culminating rage of Samuel Le Bihan's gentlemanly character 'Fronsac' who explodes into a Conan-like fury as he meets out 'justice' to those that wronged his Iroquois-Mohawk 'blood brother' played by Marc Dacascos, Vincent Cassel suitably creepy as the decadent 'Morangias', sensuous Monica Belluci as the dangerous and vicious 'Sylvia', interesting historical plot-points, and a bond of friendship between an unlikely pair of frontier adventurers, make director Christopher Gans "Brotherhood of the Wolf" an original masterpiece of 'genre' film-making...
Great moments include the culminating rage of Samuel Le Bihan's gentlemanly character 'Fronsac' who explodes into a Conan-like fury as he meets out 'justice' to those that wronged his Iroquois-Mohawk 'blood brother' played by Marc Dacascos, Vincent Cassel suitably creepy as the decadent 'Morangias', sensuous Monica Belluci as the dangerous and vicious 'Sylvia', interesting historical plot-points, and a bond of friendship between an unlikely pair of frontier adventurers, make director Christopher Gans "Brotherhood of the Wolf" an original masterpiece of 'genre' film-making...
Brotherhood of the Wolf is all over the place. It's a French Revolution/ horror/ martial arts epic with style to burn, and makes up for the gaping holes in its story with sheer energy and sensory assault. Director Christophe Gans packs every moment of Brotherhood of the Wolf with either bone crunching action, (imagine if John Woo had directed Dangerous Liaisons), or some crazy audio / visual effects or busy scenes with beautiful people. Gans knows how to amuse the eye, he just isn't much of a storyteller, but Brotherhood of the Wolf is so entertaining that we'll forgive him just this once.
When it is cold and wet and foreboding outside, leaving one to fend for a good escape into fantasy and a time gone by, then this movie DELIVERS. Say whatever you want about miniscule "holes" in the story, or the tedium applied to the cinematography or the excessive use of slow camera effects in the fight sequences, THIS IS ENTERTAINMENT.
This movie carries the viewer into a whole new world- not like the one inhabited by Hobbits and Elves, and other creatures that obviously DO NOT exist- but rather a world of old France where the people are stranger than fiction and the times are changing. Fables meet their demise AND their verification in this film.
It's not a movie I would call a "favorite", but it IS a movie that I consider a "guilty pleasure" on a day that affords me three hours to slip out of my existence and follow a satisfying and well-presented fantasy. Every millimeter of every frame is a work of art, and that alone is worth getting lost in.
This movie carries the viewer into a whole new world- not like the one inhabited by Hobbits and Elves, and other creatures that obviously DO NOT exist- but rather a world of old France where the people are stranger than fiction and the times are changing. Fables meet their demise AND their verification in this film.
It's not a movie I would call a "favorite", but it IS a movie that I consider a "guilty pleasure" on a day that affords me three hours to slip out of my existence and follow a satisfying and well-presented fantasy. Every millimeter of every frame is a work of art, and that alone is worth getting lost in.
This is a grandiose monster movie from France that delivers the perfect blend of slick style and unsophisticated, gothic melodrama to make it one of the most appealing film fantasies in a long while. The international success of the film is not hard to understand; it's exhilarating in the same way that the old Hammer horror films were in their heyday. Everything about this elaborate movie is terrifically tacky, particularly the stunning production design. It's like seeing those artless, wilderness paintings containing hidden animal images come to life. The characters come off as if they were lifted right off of some garish paperback romance-novel cover. Best of all, the film has some nifty flourishes of sex and violence sadly missing from the current spate of half-baked, PG-13 Hollywood product. While some seem to be complaining of one martial-arts fight too many, faulty creature effects or simple-minded plotting; in this case, it's like bitching about KING KONG being over the top. This is a contemporary B-movie (albeit an expensive, subtitled one) for those who appreciate a good time at the movies. It delivers the kind of satisfaction audiences used to get seeing the work of Mario Bava or Ray Harryhausen; and that's saying a lot!
I am very much in awe of this movie. Brotherhood of the Wolf encompasses every genre of film; martial arts, action, romance, thriller, horror, drama, everything. Keeping with the spirit of all these genres, it invokes many emotions from the viewer. A beast is terrorizing the countryside of Gevaudan and the villagers believe no man or bullet can put it down. Enter the ultimate Jack of all Trades, Grégoire de Fronsac, and his brother-in-arms, Mani, who have come to town to stop/capture this menacing beast. The story starts here and has so many twists and turns it could make your head spin. The cast is incredible. I have no idea who this Samuel Le Bihan guy is, but he absolutely rocks it as Fronsac. This also has potential to be a breakout role for Mark Dacascos but we'll have to wait and see on that one. Even if he doesn't make it beyond the B action flick, Mani will always be an unforgettable character. And Vincent Cassel is incredibly suave and creepy at the same time. Brotherhood is an absolutely beautiful example of what film can look like. The cinematography combined with the editing makes for some truly fantastic scenes. Let's not forget the fight choreography. There are some tremendous fight sequences that rival those from Hong Kong cinema. Some movies become great because they have that one moment that will forever live on in your memory; Moments that are undoubtedly awesome. Brotherhood of the Wolf is simply just one big moment. Other than the films by Luc Besson, I've never really been a follower of French cinema. But with the coming of this movie and the equally dark and beautiful Crimson Rivers I could get into it.
Lo sapevi?
- QuizTo prepare for his role, Mark Dacascos learned how to ride a horse, studied Mohawk Indian culture, and became fluent in French.
- BlooperMani would not have been called a "Mohawk," even by the Chevalier De Fronsac, as this tribe had not yet been granted this official unique name. In French, he would have been called an "Agnier," "Iroquois" or simply "Indien."
- Versioni alternativeThe DVD version of the film contains five deleted scenes, commented on by director Christophe Gans, that were cut from the movie for reasons of pacing or character continuity:
- An extended version of the fight sequence the opens the film between Mani (Mark Dacascos) and the highwaymen. In the extended version, Fronsac (Samuel Le Bihan) ends up assisting Mani in defeating them. In the film version, Mani fights alone.
- A raven assists Mani in finding the body of a shepherdess, the beast's most recent victim. In the film, the body is found much later on than when this scene would have led the audience to believe.
- Sardis (Jean-François Stévenin) warns Fronsac about continuing his affair with Marianne (Émilie Dequenne), saying that he doubts Fronsac has the moral character required to be with such a woman.
- A tender scene between Fronsac and Marianne on a frozen pond covered in fog.
- A scene set in La Teissier's where Sylvia (Monica Bellucci) reveals to Fronsac that the rooms in the bordello are equipped with two-way mirrors. She shows him a room where a friend of the Morangais family is involved in a bizarre sadomasochistic encounter.
- ConnessioniFeatured in Le pacte des loups - Les coulisses du tournage (2001)
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Dettagli
Botteghino
- Budget
- 29.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.274.610 USD
- Fine settimana di apertura Stati Uniti e Canada
- 475.181 USD
- 13 gen 2002
- Lordo in tutto il mondo
- 70.767.418 USD
- Tempo di esecuzione2 ore 22 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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