VALUTAZIONE IMDb
6,1/10
635
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.Two restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.Two restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.
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A disgruntled waitress and a shy male pastry chef "accidentally" become serial killers when, while driving home one night, they pick up a crazed hitchhiker (kind of a female version of the guy in "The Texas Chainsaw Massacre") who strips out of her clothes, smears cake batter all over her body, and cuts herself with a razor blade. After they accidentally kill this nut-job, they have frenzied sex for the first time and realize that murder is a real turn on. . .
This movie is kind of a horror/black comedy like Oliver Stone's "Natural Born Killers". But it doesn't have the smug hypocritical "social commentary" of that film (i.e. preaching against violence in the media at the same time you're wallowing in it). It's also a Japanese "pink film" so it has a lot of gratuitous sex and nudity. It's obviously very politically incorrect, so people who are always getting offended by movies (isn't there enough stuff to get offended about in real life?) should probably avoid it. The truth is though where American movies tend to take murder with a grain of salt (and sometimes even make it entertaining), Japanese films do the same with murder AND rape. Thanks to years of misguided feminism, Americans tend to take the latter very seriously, but nobody is REALLY being raped in these movies anymore than they're really being murdered. (Wouldn't all the political energy be better spent by, I don't know, trying to enforce the prosecution of REAL-LIFE rape as an international war crime or something?).
For what it's worth, this movie is not as "rape-happy" as a lot of Japanese exploitation flicks. The far more disturbing thing is that this couple is sexually turned on by blood and violence. It is also, however, a very well made by a respected Japanese director. The lead actress is not very attractive in the conventional sense (although she is a lot more impressive with her clothes off), but this actually works well with her "outsider" character. The male lead is also very good, transforming believably from a shy male virgin to a raving psycho. This movie obviously isn't for everyone, but if you're the right kind of viewer and in the right frame of mind, you might very well enjoy it.
This movie is kind of a horror/black comedy like Oliver Stone's "Natural Born Killers". But it doesn't have the smug hypocritical "social commentary" of that film (i.e. preaching against violence in the media at the same time you're wallowing in it). It's also a Japanese "pink film" so it has a lot of gratuitous sex and nudity. It's obviously very politically incorrect, so people who are always getting offended by movies (isn't there enough stuff to get offended about in real life?) should probably avoid it. The truth is though where American movies tend to take murder with a grain of salt (and sometimes even make it entertaining), Japanese films do the same with murder AND rape. Thanks to years of misguided feminism, Americans tend to take the latter very seriously, but nobody is REALLY being raped in these movies anymore than they're really being murdered. (Wouldn't all the political energy be better spent by, I don't know, trying to enforce the prosecution of REAL-LIFE rape as an international war crime or something?).
For what it's worth, this movie is not as "rape-happy" as a lot of Japanese exploitation flicks. The far more disturbing thing is that this couple is sexually turned on by blood and violence. It is also, however, a very well made by a respected Japanese director. The lead actress is not very attractive in the conventional sense (although she is a lot more impressive with her clothes off), but this actually works well with her "outsider" character. The male lead is also very good, transforming believably from a shy male virgin to a raving psycho. This movie obviously isn't for everyone, but if you're the right kind of viewer and in the right frame of mind, you might very well enjoy it.
Yasuharu Hasebe's BOKO KIRISAKI JACK (aka ASSAULT: JACK THE RIPPER) is as mean as they come and twice as effective.
I have no moral objections to this material because it is what it is, and what it is is a tour de force of violent cinema with not a single cell of poltical correctness to muddy its intentions.
A strong-willed woman coerces a weak man to rape and kill with her.
The man's obsession leads to the downfall of the relationship.
The sexual violence is on a level you haven't seen before if you haven't seen any Japanese Violent Pink films, the production values are high, the performances are amazing and the jazz score is exceptional.
Director Hasebe also directed the excellent RAPE, the satire RAPING!, the solid RAPE 13TH HOUR and the more well known BLACK TIGHT KILLERS.
BOKO KIRISAKI JACK is his crowning achievement, a film that is violent, erotic, funny, perceptive and always entertaining.
The best Violent Pink film ever made.
I have no moral objections to this material because it is what it is, and what it is is a tour de force of violent cinema with not a single cell of poltical correctness to muddy its intentions.
A strong-willed woman coerces a weak man to rape and kill with her.
The man's obsession leads to the downfall of the relationship.
The sexual violence is on a level you haven't seen before if you haven't seen any Japanese Violent Pink films, the production values are high, the performances are amazing and the jazz score is exceptional.
Director Hasebe also directed the excellent RAPE, the satire RAPING!, the solid RAPE 13TH HOUR and the more well known BLACK TIGHT KILLERS.
BOKO KIRISAKI JACK is his crowning achievement, a film that is violent, erotic, funny, perceptive and always entertaining.
The best Violent Pink film ever made.
No matter where in the world, sex and violence in the cinema have always gone hand-in-hand.
Italian giallos; UK Hammer horror; the many films of Spain's Jess Franco; the trashy US gore flicks of H.G. Lewis: every country seems to have made its own contributions that combine the two elements.
Violent 'pinku' movies are the Far East's offering, and many fans of extreme cinema agree that they rule the roost as far as sexual nastiness is concerned, since almost nothing seems to be 'too taboo' to be portrayed. Assault! Jack The Ripper (a misleading title, if ever there was one, since 'Saucy Jack' is nowhere to be seen!), from director Yasuharu Hasebe, is a classic example of the genre and clearly illustrates why no-one does sleaze quite like the Japanese! After a fatal mishap with a crazy hitch-hiker, a pathetic pastry chef and a chubby domineering waitress discover that, for them, killing is a mutual aphrodisiac. They set about abducting and carving up innocent women (more often than not, by stabbing them in the genitals!) in order to fuel their sex life, but, when the chef eventually decides to go solo on his murder sprees, their bizarre relationship begins to crumble.
With umpteen steamy sex scenes, a couple of repulsive rapes, and loads of grisly deaths, Assault! is not a film for your 'casual' viewer. The killers are completely callous and, although the numerous crotch stabbings are not explicitly shown, the sheer offensiveness of the acts (coupled with some suitably yucky sound effects) is enough to upset most 'normal' people. Rabid fans of politically incorrect exploitation, however, will have a field day watching the killers as they indulge in all manner of wickedness, including a marvellously depraved finalé, in which an entire room-full of nurses are rapidly dispatched.
And if all that excess wasn't enough, solid acting, good production values, and a great score all go to ensure that Assault! is an experience that you won't forget in a hurry.
7.5 out of 10, rounded up to 8 for IMDb.
Italian giallos; UK Hammer horror; the many films of Spain's Jess Franco; the trashy US gore flicks of H.G. Lewis: every country seems to have made its own contributions that combine the two elements.
Violent 'pinku' movies are the Far East's offering, and many fans of extreme cinema agree that they rule the roost as far as sexual nastiness is concerned, since almost nothing seems to be 'too taboo' to be portrayed. Assault! Jack The Ripper (a misleading title, if ever there was one, since 'Saucy Jack' is nowhere to be seen!), from director Yasuharu Hasebe, is a classic example of the genre and clearly illustrates why no-one does sleaze quite like the Japanese! After a fatal mishap with a crazy hitch-hiker, a pathetic pastry chef and a chubby domineering waitress discover that, for them, killing is a mutual aphrodisiac. They set about abducting and carving up innocent women (more often than not, by stabbing them in the genitals!) in order to fuel their sex life, but, when the chef eventually decides to go solo on his murder sprees, their bizarre relationship begins to crumble.
With umpteen steamy sex scenes, a couple of repulsive rapes, and loads of grisly deaths, Assault! is not a film for your 'casual' viewer. The killers are completely callous and, although the numerous crotch stabbings are not explicitly shown, the sheer offensiveness of the acts (coupled with some suitably yucky sound effects) is enough to upset most 'normal' people. Rabid fans of politically incorrect exploitation, however, will have a field day watching the killers as they indulge in all manner of wickedness, including a marvellously depraved finalé, in which an entire room-full of nurses are rapidly dispatched.
And if all that excess wasn't enough, solid acting, good production values, and a great score all go to ensure that Assault! is an experience that you won't forget in a hurry.
7.5 out of 10, rounded up to 8 for IMDb.
A shy pastry chef gives a newly employed waitress a lift home. They pickup an attractive, but mentally deranged young woman who is standing in the pouring rain. She gets into the car takes off her clothes and attempts suicide with razor blades. The couple push her out of the car to find she has collapsed and died in the middle of the road. They then hide the body. After the event they find themselves strangely turned on by her death. What follows is Ken murdering men and women using a chef's palette knife and having sex with Yuri afterwards.
The mixture of sex and violence is still strong even by today's standards. The film uses optical censorship, as well as carefully placed objects to obscure the most explicit sex scenes, but there is still frequent nudity and a high number of sex scenes even for a Nikkatsu pink film. The film clearly takes influence from the Italian Giallo films of directors like Umberto Lenzi and Lucio Fulci more so than the "stalk and slash" American horror films of the 70s. The violence is bloody and frequent with much talked about scenes involving a knife being inserted in-between women's legs.
It's all sleazy stuff and aficionados of exploitation films have seen it all before. What elevates this one is nice moody photography, well known faces of Nikkatsu putting in convincing performances and a high level of mayhem.
The DVD from Mondo Macabro features a nice print and some good extras. I'm not sure if this film would pass uncut in the UK.
The mixture of sex and violence is still strong even by today's standards. The film uses optical censorship, as well as carefully placed objects to obscure the most explicit sex scenes, but there is still frequent nudity and a high number of sex scenes even for a Nikkatsu pink film. The film clearly takes influence from the Italian Giallo films of directors like Umberto Lenzi and Lucio Fulci more so than the "stalk and slash" American horror films of the 70s. The violence is bloody and frequent with much talked about scenes involving a knife being inserted in-between women's legs.
It's all sleazy stuff and aficionados of exploitation films have seen it all before. What elevates this one is nice moody photography, well known faces of Nikkatsu putting in convincing performances and a high level of mayhem.
The DVD from Mondo Macabro features a nice print and some good extras. I'm not sure if this film would pass uncut in the UK.
During the mid-1970s and early 80's,Nikkatsu-the most important of the pinku eiga studios-launched a series of pink films which were progressively more extreme in their level of sexual violence."Assault!Jack the Ripper" is certainly one of the nastiest pink films I have ever came across.It tells the story of a young waitress and a cook,who after incidentally killing a young woman on a street ends up sadistically raping and murdering women via stabbing them in the crotch.The scenes of rape and sexual violence are truly unsettling,but the film is well-made and acted.Yasuharu Hasebe directed a series of very extreme Nikkatsu pink movies including brutal "Rape!" and horrendously offensive "Rape!13th Hour".In 1979 came Koyu Ohara's "Zoom Up:Rape Site",notorious for a scene in which a rapist shoves a light bulb inside a woman's vagina,then stomps on her stomach until it breaks."Assault!Jack the Ripper" is not easy to find,but for fans of misogynistic Japanese exploitation this sleazy sickie is a must-see.10 out of 10.
Lo sapevi?
- ConnessioniReferenced in Mondo Macabro: The Erotic Empire (2002)
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- Нападение Джека-потрошителя
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- Tempo di esecuzione
- 1h 12min(72 min)
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- Proporzioni
- 2.35 : 1
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