VALUTAZIONE IMDb
6,4/10
1679
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree young men pursue three beautiful women across London.Three young men pursue three beautiful women across London.Three young men pursue three beautiful women across London.
- Regia
- Sceneggiatura
- Star
Jessica Hynes
- Libby
- (as Jessica Stevenson)
Recensioni in evidenza
This film is about 3 men trying very hard to get to the hearts of three women. These six people are connected through the same taxi they take in different times.
In the beginning, the film is confusing because of the three parallel stories to introduce the three couples. It took me a while to understand who is who! After all the scene setting, the film becomes a lot more interesting and human. The character development is good, and all six leading characters get their own unique profile. Catherine McCormack's anxious and hypochondriacal character is the most memorable. The film ends with the message that everyone wants love, we just don't know how to get it.
In the beginning, the film is confusing because of the three parallel stories to introduce the three couples. It took me a while to understand who is who! After all the scene setting, the film becomes a lot more interesting and human. The character development is good, and all six leading characters get their own unique profile. Catherine McCormack's anxious and hypochondriacal character is the most memorable. The film ends with the message that everyone wants love, we just don't know how to get it.
From the director of This Year's Love comes another Brit rom com, combining the talents of many of our up and coming English film stars with familiar faces from the small screen.
The film follows a group of people, and how their lives are affected through chance meetings and overlappings of social circles as they come to dance in the same salsa club and go to the same taxi rank to get home. Fergus (David Morrissey) follows his former love (Horrocks) all the way to London to attempt a reconciliation after jilting her years ago, whereas Eddie (Mistry) stumbles into the salsa club one night, and into the life of introvert Jocelyn (McCormack), reluctant to have him intrude, with a similar scenario for Frankie and Eleanor (Ferguson and Williams).
With the disgusted reports of last years figures of box office takings from Brit flicks - among the many disgraced include Janice Beard 45 wpm (starring Rhys Ifans and Pasty Kensit) and House (starring Kelly MacDonald and This Life's Jason Hughes) - only Billy Elliot and Snatch actually made a profit. The British film industry was getting increasingly stronger with international success from hits like 4 Weddings and A Funeral and The Full Monty a few years ago, so why is it we only seem to produce the occasional gem?
Probably because in the case of Born Romantic, yes, you get the occasional laugh; yes, it isn't bad in itself; especially with the calibre of actors in it, but compared to other British films, it certainly isn't doing much special or, at the very least, original. Which is a shame, considering the potential the film shows, particularly within the characterisation. Still worth seeing, but bear in mind that the influence from This Year's Love clearly shines through.
The film follows a group of people, and how their lives are affected through chance meetings and overlappings of social circles as they come to dance in the same salsa club and go to the same taxi rank to get home. Fergus (David Morrissey) follows his former love (Horrocks) all the way to London to attempt a reconciliation after jilting her years ago, whereas Eddie (Mistry) stumbles into the salsa club one night, and into the life of introvert Jocelyn (McCormack), reluctant to have him intrude, with a similar scenario for Frankie and Eleanor (Ferguson and Williams).
With the disgusted reports of last years figures of box office takings from Brit flicks - among the many disgraced include Janice Beard 45 wpm (starring Rhys Ifans and Pasty Kensit) and House (starring Kelly MacDonald and This Life's Jason Hughes) - only Billy Elliot and Snatch actually made a profit. The British film industry was getting increasingly stronger with international success from hits like 4 Weddings and A Funeral and The Full Monty a few years ago, so why is it we only seem to produce the occasional gem?
Probably because in the case of Born Romantic, yes, you get the occasional laugh; yes, it isn't bad in itself; especially with the calibre of actors in it, but compared to other British films, it certainly isn't doing much special or, at the very least, original. Which is a shame, considering the potential the film shows, particularly within the characterisation. Still worth seeing, but bear in mind that the influence from This Year's Love clearly shines through.
Not all films have to be earth shattering with lots of meanings, Some can just be enjoyable. Born romantic falls into the second category.
The plot is Three Male losers go to a Salsa club in different circumstances. One has the appearance of a rich Latin lover. In truth he is broke and living with his ex wife. The thief is a bad thief, only lucky enough not to get caught. He meets up with an extrentric woman who tends graves. Finally Frankie A musician who is desperate to meet up with his ex fiancée Mo played by the magnificent Jane Horrocks, who he dumped eight years ago.
Nearly all use a mini cab driver, who gives help for all those in the back of his car, as the film progresses it becomes apparent, he is in as much need of help as all the other characters.
If you like the rhythm of the salsa, which becomes infectious, and want something to watch that is not to strenuous on the mind and can stand the occasional cringing moments, then I can recommend this film.
The plot is Three Male losers go to a Salsa club in different circumstances. One has the appearance of a rich Latin lover. In truth he is broke and living with his ex wife. The thief is a bad thief, only lucky enough not to get caught. He meets up with an extrentric woman who tends graves. Finally Frankie A musician who is desperate to meet up with his ex fiancée Mo played by the magnificent Jane Horrocks, who he dumped eight years ago.
Nearly all use a mini cab driver, who gives help for all those in the back of his car, as the film progresses it becomes apparent, he is in as much need of help as all the other characters.
If you like the rhythm of the salsa, which becomes infectious, and want something to watch that is not to strenuous on the mind and can stand the occasional cringing moments, then I can recommend this film.
I rented this movie looking for a romantic comedy and knowing nothing about it other than it starred Craig Ferguson. I am a big fan of his, but this movie was not one that he should be proud to put on his resume! As another reviewer pointed out, there are too many subplots and not enough time to get into any of them. It was ninety minutes of drivel, truth be told. The only part that I enjoyed (which did not belong in the film one iota) was when Craig Ferguson sang in a nightclub accompanied by a band. He sounded great! While no single actor did a bad job, the material they had to work with was just subpar. Nothing fresh was done in the area of romantic comedies and the whole thing was just dull. Don't get this one! Get "Saving Grace" instead! Or "Greenfingers". Or "The Mean Machine". All 3 are in the new release section of your video store and are British movies that are much better.
I watched this on TV the other night on the strength of the cast, I thought all these actors wouldn't be in a film if it was not a good un and have a bit of a soft spot for Mr Mistry ever since East is East. It was a good way to spend a Monday night. I especially liked the bit where Frankie's estranged wife comes into the kitchen while he is trying to woo Eleanor. Jane Horrocks is at her gruesome best and did anyone notice that David Morrissey was repulsive in this film and I think he'd based himself on Fish. I just wish I had a salsa club near me. Last but not least...anyone who still manages to look alluring in a neck collar and a dodgy specs must truly be a beautiful woman..you know who you are!
Lo sapevi?
- Colonne sonoreL.O.V.E.
Written by Bert Kaempfert and Milton Gabler
By kind permission of EMI United Partnership Ltd
Performed by Craig Ferguson
Produced by Simon Boswell
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Born Romantic
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 15.545 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8477 USD
- 30 set 2001
- Lordo in tutto il mondo
- 376.090 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Romantici nati (2000) officially released in Canada in English?
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