Seeds

I saw this film as it was the second feature on a disc containing the previously banned Video Nasty 'Blood Rites'. As Blood Rites was entirely awful, I really wasn't expecting much from this film; but actually, it would seem that trash director Andy Milligan has outdone himself this time as Seeds of Sin tops Blood Rites in style and stands tall as a more than adequate slice of sick sixties sexploitation. The plot is actually quite similar to Blood Rites, as we focus on a dysfunctional family unit, and of course; there is an inheritance at stake. The film is shot in black and white, and the look and feel of it reminded me a lot of the trash classic 'The Curious Dr Humpp'. There's barely any gore on display, and the director seems keener to focus on sex, with themes of incest and hatred seeping through. The acting is typically trashy, but most of the women get to appear nude at some point and despite a poor reputation, director Andy Milligan actually seems to have an eye for this sort of thing, as many of the sequences in this film are actually quite beautiful. The plot is paper thin, and most of the film is filler; but the music is catchy, and the director also does a surprisingly good job with the sex scenes themselves, as most are somewhat erotic. Overall, this is not a great film; but it's likely to appeal to the cult fan, and gets a much higher recommendation than the better known and lower quality 'Blood Rites'.

A HEAVILY dysfunctional family gets together for the holidays. This leads to multiple murders (all badly done) and quite a few sex inserts that feature none of the original cast! This was originally shot as a straight-forward exploitation film with little skin. The producers saw it and decided to change it. They cut out key scenes that explained the plot, inserted some seriously terrible music that occasionally drowns out the actors dialogue, inserted some soft core sex scenes (seemingly at random) with two people who aren't even in the movie! They turned what MIGHT have been an OK movie into an incomprehensible mess. Still the script (or what's left of it) isn't bad, the acting is pretty good (even though some actors REALLY chew the scenery) and a lot of dramatic sequences really work. However the sex scenes the producers inserted pop up all over the place and go on for up to 5 minutes! The two actors (a guy and a girl) ARE attractive and have nice bodies so they're not a chore the watch...but their scenes totally destroy the flow of the story. So what's left is what might have been a pretty good film destroyed by editing and inserting pointless sex. A 3.

This is another cheapo by Andy Milligan, but it is actually a fair story about a highly dysfunctional family.

It was certainly made for the Grindhouse circuit, as the actual story has sex scenes inserted instead of commercials.

Don't get me wrong, this is high class acting, but it certainly was better than The Ghastly Ones in that regard. The stay-with-mom daughter invites all of her siblings home for the holidays. This causes mom to go ballistic, as she hates all of them. It's not enough to cause the old biddy to have a heart attack, so she is there throughout the film yelling and screaming at her children.

They certainly are the weirdest bunch I have ever scene - one is 17 and gets kicked out of every school mom sends him two; one married a woman who lied about a pregnancy to get out of the house, and away from his sister, who was having regular sex with him; one just wanted love and married the first man who would have rough sex with her - a real happy family.

But someone is killing them off, one by one, in between the almost hard core sex scenes.

Yes, I actually fast forwarded through the sex to get the story. It wasn't bad if you can stand the 16mm camera-work and the horrid music played during the sex. I fast forwarded just so I would have to listen to it.

Andy Milligan co-wrote, directed, shot, and did the costumes for this grimly effective exploitation feature. It stars Maggie Rogers as Claris Manning, a vile and hateful bitch if ever there was one. Now her grown-up children are all putrid and hateful in their own ways, and she's convinced (probably not incorrectly) that they're waiting and waiting for her to drop dead so her fortune will become available to them. The old lady's daughter Carol (Candy Hammond, whom Milligan married during filming) invites the ugly brood over for a Christmas dinner, and things turn ugly in more ways than one. Some of the family members start dying off in various ways.

"Seeds" is one of those trash flicks that makes up for in spirit what it may lack in technical polish. It may indeed be "rough around the edges", but Milligan and his co-writer John Borske concocted a wonderfully sordid story and wonderfully sordid characters here. It's all compelling in a really twisted way, especially since incest is a theme that recurs throughout. And because so many of the characters are despicable (including house staff that have their own scheme in the works), we're only too happy to see these people bumped off.

There isn't that much in the way of graphic violence, but exploitation devotees will be delighted to note the abundant nudity and sex. The lack of a big budget helps to create a truly depraved and, well, seedy atmosphere. There are very few settings used, with most of the action confined to the house.

The dialogue is often very amusing, and better than one might expect, and the same goes for the performances. Rogers, in particular, is memorably hideous as one of the nastiest mothers in screen history.

As some people likely already know, this is also available in an alternate cut, "Seeds of Sin", which trims out a lot of Milligans' original material and adds new sex scenes with different actors, in an attempt to increase the pictures' possible revenue.

This could make for interesting alternative Christmas time viewing for more adventuresome movie lovers.

Eight out of 10.

Seeds (1968)

** 1/2 (out of 4)

A mother, an elderly and alcoholic mother, is outraged when her children are invited over to her house for dinner. This here sets loose a lot of old rage and before long everyone is being killed off one by one.

Andy Milligan's SEEDS got a brief theatrical run back in the day but it was a major flop so another company bought the film, took out forty-minutes worth of footage and then filmed around forty-minutes worth of sex scenes. This version was released as SEEDS OF SIN and this is what most people have seen. In 2016 a restoration was done to try and complete Milligan's original version of SEEDS and that's what is reviewed here.

I must say that I think Milligan was a horrible filmmaker but his films are quite interesting to watch and there's no doubt that the man himself was quite fascinating. SEEDS is a rather interesting film because it features some awful acting, lame dialogue, bad camera-work and I'd argue that on most levels you'd consider it a bad film. However, it's actually rather entertaining because of all of these things and I must admit that it help my attention because this family drama, a real train wreck of a family, pretty much explodes on the screen like a train wreck.

I called the performances awful and that's a bit too extreme. They certainly aren't Oscar-material but at the same time they are all interesting to watch. They are bad and some are over-the-top but at the same time it adds an interesting element to the characters. The characters here seem like from an alternate universe and that's basically what Milligan's film seems like. Strange characters in a strange world and it's got some very nasty and mean things going on. In a Milligan type of way, SEEDS works.

Seeds of Sin (1968)

* 1/2 (out of 4)

Somewhat of a producer's cut of Andy Milligan's lost film Seeds, which adds various sex scenes in so that the film could be sold to sex theaters. With all the added sex scenes it's really impossible to judge Milligan's original film but for this here it isn't too bad. The sex scenes will certainly keep you interested and they're actually better done than what you'd normally see in a film like this. I'm still new to Milligan's work and I've heard it can have its certain charm but I've yet to witness any of that.