The Nine Lives of Tomas Katz

How do I describe this one of a kind masterpiece?

I could tell you to throw the work of David Lynch, Monty Python, Stanley Kubrick, Guy Maddin, and Maya Deren into a blender, and you might have an idea as to what this film will be like.

This film is extremely clever, and very thought provoking. However, one can also enjoy loud bursts of laughter throughout this film as well. The comedy is very fresh and even irreverent at times, making it a great dark comedy for those who like a more intellectual film rather than a box-office hit.

This film is not for narrow minded people. If you can't sit through a film that requires constant thought, you're best to just stay away and prevent people from bashing a great film.

This movie defies description, categorization, genre placement. There is simply almost nothing like it - a clever mind trip that relentlessly weaves the plot in a neck-breaking-paced surreal, absurdest, postmodern apocalyptic story with a great soundtrack, trippiest image sequences, great sense of humor, and deep paranoia and darkness. Despite using seemingly gimmicky effects and tricks, very low budget and mostly black-and-white shooting, this movie feels so well done and so well narrated, they don't hinder it at all as they would many other movies - instead, as if on the height of its "genre", this movie absolutely flourishes with them, as the very best silent movies do on their own unhindered by the absence of sound. A must see, but also definitely a "not-for-everyone-er".

During my cinematic explorations I've seen a lot of of far out movies, but The Nine Lives of Thomas Katz has got to be one of the strangest. It's a paranoid yet hilarious film, mixing post-modern end-of-the-world visions with biblical ones. It's one heck of a ride, and though the budget has obviously been quite small, the creators of the film have not let the finances bind their imagination.

In The Nine Lives of Thomas Katz the fair city of London stands on a brink; a solar eclipse is going to darken the skies, and madness begins to emerge. Arcanely dressed Thomas Katz rises from the sewer, and it soon becomes obvious that he is the harbinger (or even the cause) of the chaos to come. The only hope lies in a blind police commander, who is deeply connected with the spirit world. Can he save the white astral child who represents life before Thomas Katz goes through his weird series of metamorphosis, thus sealing the fate of London. And what is Dave going to do about it? What, don't you know who Dave is? Well, he knows who you are, and after you've seen the film you understand why.

When I saw the film the director, Ben Hopkins, was there to present it; he told that much of the dialogue was done by improvisation, and many of the scenes were invented right before they were shot. It's not hard to believe those claims. The Nine Lives of Thomas Katz is not thematical whole; instead it is a series of funny, eerie and surreal scenes portraying the chaos that inhabits our world. While some of these scenes may not work, most of them are, in all their absurdness, scaringly accurate. This clarity of vision covers for the lack of coherence, and makes The Nine Lives of Thomas Katz a worthwhile watch. In it's depiction of irrationality and chaos the film owes much to Luis Buñuel (a debt it openly admits), and it could be even said that this is Buñuel for the post-modern age. Still, the film is highly original in it's own right, and such comparisons should not be taken as claims of plagiarism. Ben Hopkins is not the new Buñuel, but The Nine Lives of Thomas Katz is a film Buñuel would've been proud of.

In the Revelation of St. Peter, it is said that a false Messiah will come, and that Henoch and Elijah will appear to expose the impostor. "The Nine Lives of Thomas Katz" draws heavily on such doomsday stories, canonical as well as apocryphal. A solar eclipse is imminent, the astral child is dying, judgment is coming, and, perhaps worst of all, London's tube stations are disappearing. Enter Thomas Katz, a shape-shifting space alien coughed up by a manhole off the M25 motorway. Under the watchful eyes of London's inscrutable chief of police, Katz takes over a string of high-profile identities to set in motion a vicious plan. But where does it lead? Will it, like the M25, eventually circle back on itself? Only Katz himself knows. Or does he? After all, we don't really know who he even is. Extremely inspired nonsense, miraculously produced by veteran German soap opera writer Hans W. Geissendörfer. Did this ever play in theaters? Too bad if it didn't.

This black and white film was shot on a low budget in London. It is quite funny, but occasionally in fact often very odd. I think the oddness may have been because the production was German and they have a different sense of humour over there or alternatively it may have been because the director was just having a laugh with his Art School mates.

Very funny in places though. I enjoyed it.

Apparently I have to write more so I will also say that the film uses old testament themes to play out an apocalypse in contemporary London. Much of this is quite interesting however according to my mum "the film could have done with better editing". I would say this is accurate