2 recensioni
It's always to pleasure to discover a "new" Our Gang short; that is, one I've never seen before. School Begins, a rare silent short released through MGM, was shown recently at NYC's Museum of Modern Art as part of a silent comedy festival. It scored a solid hit, even though most of us were at a disadvantage, since the title cards were not in English. (They were in Czech, or Dutch, or something most of us didn't understand.) But as usual with this series, the story is conveyed primarily through visual cues and the highly expressive faces of the players, so we had little trouble following what was happening, while the sight gags landed solidly, and earned their laughs. And why not? Silent cinema was—and still is—a universal language.
School Begins has an especially memorable, surreal intro, reminiscent of a Fleischer cartoon: the very first shot depicts a schoolhouse that resembles a scowling face. Harry Spear, our central figure in this short, enters the building trembling with fear, and finds his classmates all dressed as pirates, and fighting wildly. Next thing you know, he's hauled to the front of the room and inserted bodily into a spanking machine . . . at which point, he wakes up! It's morning, and time for the first day of school. This, despite the fact that there's a circus in town, and the fish are biting down at the swimming hole.
The dreamlike atmosphere continues into the next scene, as we see Harry's classmates sadly trudging off to school in slow motion. Harry reluctantly joins the crowd, while his kid brother Wheezer tries to tag along with his dog. (This sequence features a lovely tracking shot along a dirt road bordered by a barbed-wire fence, at a location that appears to be the same one used in Laurel & Hardy's The Hoosegow, made the following year.) Along the way we discover Farina, sitting among a pile of half-eaten watermelons, happily munching on one of them. Racial stereotyping of this kind was not typical of the Our Gang series, but indicates that the Hal Roach Studio was not immune from the attitudes of the day. Wheezer is sent away, as he's too young to go to school. He heads for the pond, gathers up some fish, and then heads for the circus grounds. Soon after, he accidentally lures a pair of trained seals away from the circus and directly to the schoolhouse, where they create an uproar.
School Begins is pleasant and amusing over all, although I have to add I found the finale a little odd. When the seals arrive at the schoolhouse the kids and their teacher react with great panic, as if they were grizzly bears. All that fuss, over a pair of cute trained seals? But that's a minor matter. Along the way there are several funny sequences, including one where Joe Cobb tries to get out of class with a fake note from home, claiming his mother has broken her legs. (You can guess what happens.) This idea would be re-used a couple of years later, in one of the early talkies with June Marlowe as Miss Crabtree. But the gag works nicely in the silent version, even if you don't understand the language of the title cards.
School Begins has an especially memorable, surreal intro, reminiscent of a Fleischer cartoon: the very first shot depicts a schoolhouse that resembles a scowling face. Harry Spear, our central figure in this short, enters the building trembling with fear, and finds his classmates all dressed as pirates, and fighting wildly. Next thing you know, he's hauled to the front of the room and inserted bodily into a spanking machine . . . at which point, he wakes up! It's morning, and time for the first day of school. This, despite the fact that there's a circus in town, and the fish are biting down at the swimming hole.
The dreamlike atmosphere continues into the next scene, as we see Harry's classmates sadly trudging off to school in slow motion. Harry reluctantly joins the crowd, while his kid brother Wheezer tries to tag along with his dog. (This sequence features a lovely tracking shot along a dirt road bordered by a barbed-wire fence, at a location that appears to be the same one used in Laurel & Hardy's The Hoosegow, made the following year.) Along the way we discover Farina, sitting among a pile of half-eaten watermelons, happily munching on one of them. Racial stereotyping of this kind was not typical of the Our Gang series, but indicates that the Hal Roach Studio was not immune from the attitudes of the day. Wheezer is sent away, as he's too young to go to school. He heads for the pond, gathers up some fish, and then heads for the circus grounds. Soon after, he accidentally lures a pair of trained seals away from the circus and directly to the schoolhouse, where they create an uproar.
School Begins is pleasant and amusing over all, although I have to add I found the finale a little odd. When the seals arrive at the schoolhouse the kids and their teacher react with great panic, as if they were grizzly bears. All that fuss, over a pair of cute trained seals? But that's a minor matter. Along the way there are several funny sequences, including one where Joe Cobb tries to get out of class with a fake note from home, claiming his mother has broken her legs. (You can guess what happens.) This idea would be re-used a couple of years later, in one of the early talkies with June Marlowe as Miss Crabtree. But the gag works nicely in the silent version, even if you don't understand the language of the title cards.
It's the first day of classes for Our Gang and no one wants to go; there's a circus in town, and the fish are jumping at the fishing hole, but only Farina and Wheezer are exempted from this dread duty by their youth.
The silents that MGM distributed for Hal Roach after his deal with Pathe expired have a poor survival rate. Pathe distributed his earlier works for decade through their robust show-at-home network. MGM, however, not only didn't bother with show-at-home, they controlled their prints and demanded them back after they ceased to circulate. The only print known to survive is at New York's Museum of Modern Art, where it was shown yesterday as part of their Cruel & Unusual Comedy series.
It's a typically excellent entry in the series. Although the success of the series caused many producers to attempt similar ones, they tended to be more about the mechanical gags. Although there are a couple of very funny sequences here, it's more about kids being kids and the sort of trouble they get into as a result, as when Joe Cobb forges a note from his mother excusing him from class... only for her to show up.
The silents that MGM distributed for Hal Roach after his deal with Pathe expired have a poor survival rate. Pathe distributed his earlier works for decade through their robust show-at-home network. MGM, however, not only didn't bother with show-at-home, they controlled their prints and demanded them back after they ceased to circulate. The only print known to survive is at New York's Museum of Modern Art, where it was shown yesterday as part of their Cruel & Unusual Comedy series.
It's a typically excellent entry in the series. Although the success of the series caused many producers to attempt similar ones, they tended to be more about the mechanical gags. Although there are a couple of very funny sequences here, it's more about kids being kids and the sort of trouble they get into as a result, as when Joe Cobb forges a note from his mother excusing him from class... only for her to show up.