VALUTAZIONE IMDb
6,1/10
5911
LA TUA VALUTAZIONE
Kate è stata licenziata da una rivista femminile. Ha un'ultima possibilità, 2500 parole allegre e vivaci per trovare e mantenere quell'uomo perfetto. Lei racconta delle sue relazioni.Kate è stata licenziata da una rivista femminile. Ha un'ultima possibilità, 2500 parole allegre e vivaci per trovare e mantenere quell'uomo perfetto. Lei racconta delle sue relazioni.Kate è stata licenziata da una rivista femminile. Ha un'ultima possibilità, 2500 parole allegre e vivaci per trovare e mantenere quell'uomo perfetto. Lei racconta delle sue relazioni.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Don Brunner II
- Police Officer
- (as Don Brunner)
Recensioni in evidenza
If you've been watching Jon Favreau's Dinner for Five on IFC, and enjoying it, as I have, you'll definitely enjoy this movie. Favreau is fun to watch, and this movie shows his strengths as an actor. Famke Jansen is a standout as Kate, the film's protagonist.
Looking through the External Reviews, linked on IMDB, it seems that many of the critics really disliked this movie, and I don't see why. It may not be Shakespeare, but why such a strong negative reaction to what is essentially a light, romantic comedy. Some even say there is no chemistry between Jansen and Favreau, and again, I just don't get it.
OK, so you've probably read the synopsis, 30ish single Kate is looking for love. 30ish Adam seems to be it. Then they break up. Then they try to move on. Then they drive each other crazy with jealousy. I won't go on to spoil the finish.
All that is pretty predictable, but the dialogue is well written. The actors are believable and connect with less of a sizzle than a warm melt. I enjoyed the build-up phase of the relationship that was the heart of the movie. The soundtrack songs were well chosen, and enhanced the film.
Overall, this movie is a nice time, and I'd probably watch it again.
Looking through the External Reviews, linked on IMDB, it seems that many of the critics really disliked this movie, and I don't see why. It may not be Shakespeare, but why such a strong negative reaction to what is essentially a light, romantic comedy. Some even say there is no chemistry between Jansen and Favreau, and again, I just don't get it.
OK, so you've probably read the synopsis, 30ish single Kate is looking for love. 30ish Adam seems to be it. Then they break up. Then they try to move on. Then they drive each other crazy with jealousy. I won't go on to spoil the finish.
All that is pretty predictable, but the dialogue is well written. The actors are believable and connect with less of a sizzle than a warm melt. I enjoyed the build-up phase of the relationship that was the heart of the movie. The soundtrack songs were well chosen, and enhanced the film.
Overall, this movie is a nice time, and I'd probably watch it again.
Interesting film following the romances of a journalist. Famke Janssen traces her history of romances in her mind as she works diligently to meet a deadline for an article on romantic relationships to save her job. She uses this time to reflect on her on and off relationship with Jon Favreau. This film is a nice change of pace for Favreau. I would recommend this film if for nothing else then the scene with David Schwimmer.
The screenplay was witty and had a sense of true comedic timing.
The movie only showcases a bit of what the screenplay held.Valerie Breiman wrote a fantastic script, but her direction was somewhat lacking, and I felt that the actors did the best they could with what she gave them. There were some elements of great comedy, but the timing was just a BIT off. A more experienced director could have played up the many one liners and the countless funny moments from Kate's love life. The ending just sort of showed up, which was disappointing, and she could have worked more of the new article deadline into the story. And unfortunately, the one serious moment in the story (which was acted very well) was too short and it could have been explored more, and could have exhibited itself further in the story as something like that affects someone very deeply, even Kate.
Jon Favreau is a very funny man and from what I've seen a pretty good actor. Famke Janssen, while best known as the best bad Bond Girl and Jean Grey from X-men, isn't known for her acting ability, having taken some roles in some very VERY bad movies. However, I think almost each and every time she makes a movie she gets better and better. This was the first time I'd seen her play something other than the one dimentional characters from her previous roles. I think that in 'Love and Sex' and also in the new 'X-2 X-Men United' she's starting to show some real acting chops, some true depth, indicating that she's more than just a former-model-turned-actress cliche. She turned out some very very funny scenes, but the director as I said earlier just missed out on the very jokes she had written. Hopefully, Ms. Janssen will start to get some meatier roles to play, based on the potential she showed here and the heart and soul she's brought to a comic book character for crying out loud. But that's another review and a completely different type of movie. I'd like to see her do more comedy.
Ms. Brieman gave a decent 1st time out movie, it just could have been so much more. I still really enjoyed it and if I had the money I'd go buy it. I got the humor, and appreciated it, even though it was poorly put on the screen. Maybe its because I'm just as neurotic as Kate and Adam.
The movie only showcases a bit of what the screenplay held.Valerie Breiman wrote a fantastic script, but her direction was somewhat lacking, and I felt that the actors did the best they could with what she gave them. There were some elements of great comedy, but the timing was just a BIT off. A more experienced director could have played up the many one liners and the countless funny moments from Kate's love life. The ending just sort of showed up, which was disappointing, and she could have worked more of the new article deadline into the story. And unfortunately, the one serious moment in the story (which was acted very well) was too short and it could have been explored more, and could have exhibited itself further in the story as something like that affects someone very deeply, even Kate.
Jon Favreau is a very funny man and from what I've seen a pretty good actor. Famke Janssen, while best known as the best bad Bond Girl and Jean Grey from X-men, isn't known for her acting ability, having taken some roles in some very VERY bad movies. However, I think almost each and every time she makes a movie she gets better and better. This was the first time I'd seen her play something other than the one dimentional characters from her previous roles. I think that in 'Love and Sex' and also in the new 'X-2 X-Men United' she's starting to show some real acting chops, some true depth, indicating that she's more than just a former-model-turned-actress cliche. She turned out some very very funny scenes, but the director as I said earlier just missed out on the very jokes she had written. Hopefully, Ms. Janssen will start to get some meatier roles to play, based on the potential she showed here and the heart and soul she's brought to a comic book character for crying out loud. But that's another review and a completely different type of movie. I'd like to see her do more comedy.
Ms. Brieman gave a decent 1st time out movie, it just could have been so much more. I still really enjoyed it and if I had the money I'd go buy it. I got the humor, and appreciated it, even though it was poorly put on the screen. Maybe its because I'm just as neurotic as Kate and Adam.
"Sex and Love" is one of my favorite romantic comedies of recent vintage. It may in fact be may favorite.
It is from a decidedly 30 something, as opposed to 20 something, point of view. There is no question that that helps define its sub-genre, and its maturity.
I adore (and lust after) Framke Janssen, and deeply respect Jon Favreau. I was introduced to both by this movie. I have since gone looking for both in other films -- and have been rewarded in that quest.
This film does indeed dispense with the sex wars stereotypes of the moment and deal with two individual characters. At the same time, neither is the polar opposite of the sex stereotype (which might itself actually be a play off of the expected). Framke is a semi-promiscuous, very sexy but also "too tall", somewhat depressive and quirky woman. Favreau is not very good looking (which women, especially more intelligent and more experienced women tend to not care so much about), intense, highly intelligent, and if anything too oriented towards early commitment. At the same time he seems to have a very strong and experimental sex drive. All in all, he is in many ways what elite level late 90's women say (at any rate) they want the most in men.
But Jon develops a problem. Though he fights against it, he is in fact life experience jealous of Framke's 13 (as I remember) against his (rather amazing 3). (Both are very suppressed numbers, if you ask me.) He stays with women he sleeps with for six years. She hasn't had a relationship that lasted longer than six weeks, other than her high school French teacher (with a vanishingly small d**k). So one thing leads to another and they separate in a most friendly and civilized manner. Only to....
It is the detailed and very honest character development which makes this movie -- what it is all about. In fact it is a very "French" American romantic comedy -- set within a quintessentially American idiom.
I'd love to see many more like this.
It is from a decidedly 30 something, as opposed to 20 something, point of view. There is no question that that helps define its sub-genre, and its maturity.
I adore (and lust after) Framke Janssen, and deeply respect Jon Favreau. I was introduced to both by this movie. I have since gone looking for both in other films -- and have been rewarded in that quest.
This film does indeed dispense with the sex wars stereotypes of the moment and deal with two individual characters. At the same time, neither is the polar opposite of the sex stereotype (which might itself actually be a play off of the expected). Framke is a semi-promiscuous, very sexy but also "too tall", somewhat depressive and quirky woman. Favreau is not very good looking (which women, especially more intelligent and more experienced women tend to not care so much about), intense, highly intelligent, and if anything too oriented towards early commitment. At the same time he seems to have a very strong and experimental sex drive. All in all, he is in many ways what elite level late 90's women say (at any rate) they want the most in men.
But Jon develops a problem. Though he fights against it, he is in fact life experience jealous of Framke's 13 (as I remember) against his (rather amazing 3). (Both are very suppressed numbers, if you ask me.) He stays with women he sleeps with for six years. She hasn't had a relationship that lasted longer than six weeks, other than her high school French teacher (with a vanishingly small d**k). So one thing leads to another and they separate in a most friendly and civilized manner. Only to....
It is the detailed and very honest character development which makes this movie -- what it is all about. In fact it is a very "French" American romantic comedy -- set within a quintessentially American idiom.
I'd love to see many more like this.
With somewhat of a depressing and pessimistic outlook, Kate (Famke Janssen) has experienced all types of men. However when she meets Adam Levy (Jon Favreau) all bets are off. Love & Sex takes you on a bumpy and up close ride at love, heartache and the wonderful and sometimes painful art of making up.
Lo sapevi?
- QuizThe autobiographical script took five years to get produced.
- BlooperWhen Kate is in the adult store, there are two posters of movies which were not adult movies, one was Wing Commander(1999) staring Freddie Prinze Jr. and the second was Enter the Blood Ring(1995) staring Robert Z Dar.
- ConnessioniFeatures Nosferatu - Il vampiro (1922)
- Colonne sonoreHoneychild
Written by Eddi Reader, Phil Steriopoulos, Roy Dodds, Neill MacColl
Performed by Eddi Reader
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 543.896 USD
- Fine settimana di apertura Stati Uniti e Canada
- 58.116 USD
- 27 ago 2000
- Lordo in tutto il mondo
- 580.372 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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