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Un sogno per domani

Titolo originale: Pay It Forward
  • 2000
  • T
  • 2h 3min
VALUTAZIONE IMDb
7,2/10
127.005
LA TUA VALUTAZIONE
POPOLARITÀ
3146
858
Un sogno per domani (2000)
Trailer
Riproduci trailer0:32
1 video
99+ foto
DrammaRaggiungimento della maggiore età

Un bambino cerca di rendere il mondo un posto migliore dopo aver ricevuto la possibilità da parte della sua maestra.Un bambino cerca di rendere il mondo un posto migliore dopo aver ricevuto la possibilità da parte della sua maestra.Un bambino cerca di rendere il mondo un posto migliore dopo aver ricevuto la possibilità da parte della sua maestra.

  • Regia
    • Mimi Leder
  • Sceneggiatura
    • Catherine Ryan Hyde
    • Leslie Dixon
  • Star
    • Kevin Spacey
    • Haley Joel Osment
    • Helen Hunt
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    127.005
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3146
    858
    • Regia
      • Mimi Leder
    • Sceneggiatura
      • Catherine Ryan Hyde
      • Leslie Dixon
    • Star
      • Kevin Spacey
      • Haley Joel Osment
      • Helen Hunt
    • 691Recensioni degli utenti
    • 92Recensioni della critica
    • 40Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 4 candidature totali

    Video1

    Pay It Forward
    Trailer 0:32
    Pay It Forward

    Foto114

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 108
    Visualizza poster

    Interpreti principali63

    Modifica
    Kevin Spacey
    Kevin Spacey
    • Eugene Simonet
    Haley Joel Osment
    Haley Joel Osment
    • Trevor McKinney
    Helen Hunt
    Helen Hunt
    • Arlene McKinney
    Jay Mohr
    Jay Mohr
    • Chris Chandler
    Jim Caviezel
    Jim Caviezel
    • Jerry
    • (as James Caviezel)
    Jon Bon Jovi
    Jon Bon Jovi
    • Ricky McKinney
    Angie Dickinson
    Angie Dickinson
    • Grace
    David Ramsey
    David Ramsey
    • Sidney Parker
    Gary Werntz
    • Mr. Thorsen
    Colleen Flynn
    Colleen Flynn
    • Woman on Bridge
    Marc Donato
    Marc Donato
    • Adam
    Kathleen Wilhoite
    Kathleen Wilhoite
    • Bonnie
    Liza Snyder
    Liza Snyder
    • Michelle
    Jeannetta Arnette
    Jeannetta Arnette
    • Nurse
    Hannah Leder
    Hannah Leder
    • Thorsen's Daughter
    • (as a different name)
    Tina Lifford
    Tina Lifford
    • Principal
    Loren D. Baum
    • Rough Kid #1
    Nico Matinata
    • Rough Kid #2
    • Regia
      • Mimi Leder
    • Sceneggiatura
      • Catherine Ryan Hyde
      • Leslie Dixon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti691

    7,2127K
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    Recensioni in evidenza

    XianPhoenix

    Just the Sort of Treacle I Wrote When I Was Eleven

    This was not a bad film; in fact, it was fairly well done, for what it was. Unfortunately, what it was was emotionally manipulative. Child abuse survivors, cute kids, recovering alcoholic mom working two jobs, this movie had it all. Above all, the director's vision was muddled. "Life is sh*t," says Trevor (Osment); by the end of the film, we can see that life is not sh*t after all. Or is it? The dramatic twist at the end (I won't spoil it for you) seemed to revoke the entire message of the movie. It had no apparent purpose, other than to lead up to the buy-the-world-a-coke, faux-heartwarming finale. The movie was not a total wash, however, as the genuinely solid performances from everyone involved lifted it above the sappy little mess it could have been. Osment is a gifted actor who manages to be a scared, vulnerable kid, without resorting to overt cuteness; he has a wary toughness which makes his performances very believable. Although I am admittedly ambiguous about Helen Hunt, she did turn in a very strong, thoughtful performance in a role that could easily have been one-sided or overplayed. Final analyss: If you like sentimentality, "Pay it Forward" is worth the effort, but it falls far short of a classic.
    8shabashnim

    More realistic than a pyramid money making scheme

    watched the movie over the weekend! And i really enjoyed the story. I haven't read the book but i think the idea deserves credit and well done on making it into a movie... greater potential to get people thinking even if it is just for 5minutes.

    It reminded me of the pyramid get rich schemes that some people promote... only this had more substance and seemed more attainable than the selling life insurance to people!!! I came across a review that said the movie was over sentimental and perhaps unrealistic. For those that have lost faith in humanity and ability to do a good deed for someone you really don't know ... perhaps it is unrealistic. But living in a developing context means that we are faced with that opportunity all the time.

    Irrespective, of linguistical, social, cultural or economic barriers we all have the capacity to recognise when the hand of support or help is extended... its tough to ignore! So for those of you that are extending/ receiving that hand .. Pay it forward!
    8TheLittleSongbird

    While not the most moving film I've seen, this is still a solid, thoughtful and well-performed film!

    Pay It Forward is not as moving as a film like the Elephant Man and Fearless, but is still a solid and thoughtful account of a boy who wants to change the lives of those he loves.

    The subject matter was well-realised, and that alone made it genuinely poignant. I have read some truly unfair reviews, that Pay It Forward is overly sentimental. No, it isn't. The ending was beautiful, and heart-rending too. When I saw this at school, I promised myself I wouldn't cry. But I did oddly enough, but it is very fair to say the ending was very moving, and added to the irony that the young boy Trevor, was unable to change his alcoholic mother's life. The scene in the hospital was also really sad, as I had genuine respect for all the characters.

    There were unfortunately two flaws with the film. First of all, the script at times was a bit weak, especially when the three protagonists were not the focus. The other flaw was that sometimes the film's structure felt a little confused, but that's just me. Mimi Leder's direction was slick and attentive, the two ingredients you need to make this sort of film work.

    The performances of the three leads were what held this film together. A wonderfully restrained Kevin Spacey played the disfigured teacher, and the scene where we find out what happened to him was shocking to say the least. Helen Hunt matched him beautifully as the mother, who tries to block out her painful life(prostitution, domestic abuse, an alcoholic family member) with drink, much to the despair of her son, Trevor. The real star is Haley Joel Osment, possibly the most talented child actor on film, who perfectly conveyed the 11 year old boy who wants to make a difference. Who wouldn't? All in all, a thoughtful and insightful film, that is genuinely moving. It isn't the most moving film ever, but it is definitely underrated. 8/10 Bethany Cox
    9baumer

    Life is pain

    Life is full of inconsistencies, and it is not without a sense of irony. There are people that have tried to make a difference in life and some of them have paid for it with their lives. Some that come to mind are Martin Luther King Jr, JFK, Gandhi and Terry Fox. It's not easy to change the world. It takes a lot of hard work and determination. And it doesn't happen overnight. But then you see a film like this and you begin to question that rationale. What if a concept like this really was implemented? What if every single person that had a favour bestowed upon them was asked to pay it forward? Is it possible that a Utopian world could be achieved? I doubt it, but it certainly would go a long way to making this condemned world a better place to live.

    I don't think this is one of the best movies that I have ever seen. I don't think it is even the best film that I will see this year (although it will make my top ten ) but the idea behind it is what has me intrigued. Believe me when I tell you this. I don't think I have ever been as emotionally galvanized as I was in this film. There is a raw power, a truth that rings clear in Pay It Forward and if there was one film that I would want people to see this year, it would be this film. It is entertaining, it is superbly acted, and it the one true film, the one true idea that really could help make a positive and tangible difference in our society and our world.

    In some circles this film has been criticized for laying on the fluff. It is too much like a soap opera. And that is so far from the truth. Let's recount the issues at hand and examine them. Kevin Spacey plays a burn victim because of child abuse. Helen Hunt plays a single mom that is having a hard time recovering from alcoholism and has a bad case of "can't get her ex-husband" out of her life and her bed. Haley Joel Osment plays a wise beyond his years son that had to grow up precociously because of his mother that suffers from the above. Every character in this film, including the bit players suffers from real problems. If people have a hard time understanding this then just go to an average suburban classroom in North America and arbitrarily pick out ten kids. Chances are you will find cases of alcoholism, child abuse, divorce and a plethora of issues that are not conducive to a healthy environment for a child. So this film is just mirroring life. That's all.

    The performances by the three leads is nothing short of brilliant. Not as much can be said for the rest of the cast, but Spacey, Osment and Hunt all could be nominated this year when March comes. All three bring compassion and depth to the three scarred people that they portray. But especially intriguing is Osment. He doesn't need to say anything in order for you to understand him. It's a look, a twitch, a smile, a shiver. Anything he does helps us understand who he is and why he is that way. Osment is one true gifted actor and I really don't think he is going to fade away in the years to come like so many other child prodigies. This is the real deal. By following up Sixth Sense with a performance this real solidifies him as a true thespian.

    If you have not seen this film for whatever reason, and its box office suggests most haven't, then do yourself a favour and take a chance on it. Not only will it do you good, it really might help change you in some ways. And as Osment says in the film, maybe we may all see in some way that, " the world isn't really s**t."

    9 out of 10 ( and bring lots of tissues )
    7Al_James

    Not for the stonehearted.

    Pay It Forward is a movie that is aimed at one particular audience. The kind of audience that expects to have their life changed as the minutes tick by.

    And as a film that provides profound, poignant and tear-jerking moments, Pay It Forward will be perfect for this manner of audience. Unfortunately, harder, more expecting movie-goers will probably dismiss this movie as an oversentimental and perhaps unrealistic film.

    The film is centred around Trevor (Hayley Joel-Osment). An 11 year old boy, living alone with his dysfunctional, on-off alcoholic mother Arlene (Helen Hunt). One day Trevor is set a homework assignment by his new Social Studies teacher, the mysterious, slightly disfigured Eugene (Kevin Spacey). Eugene sets the class a difficult task; to think of an idea that will change the world and put it into action. Et voila!! Pay It Forward is born.

    Trevor is played with an endearing maturity and at times, unstable frustration by uber kid actor Osment. As an aspiring actor, I worry that an 11 year old boy can grab hold of such difficult roles and make them his, while I still strive to gain my Equity card!! What Osment promised in The Sixth Sense, he shows again here with a more difficult and emotionally charged role. Trevor is a boy not altogether happy with his life. He is lacking in a father figure, his Mother struggles to have any impact on him as she juggles two jobs to make ends meet, which leaves Trevor with nothing but his own intuition to drag him through life. For a child that can only be extatic and contented with HIS life, Osment does well to project such a fragile character on screen.

    Eugene is a character made for Kevin Spacey (although all his roles seem perfect for him). Intelligent, compassionate, slightly bitter and at times unpredictable, Eugene is a man that we, as an audience cannot help but engage with. The dialogue written for Spacey is much better than other characters in the film, and he puts it to good use. Spacey is at his best when doing two things; calmly and charismatically attracting attention to himself (Ordinary Decent Criminal, Midnight In The Garden Of...), and when he bubbles just below the surface, inviting audiences in so that he can devastate you with a single revelation (Seven, Usual Suspects, Swimming With Sharks). And his revelation in this film (he relives how he came to get his horrific scars), is so vivid, so intricately and harrowingly retold that you cannot help but feel a tear well up in your eye.

    Helen Hunt is fantastic as Arlene. Managing to achieve a look that bizarrely mixes trailer trash, run down alcoholic with vulnerable cuteness. She doesn't get the pick of the dialogue however, and the role aswell as the whole film would have been a whole lot worse off had Hunt not been on top form. You don't want her to be your Mother, but you really want to see her happy and for her to do a good job at being Trevors.

    The film falls short in little details. Supporting characters do little to affect the story (Jay Mohr as an almost non-speaking narrator??) and the whole thing feels flat if Spacey is off screen too long. Good actors like Jim Caviezel go almost unnoticed and you can't help but feel that a few more juicy characters would help the story become a little more...cohesive.

    The ending is a reinforcement of the atmosphere of the whole film. It is a sequence that heightens our emotion and should set the tears rolling.

    In short, see this film for three things; Haley Joel-Osment, Kevin Spacey and Helen Hunt. All three are fantastic, and it's obvious to see why so much Oscar gossip was being spread.

    If you like heart warming films with a little bit of edge, then watch on. If you're expecting an original, exciting, twisty or philosophical film...watch it anyway, at least the three leads are good.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      In the scene where Helen Hunt's character strikes her son Trevor across the face, Haley Joel Osment requested that she actually hit him to make it seem more realistic. However, director Mimi Leder declined to allow that to happen in the film.
    • Blooper
      The point of triage in an ER is to identify and treat patients in need of immediate care. No nurse in his/her right mind would pass over a girl having an acute asthma attack for an obviously stable man with a gunshot wound, no matter what order they arrived in.
    • Citazioni

      Trevor McKenney: I think some people are too scared, or something. I guess it's hard for people who are so used to things the way they are - even if they're bad - to change. 'Cause they kind of give up. And when they do, everybody kind of loses.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Dr. T and the Women/Billy Elliot/The Ladies Man/Lost Souls/The Broken Hearts Club (2000)
    • Colonne sonore
      You Gotta Move
      Written and Performed by Sam Cooke

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    Dettagli

    Modifica
    • Data di uscita
      • 16 marzo 2001 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Warner Bros. (US)
    • Lingua
      • Inglese
    • Celebre anche come
      • Cadena de favores
    • Luoghi delle riprese
      • Las Vegas, Nevada, Stati Uniti
    • Aziende produttrici
      • Warner Bros.
      • Bel Air Entertainment
      • Tapestry Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 40.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 33.519.628 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 9.631.359 USD
      • 22 ott 2000
    • Lordo in tutto il mondo
      • 55.707.411 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 3min(123 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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