Más negro que la noche

I'm a fan of this original 70s film about a group of young women foiled by the spirit of an angsty ghost and her black cat, Bekker. I'm amused and mystified at the choice of name for the cat which is an apparent attempt and fail at an English-sounding name. It would be like me naming my cat Beccia to try to sound Spanish or Italian.

Funny linguistics aside, the OG version of Mas Negro Que La Noche is fantastically atmospheric and easily watchable time and again for your Day of the Dead or Cinco de Mayo festivities. It's worth noting that the plot is fairly divergent from the 2014 remake (of which I'm also a fan). I think I prefer the ending to the remake but you'll have to decide for yourself.

Moderately paced and highly atmospheric 'Hunted house' flick from Mexico. This film is mostly about the mood and the overall look (of the house and the girls) , fortunately there is almost no 'gore'. Four beautiful ladies move into an old house, but they are not safe. Maybe if they had shown a bit more tolerance and understanding towards a certain cat, all would have gone well, but alas. I have rarely seen a spooky mansion so well utilized- winding staircases, spacious open rooms, an impressive color scheme - all this combined so well with the camera work and dialogue , a wonderful blend designed to led one gradually, step by step, into a state of paranoias, fear and dread. 7.6 stars.

After inheriting her grandmother's house in the countryside, a woman and her friends stay there to help sort out matters but grow increasingly convinced something is living in the house with them and try to get to the bottom of the mystery.

This turned out to be quite an enjoyable effort with a lot to really like here. One of the biggest pluses here is the fact that this one really manages to get the look and feel of the Gothic/Victorian style house here which is quite expertly handled and gets a lot of mileage out of. Filled with the grand layouts, spacious designs of the rooms and the twisting labyrinth of walkways and passages throughout, it fits the bill quite nicely with this one keeping up appearances quite well in addition to the fact that the last half of the film takes place in the secret rooms of the house. Using the underground library and the garden outside as the main locations in these sections makes for a rather chilling time with the multitude of encounters throughout there and how the earlier scenes set-up these encounters by focusing on the actions of the ghostly housekeeper and her cat. These are handled well enough for the rather impressive finale to feel like a continuation of these scenes which is where the fun of these come from while also accounting for the chilling nature of such encounters. While there's a lot to like here, it also has a few flaws in the incredibly clichéd and contrived set-up involving her and her friends moving into the house she has just inherited which really has no point here in generating any kind of originality or credibility in forcing them onto the property to begin with. As well, the fact that the girls' stay there includes the visitation by their boyfriends who are left alive by the disturbing lack of deaths here does make their intrusion seem pointless and drags out the running time in the middle when they're featured, yet this still manages a lot more good than bad points.

Rated Unrated/R: Violence, Language, Nudity and violence-against-animals.

Some old lady who adores her black cat dies and leaves her big creepy house to her 20-something niece (or granddaughter? I don't remember). All she kindly requests is that the young woman take care of her beloved black cat, Becquer.

Well, the niece moves in with her three roommates, all young women. Unfortunately, some of these scintillating ladies hate cats and are a bit hard on to help, which leads to some disastrous results for the characters but a bit of satisfaction for the audience as justice is well-served.

It's a Mexican movie, but don't expect to see any tortas, farmers, or street urchins. This movie is firmly grounded in the Mexican urban upper middle class/upper class world and could very comfortably be dubbed into the language of any developed country and I don't think anyone would notice the difference. It exclusively takes place in a lavish manor, an expansive library, and an upscale apartment.

Very effective sets and direction for a horror movie. The house looks big and creaky, like a 19th century manor just made for heinous activites. The head servant left by the grand-aunt is effectively creepy because of her emotionless face and monotone delivery. In short, there are lots of possible vectors the evil can take and you don't know from the beginning where it's going to come out of.

It's a satisfying watch as a moderately creepy drama-horror, but probably not the type of movie that will scare you out of your pants. There are a limited number of frightening scenes but it's nothing too intense.

It's very much like in the tradition of 1970's US horror flicks, but it can't match US horror of the decade in scares or thrills. It also doesn't have any Mexican (or non-US) charm to make it unique, so it's probably low on the list of 70's horror films to watch for the fans out there, but if you do watch it you probably won't be disappointed.

Honourable Mentions: Burnt Offerings (1976). A horror movie where the house itself is the evil villain. More outrageous and scary than this one. Worth a watch!

My favorite of the Taboada trilogy of horror...I don't think Veneno Para las Hadas counts as a horror movie. The soundtrack is really good for a horror movie- harpsichord, varied themes and styles. With a low budget, Taboada managed to convey fright, something that is hard to do. It has a classic vibe to it, a la "The Haunting" (the original one...no the hot mess from the late 90s). I have to admit, it's rather cheesy, but as a child, it captivated me. What I loved also, now that I'm an adult and have read my share of books, is the nod to Edgar Alla Poe's "The Black Cat." Film-making wise, I think Taboada was an unappreciated genius. I hope Guillermo del Toro honors him by remaking one of the three.