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Crónica de un desayuno

  • 2000
  • 1h 49min
VALUTAZIONE IMDb
5,2/10
314
LA TUA VALUTAZIONE
Bruno Bichir in Crónica de un desayuno (2000)
Dramma

Aggiungi una trama nella tua linguaIn this deliciously kinky film that takes place in the wee hours of a Mexico City morning, long-absent Pedro returns to preside over his seriously bent family. But while Pedro is busy making... Leggi tuttoIn this deliciously kinky film that takes place in the wee hours of a Mexico City morning, long-absent Pedro returns to preside over his seriously bent family. But while Pedro is busy making love to his wife, their children Blanca, Teo and Marcos have different ideas about their ... Leggi tuttoIn this deliciously kinky film that takes place in the wee hours of a Mexico City morning, long-absent Pedro returns to preside over his seriously bent family. But while Pedro is busy making love to his wife, their children Blanca, Teo and Marcos have different ideas about their father's return. Meanwhile, the neighbors are up to their own devices in a wickedly funny ... Leggi tutto

  • Regia
    • Benjamín Cann
  • Sceneggiatura
    • Jesús González Dávila
    • Sergio Schmucler
  • Star
    • Odiseo Bichir
    • Eduardo Palomo
    • José Alonso
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,2/10
    314
    LA TUA VALUTAZIONE
    • Regia
      • Benjamín Cann
    • Sceneggiatura
      • Jesús González Dávila
      • Sergio Schmucler
    • Star
      • Odiseo Bichir
      • Eduardo Palomo
      • José Alonso
    • 11Recensioni degli utenti
    • 1Recensione della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 5 vittorie e 7 candidature totali

    Foto7

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    Interpreti principali21

    Modifica
    Odiseo Bichir
    Odiseo Bichir
    • Roberto
    Eduardo Palomo
    • Juan
    José Alonso
    José Alonso
    • Pedro
    Luis de Icaza
    • Voceador
    Miguel Santana
    • Teo
    Bruno Bichir
    Bruno Bichir
    • Marcos
    Angélica Aragón
    Angélica Aragón
    • Estela
    Fabiana Perzabal
    • Blanca
    Roberto Sosa
    Roberto Sosa
    • Chavo Pelo Rojo
    Claudette Maillé
    Claudette Maillé
    • Eugenia
    Adriana Roel
    Adriana Roel
    • Doña Lupe
    Héctor Bonilla
    Héctor Bonilla
    • Ernesto
    Arcelia Ramírez
    Arcelia Ramírez
    • Yolanda
    María Rojo
    María Rojo
    • Luz María
    Julieta Egurrola
    Julieta Egurrola
    • Seño Fonda
    Vanessa Ciangherotti
    • Lupita
    Damián Alcázar
    Damián Alcázar
    • Taxista
    Hernan Del Riego
    Hernan Del Riego
    • Cantante
    • Regia
      • Benjamín Cann
    • Sceneggiatura
      • Jesús González Dávila
      • Sergio Schmucler
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti11

    5,2314
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    Recensioni in evidenza

    10mario_braner

    Thanks god a movie like this was done and released!

    The kind of movie that demands too much from the audience, yet to disappoint most of them. I think of the Mexican people who (either in an attempt to support Mexican movies or willing to see a film casting top Mexican stars) saw it, half of the people went out of the theater when I went to watch it, it's definitely not the kind of movie one could expect. I think too of the people from other countries who dared spending 2 hours seeing it till the very end, "what a piece of crap". In order to understand Cronica de un desayuno, one has to be mexican, and one has to be familiar with the low middle classes (or even better, be part of them). There's nothing accidental in this movie, the family is and has what many families, in Mexico at least, share. One has to see it with a wide open mind to accept it entirely, it's not the kind of movie that you fully understand after you watch it. The older brother wouldn't let anyone sit on his RED couch, the sister is staying no matter how she wants to leave, the younger brother is going to an excursion, and all he cares about is the yellow radio, the mother has to prepare the breakfast for the family, no matter how tense and unbearable the situation is. The father came back after who knows how long, allowing the mother to live a night of passion that somehow turns out to be momentary, and ends up by repeating all the attitudes of his sons... The stories around the house are surrealistic (and so is the movie), a travestite looking for his penis, a factory worker and his attempt of suicide, subtled by the kisses of his girlfriend, a fat man riding his bicycle after a interesting conversation about homosexuals with his sister? wife? mother?... The music doesn't pretend too much but it achieves a lot, not more than a snare drum, cymbal, a some strings. Thanks good a movie like this was done and released.

    One of the best mexican movies ever!, and one of the less understood, even by mexican themselves, no matter how identified the should have felt with it.
    aagmex

    Superb!

    Some people prefer to see blue walls and some others red ones. Some people choose to see the truth, some prefer to be blind folded because the truth hurts. This is a film made with balls. You need them to break conventional modes of film making. If you consider most of Hollywood film are worth two hours of your time, then this film should not be in your plans. Is a brain and heart teaser film. Is a film about Mexicans and its painful as well as reliever. This is film revolution. This is real. Keep making films like this! Keep upsetting people, they need it. Bravo!!
    1f. baez

    The worst defects of mexican cinema, all in one film

    Cronica de un desayuno combines the worst defects of mexican cinema, a rare feat nowadays.

    It's pretentious: it wants us to believe that it is deep, only because some scene is out-of-focus, another is pseudo-surreal, yet another plays with the Eisenstein-Infante-Caifanes tradition of laughing-crying faces, the edition is fragmented, and it is all so solemn.

    It has a weak script: the main story hardly develops, so it has other three smaller, needless stories, stuck into it. They are only good to make the film last longer.

    Most of the acting is bad. A true feat, baring in mind that many of the best known mexican actors were cast.

    There is an abuse of unnecesary foul language. To the point that the character of Paloma, who symbolizes the dreams of freedom of a child, uses it throughly.

    It is homophobic. The character played by Eduardo Palomo is the sorriest, and most punished, representation of a transexual I have ever seen.

    It is very boring. I ended up envying the people that left the theater before the end of the film.

    Whatever it tries, it has been done better, in Mexico and elsewhere.

    In other words: "Para partirte la madre, nada como una mala película"
    sacbak

    You must see this film only if you are strong.

    Yes. Watch this movie if you like brave films. This is maybe the best Mexican picture since Midaq Alley just because the excellent cast, the outrageous direction and a sublime soundtrack. Many people did not like 'Cronica…', they think it's very aggressive but they didn't understand that it was just a representation with hyper realism of the Mexican society but so similar to all the third world families. I hope that Benjamin Cann and Bruno Bichir (who in this movie gives another example of his greatness as an actor) soon get together again with a new film. Just Remember how Los Olvidados (Luis Buñuel) was misunderstood when released, but now we consider one of the best movies of all times. Please, prepare yourself and watch this film.
    10rotwang-5

    Caraaajjjooooooo, this sauce is sour

    Excuse me if I'm wrong, but "Cronica para un desayuno" could be one of the most gretatest films in tne mexican movie history for a lot of reasons. We can get a lot of ingredients for a perfect mexican middle-class family breakfast: a cup of Buñuel's surrealistic motifs with a little drop of Ripstenian desolated scenarios; a pound of phallus symbols around the film and a difficult psychological complexity, more than Todd Solondz's Happiness and the Dogma movement films. There`s a lot of sordidness, black humor, repressed dreams (Teodoro's dream of fly), incestual lack of control (the relation between Marcos and Luzma), no-sense parallel stories, a discrete violence, anachronisms and

    a little sign of hope (spotlighted in Luzma, the husband's home return and "Un poco Mas" used for leit-motif). Marcos (Bruno Bichir) is a charming character ( I think in a Bukoskian way), the king-without a-crown who don't expects for anything, but broken noses. Luzma (Maria Rojo) , the lovable wife , put out a lot of faces, but the only thing that she worried is that her sons had breakfast; she' s a loser in many ways and sensual in few moments , but you will fall in love of her. The soundtrack's drag (too much woods) feeds the lack of technical merits, intentional , of course: out-of-focus shots, overlighted close-ups (in introspective scenes), dizzy pans and sudden edition cuts. "Crónica" is something difficult to digest, it get stuck in the throat and anything helps for it. It tastes bitter, like a rotten orange juice and sour like expired milk, but you want to enjoy it. So I recommend to get some Melox before the show, because you won't get hungry after all.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      The part of Juan was originally intended for Demián Bichir.
    • Colonne sonore
      Un Poco Más
      Written by Álvaro Carrillo

      Performed by Café Tacvba

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    Dettagli

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    • Data di uscita
      • 1 novembre 2000 (Messico)
    • Paese di origine
      • Messico
    • Lingua
      • Spagnolo
    • Celebre anche come
      • Chronik eines Frühstücks
    • Aziende produttrici
      • Instituto Mexicano de Cinematografía (IMCINE)
      • Tabasco Films
      • Argos Cine
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 49 minuti
    • Colore
      • Color

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