Possible Worlds

Interesting idea for a film that I hoped would have been better...philosophical and poetic but a bit superficial.

A stunning film. Thought-provoking, funny and engaging. The opening credits pulled me and I was left breathless at the end. The cinematography is amazing, and works extremely well with the plot. Some plot summaries have made the storyline sound like Sliding Doors, but it is a wholly different movie. Possible Worlds deals with several issues (the main one being alternate lives) and has many sub-plots, all of which fall together wonderfully. Go for the eye-candy, the philisophical dialouge, the acting, the directing or the plot--but see it!

This film while being a low budget indy work stinks of quality. Some of the camera shots feel like paintings presented within the story. Light and colour are very well used. The story well... check it out. It may force you to watch it twice but it's worth it. I run a small film watching group for eight or nine friends, we watch a film selected by different member each week with no vetos, this gives us an eclectic mix of movies. Of course it is becoming a point of pride to please and impress the group with your choice. Possible worlds has been one of the best finds from the group and I am very grateful to have been shown it. Thanks Ben

Very interesting.Thought provoking.Surprising. Philosopical mystery, that touches the very essence of our existence: "I think and therefore I exist". The brain/mind is everything, and all the world that we "sense" is created inside it by stimuli that may be of false origins.

Science Fiction is hooey, and so too is multi-dimensionality, which is, from what I've heard, the latest theoretical craze in philosophy. These elements may be highlighted in "Possible Worlds"; they can be used to categorize the film. I, contrarily, would rather not fix my viewpoint on "Possible Worlds" while referring to film texts (science fiction), or to texts of philosophy (multi-dimensionality).

I enjoyed Possible Worlds as a whole, and my explanation of what made it enjoyable is inexact. There was a unearthly mood to it, a friction of impossible magnitudes. And then there was the score. Peter Gabriel's contribution mystified "Possible Worlds," a necessity, we may say in hindsight. The film's captured images similarly aided mystification. I didn't at all get the feeling the director was slipping in pictures from a "nature calendar." It seemed "Possible Worlds'" imagery was that of solitary reflection, they were of the detached mind, when memory overrules whatever continuity we're surrounded by. Individuals sat alone, in their minds.

I suppose "Possible Worlds" isn't an everyman's film. And it should not be. It should not find a category whereby it becomes easily approachable.