A Question of Suspense

Downtrodden accountant Frank Brigstock (Norman Rodway) has always lived in the shadow of his boss and childhood friend Jim Drew (Peter Reynolds). By chance Frank discovers that Drew has deposited forged bonds in the company's bank account and seizes his chance . It's not blackmail, he simply wants to bring his boss down. Unfortunately he just isn't sharp enough and is bamboozled by Drew offering him a partnership and promising to clean up his act. Frank agrees but then is lured to a remote seaside location where Drew disposes of him. The bond fraud is discovered and the fact that Frank has disappeared points to him being responsible. Perfect! Until "Mrs Brigstock". (Noelle Middleton) puts in an appearance and things get very complicated for Drew.

Not a great film and there is little in the way of real suspense since it is obvious that the lady suspects Drew is up to no good but, it will fill a spare hour on a wet afternoon if you're not too fussy.

The less you know about the story, the more you are likely to enjoy it. At little more than an hour long, this is a brisk little thriller powered by a decent story. The acting is variable, with the lead doing most of the heavy lifting, but with some decent sets, location shooting (in Ireland) and a plot that rattles along like a clockwork toy this passes the time agreeably enough.

It's a likeable thriller with a brisk tempo and fluent dialog all the way, the intrigue being transparent though as soon as Frank is gone missing. Peter Reynolds makes a perfectly credible performance as a double dealer in every way, while he is taken aback by the appearance of Noelle Middleton, the love of his youth and of his colleague Frank's, when she takes him by surprise by demonstrating herself as Frank's wife. Peter never thought he had one and least of all the one they both adored as youngsters. Well, she isn't really Frank's wife, but they did find each other again in mature days and started being together, so she has reasons enough to worry about him like a wife. You really start to worry already when he and Frank go out together to the sea with a pickaxe and a shovel and start digging like for a hidden treasure of their youth, and your darkest misgivings will gradually materialise. It's a sinister drama dressed in elegance, Peter Reynolds is a rich man who can afford being generous, and it takes some time before he starts to suspect any threat to his illusions. It's a great pastime, like any Agatha Christie thriller, and you will find all the pieces fitting into the jigsaw puzzle with a few shocks for a solution.

Another garrulous crime quickie made at Ardmore Studios disinterred by Talking Pictures, but a good cut above their dire 'Enter Inspector Duval' screened two nights ago.

This makes less attempt to conceal it's Irish provenance, and boasts some attractive location work, as well as a formidable female lead in Noelle Middleton, who transforms herself from a mouse into a fox by the time-honoured ruse of leaving her glasses off and changing her hairstyle.

This B/C grade thriller is hampered from the start by being obviously a product of an Irish studio, and yet insists on trying to convince us that the action takes place in the UK., with allusions to the big city - ie London- and with the police (not Garda) conversing in received English. This is a strange anomaly, as the beautiful Irish locations could've been used to greater effect.

The plot is a confection of murder, double cross, desire and greed, yet with all those ingredients still fails to hit the spot . Maybe it's because Peter Reynolds always appears just too darned nice to be a genuinely bad guy; also he appears to be burdened with an ill fitting hairpiece in this one to add to our sympathies (maybe it's just the camera angles). Noelle Middleton is certainly an unusual leading lady who, as one Reviewer has noted, transforms from Fusty to Foxy, with one deft removal of her unflattering specs...