Segui queste vacanze in una stazione sciistica nello Utah gestita da una tribù di nativi americani.Segui queste vacanze in una stazione sciistica nello Utah gestita da una tribù di nativi americani.Segui queste vacanze in una stazione sciistica nello Utah gestita da una tribù di nativi americani.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
Heather Rae Priest
- Buffy
- (as Heather Rae)
Recensioni in evidenza
"Christmas in the Clouds" is a charming romantic, Native American take on "Fawlty Towers".
Set at a Utah resort that's Indian tribal owned and operated (as was the production of the film), with a majority Indian cast, the plot entanglements and eventual resolution in debut writer/director Kate Montgomery's film are pretty obvious from the first ten minutes, but how the colorful characters get there is fun.
The opening voice over narration is a bit awkward in setting up the situation for the mistaken identities, but the introduction of each eccentric character is quite entertaining. While the plot contrivance in romantic travails probably goes back further than Shakespeare, the dialog that keeps the mistakes going in double entendres is amusing (including her as a NY Mohawk "passing" as NY Italian by using her father's last name).
Amidst the funny running joke about romance novels' depiction of a "savage" lover, Timothy Vahle as "Ray Clouds on Fire" and Mariana Tosca as "Tina Little Hawk" are staggeringly gorgeous, but they each bring a wariness and neediness to their characters that has you rooting for them more than for the vicarious thrill of watching beautiful people kiss on screen. We rarely see in films educated off-the-rez professionals like them back home, having returned to their families for emotional personal reasons (it's inferred that his ex was non-Indian). The parent/child relationships throughout are much warmer than any we've seen before in the few Indian films.
There are jokes throughout on Indian stereotypes in image and language, and that's the term the characters use, not Native American. Here the alcoholic, alienated father is the white guy, M. Emmet Walsh, who is both comic and touching. But none of the whites are played for stereotypes (including a cute flirtation between a British guest and "Ray"s father, played by a solid Sam Vlahos). In another reverse, this may be Wes Studi's only comic performance, in a cameo as a guest bingo caller. Singer Rita Coolidge of the distinctive husky voice also has a brief cameo as "Tina"s mother. Graham Greene is very funny as a vegetarian chef with serious issues about his menu.
There is some contemporary Native American music on the soundtrack and lovely performances of translated Chrismas carols.
The tiny budget is obvious with some continuity errors and background shots with inconsistent snow/no snow, but the Utah scenery is lovely, and this is much more about the people up front than the details in the background.
What a shame that I was the only one in the theater in NYC, when a broad stereotyped ethnic romantic comedy like "Big Fat Greek Wedding" was a hit. While I would enjoy following these characters in a continued life in a sit com, this sweet little film could have an extended life as a holiday staple on cable, like on the Hallmark Channel.
Set at a Utah resort that's Indian tribal owned and operated (as was the production of the film), with a majority Indian cast, the plot entanglements and eventual resolution in debut writer/director Kate Montgomery's film are pretty obvious from the first ten minutes, but how the colorful characters get there is fun.
The opening voice over narration is a bit awkward in setting up the situation for the mistaken identities, but the introduction of each eccentric character is quite entertaining. While the plot contrivance in romantic travails probably goes back further than Shakespeare, the dialog that keeps the mistakes going in double entendres is amusing (including her as a NY Mohawk "passing" as NY Italian by using her father's last name).
Amidst the funny running joke about romance novels' depiction of a "savage" lover, Timothy Vahle as "Ray Clouds on Fire" and Mariana Tosca as "Tina Little Hawk" are staggeringly gorgeous, but they each bring a wariness and neediness to their characters that has you rooting for them more than for the vicarious thrill of watching beautiful people kiss on screen. We rarely see in films educated off-the-rez professionals like them back home, having returned to their families for emotional personal reasons (it's inferred that his ex was non-Indian). The parent/child relationships throughout are much warmer than any we've seen before in the few Indian films.
There are jokes throughout on Indian stereotypes in image and language, and that's the term the characters use, not Native American. Here the alcoholic, alienated father is the white guy, M. Emmet Walsh, who is both comic and touching. But none of the whites are played for stereotypes (including a cute flirtation between a British guest and "Ray"s father, played by a solid Sam Vlahos). In another reverse, this may be Wes Studi's only comic performance, in a cameo as a guest bingo caller. Singer Rita Coolidge of the distinctive husky voice also has a brief cameo as "Tina"s mother. Graham Greene is very funny as a vegetarian chef with serious issues about his menu.
There is some contemporary Native American music on the soundtrack and lovely performances of translated Chrismas carols.
The tiny budget is obvious with some continuity errors and background shots with inconsistent snow/no snow, but the Utah scenery is lovely, and this is much more about the people up front than the details in the background.
What a shame that I was the only one in the theater in NYC, when a broad stereotyped ethnic romantic comedy like "Big Fat Greek Wedding" was a hit. While I would enjoy following these characters in a continued life in a sit com, this sweet little film could have an extended life as a holiday staple on cable, like on the Hallmark Channel.
I enjoyed the movie; found it to be funny and the plot reminiscent of some films from the 40s. It reminded me of Smoke Signals, another refreshing native American film made a few years ago. The scenery was beautiful; wish winter had come sooner so there had been more pictures of the forest deep with snow.
I saw this movie this past week at a San Diego Cinema Society event. Several of the actors attended the event making the evening quite special. The numerous romantic threads were reminiscent of a good episode of the "Love Boat" but in a more believable setup, the funny stuff was funnier, and the "deep" stuff more touching than any Love Boat episode. The scenery was incredible, Utah never looked so good. All in all a good little romantic comedy for the holiday season. Hopefully this film will find a distributor.
We thoroughly enjoyed this movie . It was quaint, funny and had a real First Nations feel about it which made it unique. A comedy of miscommunication and quirky characters all making for a fun movie
I was invited to a private screening of the film in New York recently, and was thoroughly impressed by what I saw. "Christmas in the Clouds" is a film of perfect rhythm - the movie is funny when it is should be funny. It's serious when it should be serious. There's an addictive flow to the film that takes the viewer on a smooth ride - you watch the film because you want to watch. The direction of the movie allows the viewer to fall in love with the various characters (each with their own quirkiness). The plots are interwoven and laced with one another, bringing together an excellent example of the "perfect screenplay". Lines are delivered effortlessly, and the actors are exceptional. The cinematography is breathtaking, as is the awesome landscape seen in the picture. Kate Montgomery has done a commendable job in creating a beautiful film, and I highly recommend it to any film enthusiast who desires a quality product. I, for one, consider "Christmas in the Clouds" time well spent.
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- QuizMajestic Films is donating 100% of box office revenues for the month of November, 2005 to challenged California public schools.
- Citazioni
Ray Clouds on Fire: He's already dead, you know. You're just, reorganizing the remains.
Earl: I'm perpetuating the cycle.
Ray Clouds on Fire: Earl, you're a chef. Part of your job is cutting up and cooking dead animals.
Earl: They have dreams, you know. Just like us.
- Curiosità sui creditiMouse Nutritionist - Graham Greene
- Colonne sonoreThe Warrior
Written by Laura Satterfield, Monty Byrom (as Monty Byron), and Cynthia Dietrich
Performed by Walela: Rita Coolidge, Laura Satterfield, and Priscilla Coolidge
Published by Warner Chappell Music 66, Cindy Dietrich Publishing
Master License: Mitchell Markus at TriLoca Records
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- Celebre anche come
- Рождество в облаках
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 279.225 USD
- Fine settimana di apertura Stati Uniti e Canada
- 54.920 USD
- 6 nov 2005
- Lordo in tutto il mondo
- 279.225 USD
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