The Long Firm

BBC2's The Long Firm, starring "Our friends In the North" actor Mark Strong, was full of suspense, humour and tension. Lena Headey, Derek Jacobi and Joe Absolom provide a strong supporting cast, but it is Strong in the role of 60s Mob boss Harry Starks which steals the show. Harry is an East-End, working-class, homosexual, Jewish mobster, who is striving for acceptance in London. Based on Jake Arnott's book of the same name the dramatisation has been true to the original version and leading cast members met up with Arnott several times on set to discus their characters and the story. This is obvious because it's brilliant. Definitely worth watching. A well-acted, well-scripted, well-directed production.

I would like to disagree with any previous comments on The Long Firm. I think this is an outstanding drama. The BBC should invest more money into dramas of this quality instead of spending money on D.I.Y shows and 'reality' TV shows.

Mark Strong's portrayal of Harry Starks reminded me Ronnie Kray, Reggie Kray, Charlie Richardson all rolled into one. He was excellent as the 'Torture Boss'. He was menacing and unpredictable but also you sort of saw him as a anti-hero if you like.

The program has taken large chunks of dialog from the book and had extra scenes and stuff written around it. All though I originally thought the show was excellent but after reading the book the book is out of this world a solid 10/10. I would recommend this book to everyone.

I am hoping the following two books in the sequence 'He Kills Coppers' and 'True Crime' get made into series.

I binging watched it because I wanted to know the outcome, loved it. Liked the characters in it as well.

Fantastic!

An authentic image of a gangster and a beautifully conveyed story. Brilliant acting; especially Mark Strong's emotional and moving character. A delicate balance of drama, thrill and violence. It's the plot that kept me watching till 3 O'clock in the morning. The four characters telling their own story in each episode is a marvelous film-noir touch. A masterpiece by novel writer, Jake Arnott, brought thrice as powerful by the conversion to visual which was done perfectly. Not a single boring moment, and not for one second does it lose it's authentic aura. A must-see series.

The BBC rest on their past reputation . There's little good I can say about the BBC in the 21st century as they force feed us TV dinners of quiz shows , hidden camera shows and DIY shows , recipes that leave TV critics like myself under nourished . But my compliments to whatever TV chef cooked up THE LONG FORM for our televisual delight

Mark Strong plays Harry Starks a homosexual gangster in 1960s London .

Episode 1 ) Harry and his new boyfriend travel to Nigeria to pull off a scam

Episode 2 ) Harry tries to set up a club while his new boyfriend Tommy has a sexual relationship with starlet Ruby Ryder

Episode 3 ) A rent boy is found murdered and mutilated so Harry tries to track down his killers

Episode 4 ) Newly released from prison Harry tries to start a new life in Spain with a limp wristed criminologist

That's the premise of each episode but it's impossible to describe how well they play out on screen . For much of the episode Harry is off centre and it's the supporting characters that carry the audience through the story . It also has a wonderful sense of dark humour like the bit where an obviously stoned Judy Garland tries to sing only to have the club goers pelt and boo her , or the scene where Harry is described as a deviant by a criminologist : " Deviant ? Deviant ! - Calling me a f***in' nonce ! "

This show has you laughing out loud one minute and curling your toes the next with some graphic violence because there's nothing Harry enjoys more than tying someone up in a chair and inflicting violence on them usually with a white hot object

There's little negative I can say about THE LONG FIRM . I could be pedantic and point out small errors like the episode set in 1967 has a clip from a DOCTOR WHO story from 1968 but that would be cruel . The ending is slightly disappointing but nothing is perfect and expect this show to pick up a major amount of awards at next years BAFTA's

And if the BBC can produce drama of this quality then why do we have to put up with a unfufilling TV diet of garbage ? The BBC can still make classic drama when it wants to . I guess they just don't want to