Vaastav: The Reality

Vaastav review :

A film which brought the down and out Sanjay Dutt back in the reckoning; Vaastav was director Mahesh Manjrekar's first Hindi release and his most memorable movie till date. The film not only re-established Sanju Baba as a top actor but also joined the ranks of the finest underworld dramas made in Bollywood alongside Parinda (1989), Satya (1998) and Company (2002).

Sanju played a street smart Marathi lad Raghu who is engulfed in to vortex of crime after committing an unintentional murder. He grows up the ranks to become a hitman for the local politician (Mohan Joshi) but oversteps his limits which leads to his sordid end.

Vaastav belonged to Sanju Baba and the role of a vulnerable yet tough gangster suited him to the T. Manjrekar cast many Marathi theatre actors like Sanjay Narvekar, Bharat Jadhav and Makarand Anaspure who later became big names in Marathi cinema. Namrata Shirodkar was mighty impressive as the prostitute turned Sanju Baba's wife. Reema Lagoo as the mother, who ends up being 'Mother India' in the climax, was effective as ever.

At the box office, Vaastav became an instant hit in Maharashtra particularly Mumbai where its plot was based but took time to pick up in rest of India. It was declared a super hit in terms of return on investment and Sanju Baba got such a massive hit only after Subhash Ghai's Khalnayak (1993). Manjrekar opened his innings in Bollywood with a hit.

A sequel titled Hathyar (2002) was directed by Manjrekar which featured Sanjay Dutt again as Raghu as well as his son Rohit. Deepak Tijori and Reema reprised their roles from the original while the sexy Shilpa Shetty was the new addition to the cast as Rohit's wife. Sadly, Hathyar appeared to be a leftover edit of Vaastav with practically the same plot and bombed badly at the box office.

Regards, Sumeet Nadkarni.

I am not exactly one of the millions of ardent Bollywood movie watchers, in fact i could quite possibly be categorized as an ardent hater of most Bolywood produced movies. Yet i found myself intrigued by this film in which Sanjay Dutt plays a most intriguing role. Sanjay Dutt is the anti-hero of this movie which rollicks through his early years and shows him to grow up a confused and very bitter human being. True to Bollywood style, it has it's fair share of "romance scenes" and the never ending songs, but the fairly original and interesting script, and some fairly decent acting by Dutt makes up for the rest of the movie's failings. I suggest you watch it at least once and judge it for yourself.

Vaastav has the Mumbai underworld as its backdrop. This subject has been dealt with before many times in Hindi films. But rarely is it handled properly. Satya is probably the best underworld film to come out Bollywood in recent years. Vaastav is not flawless like Satya, but it has a gripping storyline, good direction and characterizations, and most importantly - Sanjay Dutt.

This is probably the best role Sanjay Dutt has got his hands on since Khal-Nayak, and he takes full adavantage of it. Sanjay Dutt does an excellent job as the guy gone astray. He is as superb as the good-for-nothing lad in the initial reels as the dreaded man of the underworld in the latter ones. Namrata Shirodkar gets very limited scope and gives a fair performance. Shivaji Satam shines as Sanjay Dutt's father. Reema, as Sanjay's mother, also delivers a praiseworthy performance. Mohnish Bahl is wonderfully natural. Sanjay Narvekar , as Dedh-Phutiya, is mind-blowing. Here's a guy who is talent personified! Mohan Joshi is able. Paresh Rawal is likeably restrained. Ashish Vidyarthi gets less scope but does well. Depak Tijori leaves a mark. Usha Nadkarni is excellent. Ektaa, Himani Shivpuri, Jack Gaud, Achyut Potdar, Sunil Shencle, Ganesh Yadav, and Kashmira Shah (in a special appearance) lend average support.

The film is very well directed by the debutant Mahesh Manjrekar. Being his first film, he is excellent. Production values are not very high; anyway the film does not require pomp & showbiz, as it's so close to the ultimate truth. The film belongs to Sanjay Dutt all the way. Sanjay justifies the faith of his director and carries the film on his shoulders, ably supported by others. The only drawback of the film can be the songs, which are not so catchy. To sum it up Mahesh Manjrekar has a winner on his hand and Sanjay Dutt will get lots of accolades for this film.

A Silver Jubilee (25 weeks run) HIT. One of the Top Ten Hits of 1999.

The talented Mahesh Manjrekar directs his second feature which centres around the character of a simple guy whose attempts to lead a normal life fail and as a result he becomes a merciless underworld don. Manjrekar's direction is excellent and he successfully depicts the dark tone of the crime world. He offers a grim look at the underworld and not even once does he try to glorify it or show it in a positive light. On the contrary, through the main character he shows how restless those who get involved in it are. The film, though a bit unevenly executed at places, generally remains steadily focused, and the proceedings are raw and serious, without useless attempts at comedy and unnecessary subplots one gets to see so much in Hindi films. Many of the film's scenes are extremely moving.

For the demanding role of Raghunath, Manjrekar casts Sanjay Dutt, one of the industry's most respected and loved stars, yet one of its most underrated actors. Dutt is simply exceptional, portraying every shade of his character with sheer conviction. He actually becomes Raghunath and manages to create a real new screen persona with his line delivery, body language and his often frighteningly serene attitude. This is one of his absolute best. Other cast members do a very good job, with Reema Lagoo delivering the most memorable performance of the lot as Raghu's tormented yet loving mother. Sanjay Narvekar is quite effective as his best friend, while Namrata Shirodkar does a fine job as Sonu, a young prostitute with whom he falls in love.

Vaastav is not without its flaws. I, for one, found Raghunath's transformation far too quick to be completely believable. The film, though generally gritty, intense and matter-of-fact, gets at times a bit too emotional and consequently the level of its authenticity is thus reduced by a iota. Nonetheless, the film's final scenes are powerful and riveting and the very last scene is fantastic. Do watch Vaastav, mainly to see Sanjay Dutt's performance.

Though almost everyone is just bragging about Sanjay Dutt's acting performance, the storyline itself made him important one. all actresses & actors did their role perfectly. beyond that, why it is mirror of the Reality ? That is important part of this movie. let it, Raghu's forced start in crime world to the ending words of wisdom through his Mother about 'having a choice' are grim reality unveiled by script. the direction was influencing in such a way that, it pushes us to really look for other side common people don't want to see. though it affects all. Also the way it approached issues of sex workers, sold out police at the same time vulnerable police in front of politicians. All in all a milestone in Indian cinemas. the ending was quite disturbing but sensible & insightful where mother herself shoots the son from all distress of being tired. Truly, Hats off.