VALUTAZIONE IMDb
6,4/10
3221
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLieutenant Cho, a cop on the edge, is mourning his mother's recent death while under investigation for graft; on top of that he is suddenly put in charge of a seemingly-impenetrable mystery.Lieutenant Cho, a cop on the edge, is mourning his mother's recent death while under investigation for graft; on top of that he is suddenly put in charge of a seemingly-impenetrable mystery.Lieutenant Cho, a cop on the edge, is mourning his mother's recent death while under investigation for graft; on top of that he is suddenly put in charge of a seemingly-impenetrable mystery.
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- Sceneggiatura
- Star
- Premi
- 2 vittorie e 7 candidature totali
Recensioni in evidenza
6=G=
"Tell Me Something" is a slick and stylish noirish Korean crime flick which tells of one cop's obsession to stop a serial killer who dismembers his victims and leaves body parts in trash bags to be found. Long on style and atmospherics, "TMS" becomes somewhat convoluted and disjointed, fails to connect on an emotional level, and ends with an unsatisfying conclusion. Nonetheless, audiences into grisly crime flix may enjoy the above average and artful execution.
Note - The VHS I watched was subtitled and, though dialogue is kept to a minimum, something may have been lost in the translation.
Note - The VHS I watched was subtitled and, though dialogue is kept to a minimum, something may have been lost in the translation.
As I watched this film, I kept asking myself: What's the killer's motivation(s)? Not until the last few minutes did that become clear well, as clear as it could be, given the narrative structure: reminiscent of the plot of Se7en (1995) but with the addition of a number of flashbacks that do more to confuse than to wholly satisfy.
And, there are obvious nods to not only Se7en, but Silence of the lambs (1991), also, particularly the cinematography and scene construction. At one point, echoing a scene from the former, Detective Cho (Suh-kyu Han) is lying exhausted in a rain-soaked alley way, while the killer sits waiting in his car, only two metres away; but instead of running Cho down, the killer screams away into the rain. In another scene, Cho is in an elevator and looks up to see bright blood dripping from the hatchway, and then also dripping down the wall; suddenly, the hatch breaks and buckets of blood cascade onto him. Add to that are the many interior scenes in run-down tenements and so forth, all evocative of the spooky corridors of those earlier films.
Still, the story is interesting, in a macabre way: across Seoul, body parts turn up in black plastic bags, but not all parts belong to the body. Somebody is perpetrating murder piecemeal. Enter Detective Cho, somewhat under suspicion for corruption but handed the case as way to redeem his career. More mixed-up body parts are discovered, but no hands with fingerprints. So, no clues. Until a head appears with teeth fillings that can be traced. One thing leads to another until Cho finds himself knocking on the door to Chae Su-Yeon (Eun-ha Shim), a young woman who knows all the male victims.
And so begins the real mystery for Cho - and the viewer. Through questioning and a series of flashbacks, it looks like Chae is in the frame; yet, murders continue while she is under surveillance. Suspicion falls upon her father, who, from Chae's account, is shown to be a sadistic, authoritarian figure; but he can't be found. And then there's a further nod to another thriller, Kiss the girls (1997), where the idea of a deadly duo is raised and then quashed when a prime suspect is himself reduced to a jumble of parts in a bag. All very messy for Cho, and increasingly so, because he appears to be attracted to the sweet Chae Su-Yeon, a complication he can do without, you would think.
In a way, I can also compare this film to the manner in which David Lynch constructs his films. When you see any of the more recent Lynch films, the real mystery (and challenge) is how to understand the story. For Tell Me Something, the problem is how to understand the mystery because, as I said, the killer's motivation(s) is the key. And yet, at the end, there is no absolute clarity, even though the identity is obvious. So if I provide my understanding here and now, I think that would detract from the pleasure of unraveling it for yourself. Meanwhile, I'll continue to ponder the significance of the title, the significance of which escapes me.
However, the production is excellent and the special effects (dismembered bodies, body pieces, heads, gutted torsos and so on) are so realistic they may cause some people more than just some discomfit. It will certainly satisfy the slash-and-gore set who liken this movie to Italian giallo cinema, exemplified by Dario Argento's works such as Deep Red (1977), Tenebre (1982) and others. It's classified as a horror film and I think that's justified, given the underpinnings of the story and the camera work.
I can't comment much on the acting as I'm not familiar with the actors or Korean cinema, having seen only a few; generally, however, I think the actors performed quite well.
Recommended for those who like a mixed bag of horror, mystery and thriller...and body parts.
And, there are obvious nods to not only Se7en, but Silence of the lambs (1991), also, particularly the cinematography and scene construction. At one point, echoing a scene from the former, Detective Cho (Suh-kyu Han) is lying exhausted in a rain-soaked alley way, while the killer sits waiting in his car, only two metres away; but instead of running Cho down, the killer screams away into the rain. In another scene, Cho is in an elevator and looks up to see bright blood dripping from the hatchway, and then also dripping down the wall; suddenly, the hatch breaks and buckets of blood cascade onto him. Add to that are the many interior scenes in run-down tenements and so forth, all evocative of the spooky corridors of those earlier films.
Still, the story is interesting, in a macabre way: across Seoul, body parts turn up in black plastic bags, but not all parts belong to the body. Somebody is perpetrating murder piecemeal. Enter Detective Cho, somewhat under suspicion for corruption but handed the case as way to redeem his career. More mixed-up body parts are discovered, but no hands with fingerprints. So, no clues. Until a head appears with teeth fillings that can be traced. One thing leads to another until Cho finds himself knocking on the door to Chae Su-Yeon (Eun-ha Shim), a young woman who knows all the male victims.
And so begins the real mystery for Cho - and the viewer. Through questioning and a series of flashbacks, it looks like Chae is in the frame; yet, murders continue while she is under surveillance. Suspicion falls upon her father, who, from Chae's account, is shown to be a sadistic, authoritarian figure; but he can't be found. And then there's a further nod to another thriller, Kiss the girls (1997), where the idea of a deadly duo is raised and then quashed when a prime suspect is himself reduced to a jumble of parts in a bag. All very messy for Cho, and increasingly so, because he appears to be attracted to the sweet Chae Su-Yeon, a complication he can do without, you would think.
In a way, I can also compare this film to the manner in which David Lynch constructs his films. When you see any of the more recent Lynch films, the real mystery (and challenge) is how to understand the story. For Tell Me Something, the problem is how to understand the mystery because, as I said, the killer's motivation(s) is the key. And yet, at the end, there is no absolute clarity, even though the identity is obvious. So if I provide my understanding here and now, I think that would detract from the pleasure of unraveling it for yourself. Meanwhile, I'll continue to ponder the significance of the title, the significance of which escapes me.
However, the production is excellent and the special effects (dismembered bodies, body pieces, heads, gutted torsos and so on) are so realistic they may cause some people more than just some discomfit. It will certainly satisfy the slash-and-gore set who liken this movie to Italian giallo cinema, exemplified by Dario Argento's works such as Deep Red (1977), Tenebre (1982) and others. It's classified as a horror film and I think that's justified, given the underpinnings of the story and the camera work.
I can't comment much on the acting as I'm not familiar with the actors or Korean cinema, having seen only a few; generally, however, I think the actors performed quite well.
Recommended for those who like a mixed bag of horror, mystery and thriller...and body parts.
TELL ME SOMETHING is one of the few South Korean films to take a stab at the serial killer genre. The Japanese have been doing it for a while, but the Koreans haven't seemed particularly interested in the genre. TELL ME SOMETHING works in that it's incredibly atmospheric, with visuals that matches even Finch's SEVEN, the new benchmark for serial killer movies post SILENCE OF THE LAMBS.
The one thing that sinks TELL ME SOMETHING is that it is rather routine, and more than once it falls into the same cliches that suffocates teen slasher films, in that characters act incredibly stupid and without reason. Also, the movie's mystery is a bit convoluted, and the ending seems almost irrelevant after all that's happened.
It's a good movie, with some very nice things to look at. The constantly falling rain will remind most people of SEVEN, and why not? TELL ME SOMETHING is basically a rehash of every American serial killer made in the '90s. Just because it's Korean doesn't make it anymore original, unfortunately.
6 out of 10
(go to www.nixflix.com for a more detailed review of this film and reviews of other foreign movies)
The one thing that sinks TELL ME SOMETHING is that it is rather routine, and more than once it falls into the same cliches that suffocates teen slasher films, in that characters act incredibly stupid and without reason. Also, the movie's mystery is a bit convoluted, and the ending seems almost irrelevant after all that's happened.
It's a good movie, with some very nice things to look at. The constantly falling rain will remind most people of SEVEN, and why not? TELL ME SOMETHING is basically a rehash of every American serial killer made in the '90s. Just because it's Korean doesn't make it anymore original, unfortunately.
6 out of 10
(go to www.nixflix.com for a more detailed review of this film and reviews of other foreign movies)
Ya know i really wanted to like this movie. It had all the things I would normally love. Good Gore. Moody settings. But then i finished the movie and Frigging Hated it. It felt like a waste of my time. Why set up all these plot points only to never hear about them again? Why take the time to show us these things only to have them fade away?
Oh and BTW I guessed the killer 20 min into the movie.
Good: Gore, Settings, Creative use of garbage bags. Bad: Pacing, The Plot holes bigger than your mom's Pasties, Dumb red herrings 2/10
I *am* the AngryWhiteNinja
Oh and BTW I guessed the killer 20 min into the movie.
Good: Gore, Settings, Creative use of garbage bags. Bad: Pacing, The Plot holes bigger than your mom's Pasties, Dumb red herrings 2/10
I *am* the AngryWhiteNinja
The Korean film-industry is without a doubt one of the most interesting and fun to watch in the world today. Titles like the haunting and oddly fascinating "Salinui chueok" (Memories of Murder) and the half-cool/half-turkey "Tube" spring to mind. You never really know what you'll get when you sit down to watch a South Korean film today, but "Tell Me Something" is an example of a movie that has a lot of things going for it but in the end leaves you more confused than satisfied.
Now I rarely have a hard time following the plot of a serial-killer movie (of recent ones I found the US thriller "Taking Lives" an insult to my intelligence as I could figure out it's every move a mile away), but "Tell Me Something" demands a lot from it's viewer. I suspect the language barrier is partly to blame, as I got the feeling some clues must have been left out in the subtitles, but the director obviously could have done a better job. I give him an A+ for it's grisly, stylish look but an F for his lack of explaining several loose ends in the plot.
The main problem is that he loads the film with tons of information but doesn't know how to treat it all. The viewer is almost drowned in clues handed out seemingly at random, leaving it an impossible task for us to try and figure out the killer, which is half the fun in movies like these.
It's really ironic how a movie about dismembered victims, it-self is told in such a dismembered fashion.
I give "Tell Me Something" a 6.5 out of 10 for it's gory, stylish execution. A fun, but not too original, soundtrack also adds to the entertainment value.
Now I rarely have a hard time following the plot of a serial-killer movie (of recent ones I found the US thriller "Taking Lives" an insult to my intelligence as I could figure out it's every move a mile away), but "Tell Me Something" demands a lot from it's viewer. I suspect the language barrier is partly to blame, as I got the feeling some clues must have been left out in the subtitles, but the director obviously could have done a better job. I give him an A+ for it's grisly, stylish look but an F for his lack of explaining several loose ends in the plot.
The main problem is that he loads the film with tons of information but doesn't know how to treat it all. The viewer is almost drowned in clues handed out seemingly at random, leaving it an impossible task for us to try and figure out the killer, which is half the fun in movies like these.
It's really ironic how a movie about dismembered victims, it-self is told in such a dismembered fashion.
I give "Tell Me Something" a 6.5 out of 10 for it's gory, stylish execution. A fun, but not too original, soundtrack also adds to the entertainment value.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 68.416 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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