VALUTAZIONE IMDb
7,5/10
6537
LA TUA VALUTAZIONE
Il boss della Triade Lung, che è appena sfuggito a un tentativo di omicidio, recluta cinque sicari affinchè lo proteggano. La loro crescente intesa è messa sotto pressione quando Lung dà un ... Leggi tuttoIl boss della Triade Lung, che è appena sfuggito a un tentativo di omicidio, recluta cinque sicari affinchè lo proteggano. La loro crescente intesa è messa sotto pressione quando Lung dà un ordine particolare.Il boss della Triade Lung, che è appena sfuggito a un tentativo di omicidio, recluta cinque sicari affinchè lo proteggano. La loro crescente intesa è messa sotto pressione quando Lung dà un ordine particolare.
- Premi
- 10 vittorie e 8 candidature totali
Anthony Chau-Sang Wong
- Curtis
- (as Anthony Wong)
Francis Ng
- Roy
- (as Francis Wong)
Jackie Chung-yin Lui
- Shin
- (as Jackie Lui)
Tian-Lin Wang
- Fat Chung
- (as Wong Tin Lan)
Keiji Sato
- Assassin
- (as Sato Keiji)
Man Shing Yau
- Scared Bodyguard
- (as Yau Man Shing)
Chi-Ping Chang
- Joe
- (as Cheung Chi Ping)
Ching-Ting Law
- Frank's Driver
- (as Law Ching Ting)
Recensioni in evidenza
10valdyr
Shot lovingly at a measured pace, the Mission is one of the best films I've seen all year.
The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.
The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.
The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.
The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.
The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.
The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.
I really enjoyed this movie, from the first 5 minutes. It's an edgey, not very dialogue driven action movie, but the cast really did a great job. This isn't to say the movie was just one shootout after another.
It isn't a mainstream "A Better Tomorrow" type Hong Kong gangster movie, and doesn't pretend to be. It's dark, the characters don't verbalise what they want to do or are thinking, but the nuances are all there. But it's befitting of the setting - they're Asian, male hired hands. It's not realistic expect them to be all philosophical and willing to wear their hearts out on their sleeve.
I also liked the movie because it cast some of the finest Hong Kong actors who were really working as a team, and no one was really glamourised to be the hero. Anthony Wong epitomises cool as his character Curtis (in Chinese his character's name was really "Ghost") with more grunts than dialogue.
Francis Ng does his edgey best, as does Roy Cheung. All three went on to make Infernal Affairs, one of my all-time favourites.
It isn't a mainstream "A Better Tomorrow" type Hong Kong gangster movie, and doesn't pretend to be. It's dark, the characters don't verbalise what they want to do or are thinking, but the nuances are all there. But it's befitting of the setting - they're Asian, male hired hands. It's not realistic expect them to be all philosophical and willing to wear their hearts out on their sleeve.
I also liked the movie because it cast some of the finest Hong Kong actors who were really working as a team, and no one was really glamourised to be the hero. Anthony Wong epitomises cool as his character Curtis (in Chinese his character's name was really "Ghost") with more grunts than dialogue.
Francis Ng does his edgey best, as does Roy Cheung. All three went on to make Infernal Affairs, one of my all-time favourites.
Johnnie To is one of the world's most underrated contemporary film directors. Working in Hong Kong he effortlessly switches between genre flicks (like The Mission, but he's equally at home in rom-coms (like Needing You or Love on a Diet) and weirder though sometimes even better material like 'Running on Karma' (or Heroic Trio is earlier times). The man is just as prolific as he is original, and even if he is derivative he is still a great, effortless entertainer. His Milky Ways production company makes studio and independent films with the same dedication. His latest film 'Election' is actually in competition in this year's Cannes. The Mission is the type of film Jean-Pierre Melville would probably make today. Its a mix of Hong Kong Noir and stylised set-piece. It boasts some of Hong Kong acting heavy-weights (many of which appear also in the Infernal Affairs trilogy). Dialogue is minimal, efficiency is the maxime. The music is so detached that the effect overall is almost hypnotising. The film is not perfect, and the flaws hurt because this could have easily been truly great. Still, it's way above average. Watch this and anything else by To you can get your hands on. It boggles
Five bodyguards find out who plotted the abortive attempt to kill their boss. Their quest in nocturnal Kowloon stands out from most Hong Kong gangster movies. Beautifully shot in widescreen format it has a repetitive score that emphasizes the camaraderie between the five main characters.
As the movie began, I heard some cheesy, yet haunting, music sounding off. "Oh, great," I said. "Another lame Hong Kong shoot-em-up flick!" This film is definitely not that. The story may be simple, but that fine. It's solid. It's more of a character driven film anyway. I really liked the characters a lot. The gunplay was realistic for the most part and provided good action. The ending is excellent.
Lo sapevi?
- BlooperDuring the gun battle at the abandoned warehouse, the window is cracked by gunfire. After few gun shots, the bullet holes disappear.
- ConnessioniFeatured in Johnnie Got His Gun! (2010)
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