RoboCop: Prime Directives

I saw this series the first time it was aired on TV. I watched and recorded the entire thing. The first thing I found upsetting was that Mini Me was cast as Robo, the second being the costume was all cheap looking. But as a huge fan of all of the Robo's, I had to find a way to like it..

I was like 6 years old when I saw the first, and I thought it was one of the best movies I had ever seen, Not the kind of movie that can make another that is as good or even better, but part two stands next to it flawless in every way!! (you can't argue this, don't try!!) Then when Peter didn't do the 3rd and it was rated PG-13 I didn't know what was going to happen. But as I watched it the first time I started off not knowing what to think, then I heard him speak, they computered over his voice a little too much but I could tell he was even more of a fan of robo than I. His every move was as if Peter was really the one inside of the costume! They could make another, and Robert John Burke could do it, and it would kick ass by me!! All in all it will never be as good as the first 2 but it is a close second to them.

And now I find myself with the thought that I will never see another big budget full production live action feature film with the name Robocop ever again, so these 4 DVD's have to do.. I can't turn on my super heros, so I have to stay true to what ever holds the name.. So after that is said, the Prime Directives series is just a continuation of a killer story... I wish it would never end.......

It's clear that Julian Grant, Brad Abraham and Joseph O'Brien are fans of Robocop. They have updated the series for the new millenium and spin on a few ideas of their own.

John Cable was an excellent addition to Robocop. Him and Alex Murphy are great to see in action. Cable is similar to Murphy in many ways: family man, law man, takes no nonsense. Full credit to Maurice Dean Wint. His wife, Sara Cable, reminds me of Clarance Boddiker in a few ways as well.

However, some things just don't work: Page Fletcher is physically wrong for Murphy. He's 5 ft 7. Hardly intimidating. Even his son towers over him and his nose is massive, although he does a good job of handling the emotions. The idea to have Robocop constantly shutting down and jumping when shot like an epileptic gets tiring after a while.

Ultimately, a worthy effort.

On the first two RoboCop feature films, the producers hired renowned mime artist and choreographer Moni Yakim to help Peter Weller, who played the title role in those pictures, get a handle on the role's intense physicality, and the investment paid off handsomely. On "Prime Directives," however, apparently such expenditures were deemed superfluous and eliminated from the budget. Yet, considering that RoboCop is the miniseries' main character, the character needing to be lavished with the most attention--especially with regard to issues of movement and ambulation, so as to ensure precise execution and verisimilitude--such an oversight on director Julian Grant's part is simply beyond the pale. The sad result: Page Fletcher, who plays RoboCop in "PD," spends most of his time stumbling and bumbling about in the RoboSuit, fists eternally and inexplicably clenched, wildly swinging his arms to and fro in a bizarre echo of Rock'em Sock'em Robots, and walking as if there were a warm, freshly laid dump permanently ensconced in his RoboDrawers.

To add insult to injury, RoboCop's makeup FX in "PD" really leave something to be desired. They are so bad, in fact, that the RoboHelmet-less Fletcher looks like Mandy Patinkin from "Alien Nation," replete with what appears to be a shopworn Tupperware bowl spray-painted a drab gray and hastily slapped onto the back of Fletcher's ridiculously enlarged noggin. What's worse, as the miniseries goes on, Fletcher's RoboSuit seems to fit him less and less snugly. At one point, when RoboCop visits his own gravesite, the suit's chin-guard seems to be floating independently from the rest of the RoboHelmet, careening away from Fletcher's jaw by several maddening inches.

Furthermore, those who are familiar with Julian Grant's decidedly unimpressive B-movie oeuvre (most especially the utterly dreadful direct-to-video "Airborne") know all too well his pronounced limitations as an action filmmaker. Grant fancies himself an ace action director, in the mold of George ("Mad Max") Miller and James ("The Terminator") Cameron. However, unlike those esteemed cinematic kineticists, Grant has absolutely no sense of timing or geography when it comes to arranging action set pieces. To be perfectly candid, his "style," as it were, is actually more in line with that of an unadorned hack like Roger ("Battlefield Earth") Christian. Grant's action scenes go on and on and on, in a way that oscillates between being boringly redundant and spatially confusing. Grant will repeat the same information time and again, such as having a procession of nameless, faceless bad guys meet repetitive, cookie-cutter deaths at the hands (or rather guns) of the good guys, and all the while within settings where it's difficult to tell where the bad guys are positioned at and/or coming from with respect to the good guys.

The verdict: 2 out of 4 stars.

You've not seen much worse than this! The RoboCop franchise once held so much promise, so much potential. It quickly disintegrated into cheap kiddie garbage.

The first RoboCop movie was awesome and is no doubt a cult classic. Almost immediately this was followed by a crudely animated cartoon show in 1988 and then, RoboCop 2, the under-rated sequel was totally misunderstood on release but by the time RoboCop 3 came out Orion Pictures had long gone out of business and it was unceremoniously dumped into cinemas without any kind of ad campaign or publicity. Quite appropriate too as it's a moronic pile of crap aimed at the kids.

And it got worse after that! An uber-cheap, live-action TV-series came and went within a single season and yet another animated show 1998 (selling RoboCop to the kids is like making Bratz dolls based on House of 1000 Corpses!) and one of the worst video-games ever in 2003. If you think this franchise couldn't get any worse wait until you get a load of Prime Directives. It stomps what's left of Robo right into the maggot-infested mud.

The story is hardly worth mentioning but if you're that interested it involves Robo feeling old and obsolete, Delta City politics (now located in Canada, a poor substitute for the real Detroit) and some crazed employee at OCP (the company went out of business in RoboCop 3!) trying to take over with his ultimate doomsday device. Robo's kid is now a fully-grown exec and his ex-partner (a man with a very, very dodgy moustache) has been killed and made into a new RoboCop. They drag this crap out over 375 minutes and you feel every precious second of it.

I could forgive the cheapness if the makers were enthusiastic or spirited or if the actors weren't so bored they are about to keel over and die. The Robo suits look terrible and could fall apart at any minute. The nobody playing him makes Robert John Burke's performance in RoboCop 3 look Oscar-worthy. Instead of striding with a heaving titanium chest he kind of stumbles and bumbles like an old man without a zimmer-frame and has as much trouble ascending stairs as ED-209 did descending them. It's as if he was mimicking C-3PO.

Say what you want about the declining quality of the films. At least they all had great music. Prime Directives has noise that is painful to the ears and lethal to the soul and mind. Goddamn, I want to erase this horrid mini-series from my memory but I can't. I need a shrink!

This junk should be scrapped and left to rust. Not even the most dedicated and forgiving RoboCop fan should suffer this guff. Wise people such as myself will realise this has as much to do with the TRUE RoboCop as Supergran does with Clark Kent.

This has got stuff going for it. It ignores the two sequels, and uses the Verhoeven movie as the basis(it, in fact, appears to be in love with it, and uses it wherever possible, most noticeably in the spoken lines), that proves they had the right idea. The satire is also quite present(albeit it tries too hard, worst in the last credits, where it could not possibly be more obvious that they're talking directly to the audience, not to mention how it often underestimates their smarts, and spells it out, same as in the second flick). Moreover, there are plenty of gunfights, as well as some martial arts and car-chases(not all of these are fantastic, if they tend to stay above the level of passable). Each episode seems to start with a bang(there are those that would call them grabs for attention). On paper, this sounds an awful lot better than it is, which is not at all to say that it is all poor. It has several scattered things wrong with it, that unfortunately add together and make the whole less than excellent. For example, the plot is good, and remains so through the mini, but there are perhaps a subplot or a couple over the amount there should be, and not everything pays off(a shame, considering the concepts they at least begin to cover). The pacing can be uneven. While there among the characters are truly interesting ones, others are caricatures, and they get considerable screen time. I will say that this keeps getting even better and bigger, without losing anything, throughout, I didn't think they'd be able to top themselves, however, they went and did just that. The very ending, though parts formulaic and tough to swallow, had something great and well-thought out, in my opinion. The performances are so-so(I personally got a kick out of getting to see Geraint Wyn Davies again), and this is not devoid of screamy acting. This does hold a number of *really* awesome moments. There is unintentionally silly material herein. This is exciting sometimes, and certainly had me thrilled, although not constantly. Why do people continue to use small arms fire against RoboCop, and when will they realize it is utterly and completely ineffective? They cover up the limitations and constraints reasonably. There are repetitive actions(get used to seeing a certain individual storm out with determination). The effects are well-done, meanwhile, no one is going to be fooled and not be able to figure out what's CGI and what isn't. The music is... well, let me put it this way, either they saw the title role as a bit of a cowboy, or the composer is big on Ennio Morricone(hey, who could blame them?). Obviously I hope it's the former, but it didn't always seem staged or filmed to fit that. There are marvelous developments and situations found in this. The writing is a mixed bag, both dialog and story. There is violence, and it could be called excessive, in tone and volume. This I would say is genuinely disturbing a handful times, whether or not that is positive is up to the viewer. I recommend this series to any fan of the first of the cinema-releases, and/or of the iron-clad law-man... be aware that there are areas of this that are going to underwhelm; if you can stand those, you're in for multiple cool, fun sequences and not half bad science fiction. 5/10