Joyû-rei

Second feature film from the man who would go on to make The Ring and Dark Water, indeed his very first film if you exclude, as I see IMDb do, a 'pink'. but first or second it is a great effort and if it doesn't totally succeed it certainly has some very creepy moments and is breaking new ground for a ghost film. He is already using the media, ghostly images appear superimposed upon the film he is using to shoot a melodrama, and utilising the long haired maniacal girl/ghost image. Modest running time exactly in accordance with the requirements of the story; if only all directors would go short if the story did not warrant more. A little confusing now and again because Mr Nakata does not lay everything out that obviously but well worth catching.

For his first ever debut this film has some riveting and chilling moments. In the best horror film fashion the pit of your stomach tightens every moment during this film. The ending is superb. The makers of Blaire Witch obviously watched this film it's ending wasn't an end but a beginning of the end. A great movie and only a piece of Japan's great as far as scare factor a perfect score it makes you think and scared out of your mind.

This film is great at putting ideas into the viewer's subconscious. The whole simple idea of the story is great, by having the characters shoot a film such that the viewer almost feels like they are separated from the characters and in tune with the supernatural. Since you are watching people making a movie investigating another movie, it brings you into the action, as if the same things could happen to you. The blandness of some scenes on the surface is really fun when contrasted against the supernatural events that happen later. An example is a line where the director tells the actress not to "look down" when saying her lines, when she really shouldn't be "looking up" later when she encounters the ghost. One of the most interesting things about this movie is that you wouldn't even think this was a ghost story in some scenes until you realize the context it is in. Definitely this is one of the best ghost detective stories, it has an almost meditative nature and makes the movie more scary. The over the shoulder scenes of the ghost are very scary, partly because the movie often shows people filming from the opposite angle, so you are actually watching them film, scenes in which you could become the ghost. By concentrating on the existence of the ghost, the whole movie becomes more scary.

A worth-while watch for an introduction to the origins of modern J-Horror. As a Freshman directorial effort some aspects show through as "need improvement,"; continuity of story, backstory development, score, lighting - however, the concept of this film became the backbone of J-Horror and the foreshadowing of many of what we now call cliches in Asian Horror. That being said, by today's standards not a "scary" film nor one that will be memorable for younger audiences.

This Japanese horror film, originally called 'Joyû-rei' and was one of the first films directed by Hideo Nakata of 'Ringu' or 'The Ring' fame, has its fair share of truly creepy and unsettling moments. However, the ending was way too rushed and unfulfilling for this film to merit a higher ranking, in my opinion.

Having said that, I still believe that this spooky Japanese film ought to have more recognition not only for historical reasons because of the similarities to 'Ringu' and as the director Hideo Nakata's first real film but also because it gets some things better than modern horror films.