Joyû-rei

First a bit about the story. A young director working in the japanese studio system is making a WWII period film requiring strong emotional scenes from two young actresses. There is quite a bit of plot revolving around the casting of the actresses, as well as illumination of their very different personalities and maturation. The director has to fight against agents and studio brass to cast the actors he wants to cast, and this preoccupies much of the early portion of the film.

While screening dailies, the production crew stumbles upon a strange accident. Some of the negative they were using appears to have been previously exposed, and has portions of a much older Japanese film featuring a rather transfixing actress from the past. The young Director is particularly intrigued, as the film seems to trigger a childhood recollection of watching the film years earlier on TV. He assigns the Studio editor to dig up information on this film, to put his mind at ease, and the film production proceeds from there, although clearly now haunted by questions about this other film, and its mysterious star.

If you are a fan of Ringu, now remade in the US as The Ring, you will no doubt find it interesting how many of the same ideas and motifs are present in Ghost Actress. In many ways, in retrospect, Ghost Actress appears to be a working out of stylistic and narrative techniques which made Ringu such a huge success.

The problems with Ghost Actress can primarily be traced back to the muddy script, which poses many questions without answering any. As I mentioned, much of the early film proves in the end to be entirely irrelevant to the central plot, and there isn't a strong linear thread driving the protagonist of the film, namely the young Director. He simply seems to be reacting to the situational dilemmas confronting him, and despite the nerdy likableness of Actor Yuurei Yanagi, doesn't illicit a lot of concern for his predicament or obsessions.

The conclusion of the film however, is undeniably powerful, and hints at Director Hideo Nakata's talent for combining supernatural themes with striking visual and sound design to great unnerving effect.

For his first ever debut this film has some riveting and chilling moments. In the best horror film fashion the pit of your stomach tightens every moment during this film. The ending is superb. The makers of Blaire Witch obviously watched this film it's ending wasn't an end but a beginning of the end. A great movie and only a piece of Japan's great as far as scare factor a perfect score it makes you think and scared out of your mind.

I really enjoyed this debut by Ring director, Hideo Nakata. If you've seen Ring beforehand then you'll be familiar with the style and idea of this flick. It's got a subtle spookiness about it that works better than the constant (and predictable) stingers that infest most mainstream movies of this genre. If you like films that give you the chills, then you will probably like this one. A good, creepy debut by Hideo Nakata. 8/10

Lots of effective, creepy moments building up in the first 2/3 of the film, but seems to putter out after that. Solid performances and great handling of the "movie within a movie (within another movie?)". Still, a good first effort from director Hideo Nakata ("Ring").

Second feature film from the man who would go on to make The Ring and Dark Water, indeed his very first film if you exclude, as I see IMDb do, a 'pink'. but first or second it is a great effort and if it doesn't totally succeed it certainly has some very creepy moments and is breaking new ground for a ghost film. He is already using the media, ghostly images appear superimposed upon the film he is using to shoot a melodrama, and utilising the long haired maniacal girl/ghost image. Modest running time exactly in accordance with the requirements of the story; if only all directors would go short if the story did not warrant more. A little confusing now and again because Mr Nakata does not lay everything out that obviously but well worth catching.