Hypnosis

When I saw this movie, which was only last night, I was bored with it. However, it wasn't until Yuka, the possessed young girl, came on screen when I suddenly got a little weary.

Then, there follows a rather horrific line of suicides, each one more gory than the previous one.

Saga, a young Japanese man, and an old detective, lonely since his wife divorced him a few years before, turn out to investigate the strange case, and holds young Yuka as a suspect.

A very bad mistake.

From there, it's just nearly two hours of hair-rising, suspenseful fear. Sometimes Yuka's behavior would change; for example, if she was feeling lost and was dangerously depressed (this poor girl was "abused all her life and never loved", one character remarked), she would suddenly stand straight, eyes wide open, and say: "I... am... a... friendly... alien... I... have... no... intention... of.. hurting... you".

To tell the truth, this scene was supposed to be tense and suspenseful. But it got a laugh from me, since I am indeed a young teenager and was more into black comedy than horror, but later it scared me.

Yuka says (or I think it was someone else) that she is "chased" by THE GREEN MONKEY (some sort of alien, I do not know. Or maybe a ghost. This is never explained at all in the movie, not even at the end).

Is this all just an act? Or is there really supernatural events happening? Who knows? What really happens is never fully explained at all in this movie, only about 10% of it is explained, equally matched with the disturbing climax.

In spite of its unpopularity and lack of profanity (actually, this movie contain no swear words -- not even the "f" word or "s" word or even Damn! That is just so cool!), I give this movie a 10/10. Bravo, well done!

I caught this on the off chance there'd be a connection with the television series, Saimin, whose final three episodes I'd happened to see. Aside from hypnotism, though, there's no discernible connection. Even on evidence just of those three episodes, the series may well have been superior, yet the film's a guilty-pleasure B-grade page-turner for about an hour before it implodes trying too hard to resolve things. Ringu one through three, Tomie, and now Saimin make three nearly interchangeable, if only in appearance, white-clad, bushy haired, big-eyed monster women. Could there be some myth here I'm not in on? (I'm tempted to include ...Jailhouse 41's Matsu, as well, even though there's no supernatural, she's victim, and her film's feminist in the end.) The Saimin film does provide some arresting images, usually with its hypnosis-inspired self-mutilations. In the single most shattering of these, really a throwaway that you could cut and do nothing to the plot, a brightly daylit man mistakes a gas stove burner for a basin and, calmly, washes his face in its flame.

The Japanese horror movie 'Ringu' aka 'The Ring' has received a lot of attention recently. Unwarranted in my opinion. On the other hand I have heard very little about 'Hypnosis', and it is a much more effective and entertaining movie.

Three apparently unrelated suicides occur on the same day in Tokyo. They are all bizarre and baffling. Sakurai , a middle aged hard boiled cop, investigates one of the deaths, and after hearing that all three suicides were heard to mention a "green monkey" before they died, he decides to investigate. With the help of Toshiya, a young and idealistic psychologist, the clues begin to point towards hypnotism of some kind. More strange suicides strengthen their theory, and their involvement with Jissoji, a manipulative TV hypnotist, and one of his subjects, the beautiful but troubled Yuka, deepens the mystery.

An excellent thriller with an original approach, some gruesome deaths, and an unexpected twist. If only Hollywood made movies as good as this! Highly recommended.

In traditional JHorror fashion not much in this movie is explained and you are left with many questions. As you get started in this movie it seems like you are watching a thriller in the vein of silence of the Lambs or Seven, it is only in the second half of the movie that the JHorror aspects really start shining through. Unlike many of the other reviews here I was not really creeped out or unnerved by this film. In fact because of the not so believable acting of characters I was sometimes snickering and laughing. But I do have to give the film creators credit for coming up with a story that was interesting to watch and even though they were not able to fully effectively create it, I was still drawn in. And that is all that really matters.

SAIMIN

(USA: The Hypnotist /UK: Hypnosis)

Aspect ratio: 1.85:1

Sound format: Dolby Stereo SR

Following a series of bizarre and apparently unrelated 'suicides', an experienced Tokyo detective (Ken Utsui) enlists the help of a young psychoanalyst (Goro Inagaki) who believes the victims were acting on a post-hypnotic suggestion. But their subsequent investigations reveal an even darker force at work, linked to a young girl (Miho Kanno) whose life has been blighted by sadistic abuse...

Based on a novel by Keisuke Matsuoka, this densely-plotted mystery takes inspiration from a variety of sources (Italian gialli, traditional Japanese ghost stories, etc.), though some of the images in the climactic showdown reveal a more immediate influence: The recent commercial success of Hideo Nakata's RING (1998). For all its ambition, however, SAIMIN is a routine potboiler which stumbles badly after a powerhouse opening (the 'suicides' are particularly impressive, despite some feeble CGI effects), though director Masayuki Ochiai - who co-wrote the script with Yasushi Fukuda - rallies proceedings for an extended finale in which the narrative's startling secrets are finally revealed. Ochiai is best known for his film adaptation of novel-turned-video-game PARASITE EVE (1997) - which also starred leading man Inagaki (a member of Japanese pop group SMAP) - and while SAIMIN echoes that movie's strong visual sense, it falls short as drama, and most of the characters are mere ciphers, undermining the storyline's emotional pay-off. Which is a shame, because the final half hour is galvanized by a series of dynamic set-pieces - most notably, a concert hall sequence in which Dvorak's 'New World' symphony is transformed into an instrument of murder! - and Ochiai is well-served by an excellent production team. However, those lured by the promise of gory carnage may be disappointed - the film is long on atmospherics and short on splatter.

Performances are varied, due to the script's limitations, but Kanno (TOMIE) is outstanding as a young woman suffering from multiple personality disorder - which, the subtitles on the print under review assures us, isn't recognized as a viable medical condition in Japan! - who falls prey to a sleazy TV hypnotist (Takeshi Masu), a prime suspect in the murders. Inagaki is bland in a one-dimensional role, and he's constantly upstaged by Utsui, a veteran performer whose career stretches back to the "Sûpâ Jaiantsu" series of the 1950's.

(Japanese dialogue)