Una babysitter perfetta

Just like in THE HAND THAT ROCKS THE CRADLE, the movie centers on a psycho nanny who'd do anything to keep her secret. And as people get suspicious, the bodycount begins and the walls close on the psycho nanny, leading to the invertible final climax.

But here the motivation is different: it's not revenge, it's just pure madness and the main character's need to be loved "just like in the books".

This movie never soars to incredible heights of suspense or originality, but it keeps the viewer interested, mostly due to the superb cast.

It's definitely worth viewing. I liked it as a little snack. Not much more.

Fantastic movie, pity if the story can be extended longer and this will make it more interesting.

Some same plot with other movie except this one glues me to the seat. It happen to be premiere on HBO.

By the way, the beginning and ending are perfect, that is what i like in a movie.

The perfectly bad opening has wide-eyed psycho "romance novel" reader Tracy Nelson (as Andrea McBride) walking in on scruffily sexy husband Darren Gray Ward (as Troy Hatfield) with an arousing blonde. She stabs herself and not the blonde, which understandably lands Ms. Nelson in a mental hospital. Upon release, Nelson takes a thankfully more natural approach to knife wielding. In the future, she will only stab herself when absolutely necessary. Nelson fantasizes about a romance similar to the one in her favorite novel "The Passion of Mandy". She gets a job as "The Perfect Nanny" by stealing the resume of "Nikki Harcourt" and lands a job working for Southern California neurosurgeon Bruce Boxleitner (as James Lewis)...

In the hospital, it's easy to tell he's a good guy by comparing Mr. Boxleitner's height and hair count with rival Scott Alan Smith (as Doctor Conrad). Attracting ex-model Susan Blakely (as Julia Bruning), the widower Boxleitner has two children, college-bound Dana Barron (as Fawn) and gullible young Scott Terra (as Ben). The boy boasts an IQ of 162, but daughter Dana turns out to be the smartest branch on the family tree. Getting wiser and visibly older in close-ups, Ms. Barron suspects there's a rotten nanny in the house. Livening up events is ditsy mother Katherine Helmond (as Rebecca McBride), who proves some apples don't fall far from the tree. Nelson and her trashy family are perfectly cast, and watching Barron unravel the plot is dumb fun.

****** The Perfect Nanny (2000) Robert Malenfant ~ Tracy Nelson, Bruce Boxleitner, Dana Barron, Katherine Helmond

In the opening scene of "The Perfect Nanny," an unhappy-looking brunette woman grabs a knife from her kitchen, marches into the bedroom where two people are having sex, and . . . stabs herself in the stomach. It's an obvious twist. Unfortunately, it's the only twist in this dreadful made-for, which is aimed at illiterates. Literally. When the characters aren't thinking aloud, they're reading aloud from whatever book, e-mail or psychiatric case file just happens to be open in front of them. But that's fair, since the filmmakers assume their audience is as stupid as the characters in this movie, which, as the title helpfully telegraphs, is yet another thriller in the venerable "obsessive psycho insinuates herself into an innocent family's life" genre (along the lines "The Single White Female That Attracts The Cradle" or whatever). Since there is no suspense whatsoever in this thriller, its only possible entertainment value is the camp factor, which is, sadly, only moderate. The plot, or excuse for it, centers on Tracy Nelson as the unhappy brunette who, after being released from the psych ward, changes her name and becomes the receptionist for a child care service so she can emulate the heroine of her favorite romance novel, a nanny who marries her employer. Yes, you've already guessed how this sucker is going to end, so you might as well try to enjoy the ride. On the plus side, Katherine Helmond turns in yet another witty performance as yet another horrible old lady, this time the psychonanny's abusive mother. Fans of blood and gore will also appreciate the body count, as the malicious Mary Poppins leaves a trail of victims that would embarrass Ted Bundy. The weak link, as always, is the family that the au parasite stalks, which is so boring that only a psycho would want want to live with them. Widower Bruce Boxleitner is a brilliant neurosurgeon but apparently too stupid to check references, let alone notice that his college-aged daughter (Dana Barron) is actually in her mid-30s. (Sweet "young" Fawn is off to study English Literature at Cambridge in a few months -- it can't be easy to wait fifteen years for your Junior Year Abroad.) The kid who the caretaker is supposed to take care of, ten-year-old Ben, is an easily duped genius (like father, like son). 70s stalwart Susan Blakely, still looking pretty decent in a bathing suit, shows up as Bruce's colleague and potential love interest but doesn't get enough screen time to perk up the proceedings. So you've read that title, which tells you what's going to happen. Watch at your own risk.

This movie was poorly written and poorly acted. The plot was so lousy and didn't make sense. A huge rip off of "The Hand That Rocks The Cradle". Tracy Nelson plays a young woman who tries to commit suicide and after being released from a mental hospital, goes out and finds a job as a nanny for a widower. She's obsessed with her romance novels and wants to live her life as in her novels. She begins to kill whoever gets in the way of her chance at the doctor and his children's lives. The whole movie itself was trash and yet again we have to cringe when we find out what good money is being used for. Tracy Nelson was the only good actor in this one but that was about it. I'd rather you stare at your walls then watch this snoozer. Give me a B-O-R-I-N-G!! What does that spell?? THIS MOVIE!!