Otesánek

Perhaps Jan Svankmajer is sick of the medium of stop-motion animation which first made him famous. Perhaps he's trying to move into pure filmmaking. And perhaps I shouldn't criticize him for that. He's actually an excellent live-action director as well, which Little Otik (in Czech "Otesanek," "Greedy Guts," the name of an Eastern European fairy tale from which the script is adapted) demonstrates. But I'm not sure he wants to leave stop-motion animation behind. It seems to me more like he wants to use it more often in the film, but he didn't have the money. If you're interested in Svankmajer's work, start with his short stop-motion films, then move to Alice, his version of Alice in Wonderland, and then move to this film and then Faust.

As for the film itself, it's imperfect. Its biggest problem is that it's overlong. There's really not enough meat in it (well, there's enough meat literally). It can move slowly, especially nearer the beginning. Also, the ending is a bit abrupt. Still, there're a lot of great scenes and set pieces. It can also be very funny. It's certainly the most humorous side of Jan Svankmajer that I've seen. 8/10.

I had the good fortune to see this at a special showing in Washington introduced by the director. I just wanted to say that I found it fascinating, very funny, and pretty unnerving at moments. Friends of mine had recommended Svankmajer's animated works, which I have yet to see and hopefully will be able to track down and watch.

I love the visual effects-- they don't have the polished look of digitized Hollywood extravaganzas, but they have a curious, unruly life to them which I found infinitely more interesting. This is a sharp, funny, likeable yet disturbing folktale on film, and I strongly recommend those with a taste for the unusual seeking it out.

The film is based on Czech fairy tale "Otesánek" ("Greedy Guts"). It is a story of a loving but childless couple, Karel and Bozena whose biggest dream is to have a baby. To make his wife smile, Karel digs up a tree root and carves it to look like a human baby. So overwhelming is Bozena's wish to become a mother that by its power, the stump transforms into a living creature with enormous appetites. Very soon, the baby formula and carrot soup are not enough to feet the little monster and mysteriously, people begin to disappear.

"Little Otik" is similar to Svankmajer's earlier feature movies "Alice" and "Faust" but it is more plot-driven, has fewer stop-motion animation sequences that would not even begin until 40 or so minutes into the film. Another problem that has been noted by almost every viewer is that the movie is slightly (126 minutes) overlong and it drags a little toward the end. As excellent as Svankmajer is a live-action director, what makes him unique is the groundbreaking combination of both live-action and darkly-humorous, visceral, and surreal animation and I wanted to see more of it. Still, "Little Otik" is highly original, funny, dark, and sinister with first rate acting from live actors and many great scenes and effects. Young Kristina Adamcová is especially good as Alzbetka, Karel's and Bozena's next door neighbor, precocious and very observant girl. I highly recommend "Little Otik" but I believe that the best introductions to Svankmajer are his short stop-motion and clay-motion films. The DVD includes the B/W 12 minutes long early film "Flat" (1969) - this is Svankmajer in his nightmarish best. We are in the claustrophobic apartment with the film protagonist where every object is an enemy and predator. Pay attention to the ending -"Abandon hope all ye who enter here".

7.5/10

I knew I had to see this movie when I saw a picture of Little Otik, the misshapen cannibal log baby! I expected it to be an strange romp through fairy tales and stop motion, similar to Svankmeyer's other movies like ALICE and FAUST [which i love]. And it was... only LITTLE OTIK was a little less zany, was more plot-driven, and had fewer stop motion sequences. So I didn't like it was much as FAUST, but it was still pretty awesome.

Other reviews can fill you in on the plot if you really need to hear about it, but basically a childless couple "gives birth" to a piece of wood shaped like a baby. The wood baby comes alive...and really, REALLY likes to eat.

LITTLE OTIK's tone is humorously dreary, in an understated way. I especially appreciated the kitchen table scenes where the mother forces her family to eat nasty soup. I lived in provincial Russia for four months and flashed back to my own times around the table, facing a bowl of mush with bones in it... YUM! Jan Svankmeyer really loves to accentuate slurping and belching noises, too. These are some of the most disgusting meal scenes I have ever seen in a movie.

While this movie has more dialogue than a typical Svankmeyer film, much of the story is still told through pictures rather than words. I found a lot of the pregnancy imagery to be pretty well-done, like the juxtaposition of pictures from the little girl's sex-ed book with footage of the father cutting down the tree which will become Otik. You don't realize the significance of that montage until after Otik is born, then it all makes sense.

There are a few negative sides to the movie. For instance, I wasn't such a big fan of the parts where the girl reads the fairy tale out loud we see pictures of it. A similar device worked in Alice but was kind of needless here, since no one watching the movie would really need the plot spelled out for them, at least not in such detail. I mean, all we need to know is that there's a legend, that the girl is familiar with it, and that the cabbage patch will play a big part in the story. Now, if the folk tale had been shown in stop motion, I would have loved it!!

Also, I got a little weary of the constant close ups, especially of peoples' mouths. And as others have noted, the movie ran about 20 minutes too long. Probably some of the pregnancy footage in the first act could have been edited.

Overall my criticisms are few! I'm glad I saw this movie and would definitely recommend it to other Svankmeyer fans!!

I had seen other films by Jan Svankmajer, so I had high expectations when I went to see this latest release. I was not disappointed. This is possibly Svankmajers most accessible feature film, as it follows a simple linear narrative on a parallel to a fairytale discovered by one character.

The film follows a couple who are unable to have children. Whilst in the woods one day, The man pulls up a tree stump which faintly resembles a baby. In jest, he gives this to his missus who, in her desperation, believes it is a real child. After a few exasperated protests from the skeptical father, she takes it home with her and the couple goes to great lengths to conceal the young root baby from the prying eyes of the neighbours. The child becomes difficult to hide as its appetite grows and, following the rules of the fairytale, it develops a taste for human flesh.

Despite the grim subject matter, the film remains fairly light hearted. There is some well-appreciated humour from the all-too-accurate characters, and despite the films length, I was not reduced to clock-watching. Svankmajers trademark stop-motion was sparce, but had all the more effect when it was used.

Svankmajer has used the mediums of film and animation to question the possibilities and blurs the line between fable and reality. This would not be credible, were it not for the accurate and witty insights into modern living and the characters it breeds. As it was, I found myself constantly questioning whether, maybe, perhaps, there's the slimmest of chances that the stuff of fairytales is. real.

I urge you to see it. Its f***ing brilliant.