La ragazza di Rio

"Who doesn't like Samba, you'd rather not meet

There's sick in the head,or lame in the feet"

Wrote Dorival Caymmi in 'Samba da Minha Terra'

It seems another punter doesn't know the difference between Salsa and Samba. The difference is the same as between Spanish and Portuguese.

I arrived at this film by accident. I had video taped it and promptly forgot about it. Then I tried to get through City of God and Favela Rising. I know City of God is well thought of but both films I found upsetting. Drugs, kids, killing, guns and gangsters. Enough of that!

As usual I was looking for some spare tape on my badly listed VHS tapes. I fast forwarded a bit, caught the end of another programme I had taped. Then suddenly my favourite Samba beat struck up ! It then alternated with a Northern British brass band. All done in early 1970's bright cartoon style. It was the rhythms that caught my attention. Then came the name of the film ...'The Girl from Rio' I was hooked !

The story of this film has already been recounted by previous posters along with the confusion of Salsa and Samba.

I must make a confession, I have been to Samba classes just like Raymond ran in the film. This may be one of the reasons I liked it, identification. Of course there were faults. How did Orlinda open the safe in Raymond's room, a nice big combination lock thing? Santos Dumont Airport was used, Raymond takes of in a Boeing 737 and lands in a MD-11. It would not be unusual to take off from Santos Dumont, land in Sao Paulo. Then get the flight to London. Yet does that matter, for the artistic continuity of the film the way it was done was good enough. How many people would know anyway ?

I was very envious of Raymond's trip to the Salgueiro Samba School and his girlfriend Orlinda(Vanessa Nunes).

When Orlinda appeared out of the crowd of Samba dancers to dance in front of Raymond, I was captivated.

The film was a fun piece of nonsense that I found very enjoyable. I loved the twist at the end. I loved the twist of Orlinda as she danced the Samba. So infectious, neither Robert or myself could stay still.

Strangely back in 1997 I wrote a story with basic similarities. Check out the link:- 'Sex is Great! If you can get it ?' http://www.geocities.com/cafebrasilia_2000/index5.html

The Girl from Rio is an entertaining diversion. Simple, light hearted and amusing; it is a fun movie with excellent performance from Hugh Laurie who plays his usual bungling but good natured self and Vannesa Nunes is just fantastic.

What an odd film. Very dated feel. Could almost be older than the 70's - maybe "Ealing" period. It has a naive charm and is mildly amusing in parts. I think the dated feel is that it was not an English production and was perhaps never intended for release in the U.K.?

I could see how it would be popular in Brasil itself and was liked there judging from some of the other IMDb reviewers. I only watched it because of my love for all things Brazilian - wife, food, music etc etc and hence the 7 out of 10 as opposed to the 3 I should have given it.

I don't know if I would be able to recommend this to anyone else. Maybe samba-lovers? Hugh Laurie obsessives? 40-something men going through a mid-life crisis???

Literally a rating for a good story and it is true that Hugh Laurie's Raymond carried the movie. Without his talent and comedic additives this movie wouldn't have a cat's chance in hell of success.

The ending is brilliant and unpredictable. The English dialog amongst the non-English characters is ridiculous and typically bad. Last and least, I'll be happy never to see Santiago Segura in anything else ever again. He's fat, sloppy, ugly and how he ever landed a roll in any film (other than snuff) is beyond me.

The title makes no sense only because the movie has little to do with the girl... who happens to be from Rio. As my summary suggests something as corny as A British Samba would have actually worked considering what the movie is about.

This was actually a great "bad" movie. Definitely my style.

...in a you-always-know-exactly-what's-going-to-happen kind of way. Girl From Rio is hardly going to have you glued to the screen, or really make you think in any kind of way, but it makes for a pleasant couple of hours all the same, spattered through with a few decent laughs and the delightful Vanessa Nunes (or, to be more exact, Nunes' delightful backside).

Most of the movie's charm is, unsurprisingly, attributable to Laurie's performance; while hardly stretched (Raymond is the sort of character he can probably play in his sleep by now) he nonetheless remains both sympathetic and genuinely likable throughout. So much so, in fact, that you can forgive the quite remarkable implausibility of the whole thing, along with some absolutely horrendous support turns, a lazy script, pedestrian direction and some ridiculous soundtrack choices (such as when Raymond finally gets to dance with Orlinda and the samba beat bizarrely fades into a fromage-encrusted swell of strings). Indeed, that a movie so intrinsically flawed and worthless can be made perfectly enjoyable is a sturdy testament to Laurie's charisma.

Well, that and Nunes' arse...