Chelsea Walls

The residents don't seem to have money to turn on the lights, so most of the time I can't even see who is talking. There are many scenes that contain incomprehensible monologues which are superimposed onto irrelevant visuals. The numerous characters and the unrelated stories make the whole film impossible to understand for me.

The non-linear story of "Chelsea Walls" is an atmospheric collage of a variety of stories. What brings the film its merit is the performance of Kris Kristofferson. Finally, he's given some material to express his talents and delivers a passionately, brooding performance. He sucks in the essence of his drunken-has-been writer, and expels it for all to witness and reflect. If there's one reason to see this film, it's for Kris.

I feel so ashamed for the people who have trashed this film, they obviously don't know a lot about movies. This film is a wonderful work of art, and it seems that many of the people posting comments here don't appreciate art. Many have noted the grainy and obscure shots in the movie, that is because it was filmed entirely in digital format. It is the second film in the InDigEnt series of films shot entirely on digital, and on a budget of $150,000 or less (another film in this project being Richard Linklater's "Tape", which is an AMAZING film). The film was shot over a period of 16 days using Sony PD-100 digital cameras. As for the writing and characters that have been belittled, these characters are not entirely the creation of screenwriter Nicole Burdette, the story was inspired by the play "Under Milk Wood" by a man called Dylan Thomas, you may have heard of him... if you haven't, go to school, and then come back and critique this movie. Thomas actually resided in the Chelsea at one point in time, as well as Sid Vicious and Nancy Spungen. And if you didn't enjoy the music of the film by Wilco/Jeff Tweedy... shame on you. Chelsea Walls is a wonderful film, directed by an amazing artist. For Hawke's directorial debut, I think he did a wonderful job.

I've just seen the dvd of Chelsea Walls and the one thing that seems to be missed by all the other people who have commented on the film is that the screenplay was written by actress Nicole Burdette and existed first as a stage play by her.

Ethan Hawke seems to be getting all the blame for this films lack of narrative structure, but did the play have any? I seriously doubt it. I don't think it was something that Hawke removed just for the film. The script is made up mostly of behavior. Behavior is the kind of thing that serious writers work very hard to expunge from their work in an effort to get to the real meat -- the story or narrative, the thing that the writer needs to say. Chelsea Walls is not that. It plunges the viewer into behavior without any effort to explain what you're watching or who the characters are. This is definitely not what most people expect or want when they go to the movies.

Still though, the actors are very capable, and they are mostly really wonderful to watch. If Burdette had given them the telephone directory to read they probably would have made it at least a little interesting to sit and watch for a while, just because of who they are.

What Hawke, his editor and cameraman have put together here is an ultimately haunting and very poetic experience. I too, like others, have found it very hard to get out of my system. Images and moments from the film still haunt me. There are bits that are true and extremely beautiful in this film, things that are very keenly observed. That, I believe, is what Ethan Hawke brought to Burdette's script.

It was never a very commercial project, but, jeez, all the stones that people are hurling at him seem a little excessive.

My first home in NYC was the YMCA across the street from the Chelsea Hotel and thus I feel qualified to say that Ethan Hawke's new film "Chelsea Walls" provides a very authentic glimpse into the lives of classic New York starving artists. Shot entirely on DV, the intimate grit of the daily struggle for love, inspiration, food, and cab fare is reminiscent of Vinterberg's 1998 dogma film "The Celebration" which Hawke affirms was an inspiration for this project. Take a peek into the lives in a few of the rooms in the legendary Chelsea Hotel in "Chelsea Walls", opening 19 April 2002.

The eclectic cast of characters includes: On-again, off-again married couple with no discernable legal occupation (Mark Webber & Rosario Dawson). A lonely waitress and moody painter with highly-charged yet unrequited chemistry (Vincent D'Onofrio & Uma Thurman). Minnesota musicians desperately searching for purpose, but enjoying Wally and the Beavers in the meantime (Robert Sean Leonard & Steve Zahn). And an emotionally-distant alcoholic writer who draws inspiration from the passion of both his lover and his wife (Kris Kristofferson, Tuesday Weld & Natasha Richardson).