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Hum Dono

  • 1961
  • 2h 44min
VALUTAZIONE IMDb
7,5/10
525
LA TUA VALUTAZIONE
Hum Dono (1961)
DrammaGuerraMusicaleRomanticismo

Aggiungi una trama nella tua linguaWhen an army officer is presumed dead in battle, his lookalike is tasked with breaking the news to his family. However, circumstances force him to impersonate the dead man.When an army officer is presumed dead in battle, his lookalike is tasked with breaking the news to his family. However, circumstances force him to impersonate the dead man.When an army officer is presumed dead in battle, his lookalike is tasked with breaking the news to his family. However, circumstances force him to impersonate the dead man.

  • Regia
    • Amarjeet
    • Vijay Anand
  • Sceneggiatura
    • Vijay Anand
    • Nirmal Sircar
    • Montgomery Kee
  • Star
    • Dev Anand
    • Nanda Karnataki
    • Sadhana Shivdasani
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    525
    LA TUA VALUTAZIONE
    • Regia
      • Amarjeet
      • Vijay Anand
    • Sceneggiatura
      • Vijay Anand
      • Nirmal Sircar
      • Montgomery Kee
    • Star
      • Dev Anand
      • Nanda Karnataki
      • Sadhana Shivdasani
    • 10Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Foto12

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    + 8
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    Interpreti principali19

    Modifica
    Dev Anand
    Dev Anand
    • Capt. Anand…
    Nanda Karnataki
    Nanda Karnataki
    • Ruma
    • (as Nanda)
    Sadhana Shivdasani
    Sadhana Shivdasani
    • Mita
    • (as Sadhana)
    Lalita Pawar
    Lalita Pawar
    • Major's Mother
    Gajanan Jagirdar
    Gajanan Jagirdar
    • Ruma's Father
    • (as Jagirdar)
    Rashid Khan
    Rashid Khan
    • John
    Prabhu Dayal
    Wasi Khan
    Bhagwan Sinha
    Ravikant
      Hammad Jafri
        Prem Sagar
        Prem Sagar
        Thapa
        D. Kumar
          Gulam Hussain
          Dhanna
          Jagdish Raj
          Jagdish Raj
          • Jagdish
          Montgomery Kee
            • Regia
              • Amarjeet
              • Vijay Anand
            • Sceneggiatura
              • Vijay Anand
              • Nirmal Sircar
              • Montgomery Kee
            • Tutti gli interpreti e le troupe
            • Produzione, botteghino e altro su IMDbPro

            Recensioni degli utenti10

            7,5525
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            Recensioni in evidenza

            8Herag

            Most Romantic Indian Movie Ever.

            "Abhi Na Jaao Chhod Kar-Ke Dil Abhi Bhara Nahi" by music director, Jaidev Verma, has to be the best lilting, haunting duet of a melody of all times-sung by Rafi and Asha Bhonsle, Dev Saab (Major Verma) in his inimitable style sings to Sadhana (Mita), who was probably the true beauty ever in Hindi cinema. Now Dev Saheb has left us, if there is one song that will be remembered as his signature song, is this evergreen melody for an evergreen star. The yester-year playback singers, had this unique talent to mold their voice to the actress in the film, as in this song. It is so uncanny, it sounds like Sadhana, was singing this song, not Asha Bhonsle. Also the yester-year stars had a personality of their own, they had individual hair styles, dressed uniquely different, looked different, acted different, unlike the latter year actresses who have no sense of style or class-barring a few. Dev Anand, was not much known for his acting talent (however he was superlative in "Guide") but he had a style and charisma (the man wore his hat in a rakish angle, walked kind of side-ways! with collars up to his ears and spoke his dialog in clipped accent with penchant for nodding), that very few of his contemporaries possessed. This is a movie that should be seen for its sheer beauty of the Stars-Sadhana and Nanda and the melodies like the Bhajan song "Ishawar Thero Naam", which should be the Mother of all Bhajan Songs. This is the most romantic black and white movie and "Sangam" the most romantic color movie. There will Never be another Dev Anand, Never a Sadhana and Never a melody like 'Abhi Naa Jaao." God bless Jaidev Verma for giving this immortal melody.
            7snehmelt

            A entertainer

            The highlight of Hum Dono is its soundtrack by Jaidev and subtle lyrics of Sahir Ludhianvi which blend beautifully into Dev Anand's character."I am going along with life", spells a philosophy of living life,while"Do not leave now..", is a beautiful duet on love and separation. DevAnand's double role play, although a repeated, unrealistic Hindi film situation, is still endearing, it is easily one of his best acted films, apart from"Kalabazaar", "Funtoosh" and "Jewel Thief." The musical lighter in the movie belonged to music director Jaidev. The lyrics" Where there is no disparity between joy and sorrow, I am taking my life to that stage..,"is sublime.
            7SAMTHEBESTEST

            I doubt Indian cinema can ever find a better "double role" formula than this.

            Hum Dono (1961) : Brief Review -

            I doubt Indian cinema can ever find a better "double role" formula than this. I can remember many old Hollywood films based on "double role," or, as some people say it, Shakespeare's "comedy of errors" formula, and many of them have been adapted very well in Indian cinema too. I can recall many popular double-role movies, and most of them would be comedies. Right from the 70s, 80s, 90s, and even 00s, we have seen this formula repeated again and again on the silver screen. Since I am done watching most of these films, I think I am at liberty to say that Hum Dono is the best written film ever based on the double-role formula. A poor boy joins the army after being humiliated by his future father-in-law for money, and there he meets his lookalike Major. The tragedy strikes as the Major disappears during a cruel battle with enemies, and his lookalike boy now has a responsibility to inform his mother and wife. In the meantime, his own girlfriend, whom he had left unsettled, is living with his old mother. The mother dies, and the boy now believes that he should go to the major's house to inform them about his supposed death. There, he finds himself stuck as the mother and wife assume him as the major, and due to the wife's critical health condition, he has to stay there and pretend to be the major. I found the script highly intelligent, as it deals with multiple conflicts by tracking the core of every situation. There are moments when I silently yelled, "Ye hoti hai Hindustani aurat." We have a rich girl leaving her father's house, a married woman believing in spiritual love rather than physical love, and then we have two men fighting with lives and multiple social norms. What a freaking great mix of so many things it was. Vijay Anand has written a complete script, especially that philosophical touch in the climax. Well done, Amarjeet, Dev Anand, Sadhana, and Nanda.

            RATING - 7.5/10*

            By - #samthebestest.
            9kramachandran

            Nostalgic and haunting

            A very beautiful movie. Though this movie is about war and its effects you are actually moved by the message of non violence in this movie. The story is again a sort of Shakespearean comedy of errors. Well the plot is forced and this movie depends upon lot of forced coincidences. The inimitable Dev plays dual role in this movie. The heroines Sadhana and Nanda are very likable and have done a good job. Very strangely the entire length of this movie is tinged with a mood of sadness and nostalgia. How such an effect has been brought about is a topic worthy of research.

            And above all, this movie is a musical bonanza. Right from the word go composer Jaidev scores. The title music is so haunting and a wee bit sad. Jaidev as usual relies mostly on Indian classical music to bring about a haunting effect. The songs and their celluloid presentation lingers on in your heart and mind long after the movie is over. The bhajan song "Allah tero naam" is a trend setter. A very curious fact about these songs from the golden age of Bollywood is that almost all of them are immortal. The same cannot be said of the current Bollywood songs. In a nut shell, a thoroughly enjoyable fare.
            10AMOGHREVIEWS

            C-L-A-S-S-I-C

            Hum Dono (1961) - 100%

            One Of The Greatest Films Of Evergreen Star Dev Anand... "Hum Dono" Is Atleast 50 Years Ahead Of It's Time... Be It The Story, Visuals Or Message... Watching It Today, Makes You Realise The High Standards Of Filmmakers & Artists Of Bygone Era... Apart From Film's Upright Theme, One Thing Which Stands Out Is The Highly Successful Soundtrack By Jaidev... "Kabhi Khud Pe Kabhi Halat Pe", "Abhi Na Jao Chhod Kar", "Allah Tero Naam Ishwar Tero Naam", "Main Zindagi Ka Saath Nibhata Chala Gaya".... Very Rarely You Find So Many Gems In One Album Because It's Rare To Have A Genius Like Sahir Ludhianvi Writing Lyrics For A Film... Watch This One For Its Unusual, But Heartwarming Premise.

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            Trama

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            Lo sapevi?

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            • Quiz
              Only film which had Nanda and Sadhna together who were top actress of 60's.
            • Connessioni
              Referenced in Mausam (2011)
            • Colonne sonore
              Main Zindagi Ka Saath Nibhata Chala Gaya
              Music by Jaidev Verma

              Lyrics by Sahir Ludhianvi

              Performed by Mohammad Rafi

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            Dettagli

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            • Data di uscita
              • 1961 (India)
            • Paese di origine
              • India
            • Lingua
              • Hindi
            • Celebre anche come
              • We Two
            • Luoghi delle riprese
              • Mehboob Studios, Mumbai, Maharashtra, India
            • Azienda produttrice
              • Navketan International Films
            • Vedi altri crediti dell’azienda su IMDbPro

            Specifiche tecniche

            Modifica
            • Tempo di esecuzione
              • 2h 44min(164 min)
            • Colore
              • Black and White
            • Mix di suoni
              • Mono

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