VALUTAZIONE IMDb
5,9/10
1164
LA TUA VALUTAZIONE
Spinto dal fascino delle atrocità dell'Olocausto e dal suo padre biologico stupratore, un ricco studente rapisce e sottopone segretamente delle donne ad atti di tortura sessuale.Spinto dal fascino delle atrocità dell'Olocausto e dal suo padre biologico stupratore, un ricco studente rapisce e sottopone segretamente delle donne ad atti di tortura sessuale.Spinto dal fascino delle atrocità dell'Olocausto e dal suo padre biologico stupratore, un ricco studente rapisce e sottopone segretamente delle donne ad atti di tortura sessuale.
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Recensioni in evidenza
This movie is about young sex murderer. His mother herself was raped by a criminal and afterward his formerly milquetoast professor father abused both of them, believing his wife "enjoyed" the experience and his son was the product of the rape. Through either "nature" or "nurture" the son grows up to be a sex criminal himself, kidnapping women and sexually abusing them (onscreen) and then sometimes killing them (offscreen), even while he tries to have a conventional romance with a childhood friend. Eventually he meets his birth father, who is still and active rape-murderer himself.
This is a controversial movie, mostly because it has been more widely seen than most "pinku eiga" films and a lot people simply don't understand the genre. If people like violent action movies or slasher movies, no one (today at least) assumes they're homicidal maniacs because everyone knows that people aren't REALLY being killed. Well, the same thing is true in "pink" films. Of course, the women aren't REALLY being raped (nor are the girls in schoolgirl uniforms REALLY schoolgirls), and in fact the rape scenes are actually kind of ridiculous. Some people are either incapable of separating fiction from reality (notice I didn't say fantasy) or they don't give other people credit for being able to do so. The ridiculous rape scenes aren't necessarily even sex fantasies for all the male viewers (like me, for instance), but to the extent they are--well, even feminists acknowledge that woman have rape fantasies (yet don't want to really be raped), why is it surprising that many NON-RAPIST men do as well?
Ironically, the controversy largely comes about because the women in "pinku eiga" like this often end up enjoying the rape. After the "schoolgirl" is abducted, tortured, forced to masturbate for her captor and eventually violated, he lets her goes and sees her later back at school where she is now happy and well-adjusted. But this is exactly WHY these rape scenes are so unbelievable. It's an old-fashioned idea that men commit rape because they think the women "enjoy" it. Rapists are sadistic *bleeps* who probably would be very disappointed if the woman enjoyed it, or in most cases they are simply sociopaths who don't care (nobody thinks murderers, muggers, and burglars do what they do because they think their victims "enjoy" it). But you simply don't judge movies by how a child or a disturbed individual might react to them--or we'd only have movies fit for small children and disturbed minds. A NORMAL person will just laugh this off, or perhaps be titillated by the basically consensual BDSM. Besides, compare rape and sexual assault statistics in Japan to those of that "PC"/feminist fortress that is America and then you can try to tell me the problem is MOVIES. . .
This is a controversial movie, mostly because it has been more widely seen than most "pinku eiga" films and a lot people simply don't understand the genre. If people like violent action movies or slasher movies, no one (today at least) assumes they're homicidal maniacs because everyone knows that people aren't REALLY being killed. Well, the same thing is true in "pink" films. Of course, the women aren't REALLY being raped (nor are the girls in schoolgirl uniforms REALLY schoolgirls), and in fact the rape scenes are actually kind of ridiculous. Some people are either incapable of separating fiction from reality (notice I didn't say fantasy) or they don't give other people credit for being able to do so. The ridiculous rape scenes aren't necessarily even sex fantasies for all the male viewers (like me, for instance), but to the extent they are--well, even feminists acknowledge that woman have rape fantasies (yet don't want to really be raped), why is it surprising that many NON-RAPIST men do as well?
Ironically, the controversy largely comes about because the women in "pinku eiga" like this often end up enjoying the rape. After the "schoolgirl" is abducted, tortured, forced to masturbate for her captor and eventually violated, he lets her goes and sees her later back at school where she is now happy and well-adjusted. But this is exactly WHY these rape scenes are so unbelievable. It's an old-fashioned idea that men commit rape because they think the women "enjoy" it. Rapists are sadistic *bleeps* who probably would be very disappointed if the woman enjoyed it, or in most cases they are simply sociopaths who don't care (nobody thinks murderers, muggers, and burglars do what they do because they think their victims "enjoy" it). But you simply don't judge movies by how a child or a disturbed individual might react to them--or we'd only have movies fit for small children and disturbed minds. A NORMAL person will just laugh this off, or perhaps be titillated by the basically consensual BDSM. Besides, compare rape and sexual assault statistics in Japan to those of that "PC"/feminist fortress that is America and then you can try to tell me the problem is MOVIES. . .
Gave this film a 10 out of 10, which it probably doesn't deserve if you compare it with 'Citizen Kane' but if it's about originality it deserves it.
On the surface, it's just another of those Japan-shock-films. But notice how one girl is set free and how another one is shot on top of a building for everyone to see.
Disguised as a Japan-shocker this is an anarchist smuggler-film. Of course it is not too obvious as such, but still enough to enjoy. Easily the best of Japan-shockers.
On the surface, it's just another of those Japan-shock-films. But notice how one girl is set free and how another one is shot on top of a building for everyone to see.
Disguised as a Japan-shocker this is an anarchist smuggler-film. Of course it is not too obvious as such, but still enough to enjoy. Easily the best of Japan-shockers.
With shocking scenes of violent rape, murder, bestiality, necrophilia and torture, Beautiful Girl Hunter (my first foray into the 'pinku-eiga' genre) is certainly an eye-opener.
Tatsuya is a little messed up: he is the result of a vicious sex attack on his mother by a violent rapist/thief. His surrogate father treats him like dirt as a child, and degrades his mum (by tying her up, whipping her and having sex with other women in her presence) until she can take no more and kills herself.
Tatsuya eventually gets even by killing his father, inheriting a fortune as a result. But it seems that he has also inherited his real father's penchant for mistreating women, and is soon following in daddy's footsteps, abducting, raping and killing beautiful women.
A misogynistic, ultra nasty and disturbing movie, Beautiful Girl Hunter is certainly not for everyone. However, those who have an 'anything goes' attitude towards their viewing matter will probably enjoy this simply for its willingness to show pretty much anything in the name of entertainment.
A series of busty victims suffer at the hands of Tatsuya (and his biological father, who turns up towards the end of the film to join in the fun) and the humiliation they have to endure is certainly very imaginative: one is smeared all over with butter, only for it to be removed by a dog with an obliging tongue; another is forced to masturbate in front of her captor; and, in a particularly gob-smacking scene, one poor girl is denied lavatorial facilities until she can hold on no longer...
The forced sex, which occurs at regular intervals throughout the film, is also very unsettling and not for those who are easily offended. Peculiarly enough, though, for a film that is so extreme in places, the nookie is at times made rather laughable by carefully placed objects in the foreground obscuring the 'action' (think of that scene in Austin Powers and you'll get an idea of what I mean). I always find it amusing when I see what the Japanese find acceptable to show and what is deemed too obscene (for example, they have no problem with a scene in which Tatsuya masturbates over photos from the Nazi holocaust!!).
What is also rather surprising about this film is its technical excellence. There is no evidence of the low quality prevalent in many of filmdom's more seamy productions—the cinematography is great and the direction very effective. Director Norifumi Suzuki has managed to imbue this sordid tale with a level of class which is rare in exploitation movie-making.
And if Eli Roth thinks he is the last word in extreme bloodletting, he ought to check this baby out: his Mrs. Bathory bath scene in Hostel 2 pales in comparison with the bit where Tatsuya stabs a girl suspended by chains and is drenched in her blood! Beautiful Girl Hunter ends with a rather confusing and pretentious finale which might be a case of the director trying to justify his film with some kind of message. He needn't have bothered: viewers of this movie will be too busy gasping at the on-screen filth to care about any deeper meaning.
Tatsuya is a little messed up: he is the result of a vicious sex attack on his mother by a violent rapist/thief. His surrogate father treats him like dirt as a child, and degrades his mum (by tying her up, whipping her and having sex with other women in her presence) until she can take no more and kills herself.
Tatsuya eventually gets even by killing his father, inheriting a fortune as a result. But it seems that he has also inherited his real father's penchant for mistreating women, and is soon following in daddy's footsteps, abducting, raping and killing beautiful women.
A misogynistic, ultra nasty and disturbing movie, Beautiful Girl Hunter is certainly not for everyone. However, those who have an 'anything goes' attitude towards their viewing matter will probably enjoy this simply for its willingness to show pretty much anything in the name of entertainment.
A series of busty victims suffer at the hands of Tatsuya (and his biological father, who turns up towards the end of the film to join in the fun) and the humiliation they have to endure is certainly very imaginative: one is smeared all over with butter, only for it to be removed by a dog with an obliging tongue; another is forced to masturbate in front of her captor; and, in a particularly gob-smacking scene, one poor girl is denied lavatorial facilities until she can hold on no longer...
The forced sex, which occurs at regular intervals throughout the film, is also very unsettling and not for those who are easily offended. Peculiarly enough, though, for a film that is so extreme in places, the nookie is at times made rather laughable by carefully placed objects in the foreground obscuring the 'action' (think of that scene in Austin Powers and you'll get an idea of what I mean). I always find it amusing when I see what the Japanese find acceptable to show and what is deemed too obscene (for example, they have no problem with a scene in which Tatsuya masturbates over photos from the Nazi holocaust!!).
What is also rather surprising about this film is its technical excellence. There is no evidence of the low quality prevalent in many of filmdom's more seamy productions—the cinematography is great and the direction very effective. Director Norifumi Suzuki has managed to imbue this sordid tale with a level of class which is rare in exploitation movie-making.
And if Eli Roth thinks he is the last word in extreme bloodletting, he ought to check this baby out: his Mrs. Bathory bath scene in Hostel 2 pales in comparison with the bit where Tatsuya stabs a girl suspended by chains and is drenched in her blood! Beautiful Girl Hunter ends with a rather confusing and pretentious finale which might be a case of the director trying to justify his film with some kind of message. He needn't have bothered: viewers of this movie will be too busy gasping at the on-screen filth to care about any deeper meaning.
This is a well made beautiful film about the kidnap and torture of women. Its great to look at but I have yet to determine why I should want to watch it. Don't get me wrong it has nothing to do with refined sensibilities, I can enjoy twisted exploitation as well as anyone, but there's simply something wrong.
I think the problem with it is that its rather a dull movie. Terrible things happen to good looking woman...and thats about it. There is some attempt at character, but its not all that interesting. Its as if its trying to be more than the bondage porno it is.
I had been drawn to the film when I had read several articles that mentioned its bad reputation, so when I found a cheap copy I figured I'd give it a try. Perhaps back in 1979 it was something, but today with these jaded eyes its unremarkable. I've seen films of every sort and this one didn't strike as much of anything.
Will you find it offensive? If naked tortured women offends you, or you have stayed in the mainstream in your tastes, you probably will be offended or made uncomfortable, but for anyone else, this is probably going to bore you much more than it will shock or excite you. It has not lived up to its reputation.
I think the problem with it is that its rather a dull movie. Terrible things happen to good looking woman...and thats about it. There is some attempt at character, but its not all that interesting. Its as if its trying to be more than the bondage porno it is.
I had been drawn to the film when I had read several articles that mentioned its bad reputation, so when I found a cheap copy I figured I'd give it a try. Perhaps back in 1979 it was something, but today with these jaded eyes its unremarkable. I've seen films of every sort and this one didn't strike as much of anything.
Will you find it offensive? If naked tortured women offends you, or you have stayed in the mainstream in your tastes, you probably will be offended or made uncomfortable, but for anyone else, this is probably going to bore you much more than it will shock or excite you. It has not lived up to its reputation.
The comment I read on the main page was very detailed, so I'll keep it brief. I agree with all the sentiments stated.
This film is unusually well done, with surprisingly good acting for the genre. In particular the scene of the girl realizing her sadistic side and whipping her female former boss (who was a total bitch to her). It may be somewhat subtle, but her facial expressions (and look in her eyes especially)... very convincing and definitely seems as she enjoys herself. Highly recommended, even if for this scene alone. At times it does move a little slowly, but I've watched it several times and can't say have ever found it to be boring. Of course you have to enjoy this genre. Overall one of the best of it's kind.
This film is unusually well done, with surprisingly good acting for the genre. In particular the scene of the girl realizing her sadistic side and whipping her female former boss (who was a total bitch to her). It may be somewhat subtle, but her facial expressions (and look in her eyes especially)... very convincing and definitely seems as she enjoys herself. Highly recommended, even if for this scene alone. At times it does move a little slowly, but I've watched it several times and can't say have ever found it to be boring. Of course you have to enjoy this genre. Overall one of the best of it's kind.
Lo sapevi?
- Versioni alternativeThe old German video released by Bavaria Film had several cuts, but was not blurred during the sex scenes.
- ConnessioniReferenced in Video Violence (1987)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Star of David: Beautiful Girl Hunter
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 2.35 : 1
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