La vita di una famiglia che vive in povertà tra i mercati della droga all'aperto di Baltimora occidentale.La vita di una famiglia che vive in povertà tra i mercati della droga all'aperto di Baltimora occidentale.La vita di una famiglia che vive in povertà tra i mercati della droga all'aperto di Baltimora occidentale.
- Vincitore di 3 Primetime Emmy
- 14 vittorie e 19 candidature totali
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Recensioni in evidenza
"The Corner," adapted from the true-life book, shows how drugs have infested a Baltimore neighborhood and how they have affected the residents.
Each episode starts documentary-style, with director/producer Charles S. Dutton interviewing one of the main characters off-screen. Then, Dutton stops and the audience follows the main characters around their day-to-day existence.
I was really impressed with Dutton's work. The series makes no apologies for the characters' behavior and presents things very realistically. The acting is strong throughout, and I have to single out Khandi Alexander's portrayal of Fran the addict/mother as exceptional.
Each episode starts documentary-style, with director/producer Charles S. Dutton interviewing one of the main characters off-screen. Then, Dutton stops and the audience follows the main characters around their day-to-day existence.
I was really impressed with Dutton's work. The series makes no apologies for the characters' behavior and presents things very realistically. The acting is strong throughout, and I have to single out Khandi Alexander's portrayal of Fran the addict/mother as exceptional.
"The Corner" was the closest, truest, most honest miniseries I've ever seen that delt with the streets, drugs, and dysfunctional families. Being a recovering drug addict, I never ever seen a film that actually put me back onto the streets, the drugs, and the dysfunction of life. The actors were superb. Their dialogue, gestures, even the look in their eyes, couldn't be more real. I can't compare it to any movies that I've ever seen. I saw what I used to be in this film and they reminded me that I don't want to ever go back. So real, too real, it is real. Thanks Mr. Dutton.
10QStrum
After viewing all six episodes of "The Corner" I sincerely believe that this extraordinary mini-series could've been a great film. I can see this film challenging the majority of so called masterpiece films in the theater right now, probably putting most of those films to shame.
This film has everything I expect from masterpiece film-story telling. First of all, unlike a lot of the films made by African-American filmmakers, it doesn't hold back on the truth. Charles S. Dutton did a marvelous job of telling a story about real life in inner cities all across America and with out holding back on the truth. The film consists of stereotypes most African-Americans, especially those who are living safely in Hollywood away from the ghetto, want deny being reality in most Black communities. But this film doesn't apologize for the stereotypes or anything, while some of the characters are apologetic about many things in their own lives. Secondly, the acting was one of the best by an ensemble African-American cast in recent years. Thirdly, the film was shot well, using little style to the shots so that it would have that documentary feel. I also found each scene in the film to be well written, like some great scripts of the past like Good Will Hunting and the Deer Hunter, both great films. So we've seen films about the inner city before (Boyz N'the Hood, Menace II Society) this one. Who cares? Hollywood had made dozens of titles dealing with the mafia, and most of those films are great. However, this film stands alone from the rest, making viewers sympathize with and see each character as being exactly who they are: human beings that make mistakes. This film doesn't demonize the drug addicts in the film regardless of their sometimes immoral ways of getting that drug. "The Corner" ranks amongst one of the best mini series ever made for television. Despite the fact that it wasn't a feature film, I still rank it over the majority of films of recent years as well.
If you had never been to the ghetto and you want to grasp an understanding of how must people in the inner city lives, this mini series is what you should see. Out of a grade of an A+, which is super excellent, to a F, I give this film an A+. I also give it 10 stars...
This film has everything I expect from masterpiece film-story telling. First of all, unlike a lot of the films made by African-American filmmakers, it doesn't hold back on the truth. Charles S. Dutton did a marvelous job of telling a story about real life in inner cities all across America and with out holding back on the truth. The film consists of stereotypes most African-Americans, especially those who are living safely in Hollywood away from the ghetto, want deny being reality in most Black communities. But this film doesn't apologize for the stereotypes or anything, while some of the characters are apologetic about many things in their own lives. Secondly, the acting was one of the best by an ensemble African-American cast in recent years. Thirdly, the film was shot well, using little style to the shots so that it would have that documentary feel. I also found each scene in the film to be well written, like some great scripts of the past like Good Will Hunting and the Deer Hunter, both great films. So we've seen films about the inner city before (Boyz N'the Hood, Menace II Society) this one. Who cares? Hollywood had made dozens of titles dealing with the mafia, and most of those films are great. However, this film stands alone from the rest, making viewers sympathize with and see each character as being exactly who they are: human beings that make mistakes. This film doesn't demonize the drug addicts in the film regardless of their sometimes immoral ways of getting that drug. "The Corner" ranks amongst one of the best mini series ever made for television. Despite the fact that it wasn't a feature film, I still rank it over the majority of films of recent years as well.
If you had never been to the ghetto and you want to grasp an understanding of how must people in the inner city lives, this mini series is what you should see. Out of a grade of an A+, which is super excellent, to a F, I give this film an A+. I also give it 10 stars...
I seen this story over and over again growing up in Newark, New Jersey. I take my hat of to Charles S. Dutton for his Courageous work and dedication to be able to complete 'the Corner', based on the true story. America needed to see this, finally a story that showed the puppet act with strings attached. I recommend this story to be educational with parental guidance. The blessings of some are simply not enough. I really saw hope in the character's: Fran, Blu & Scoogie.
I was privileged to see this movie, just a week ago. But actually I truly lived it. I grew up in the mean streets of Newark, NJ. And easily saw my life displayed in this mini-series. I too have found my way into recovery. I no longer hang on the mean corners, I am a productive member of society, trying to provide a good life for my two children. We have relocated to upstate New York, and occasionally go back to visit family. I truly hope that other's like the addicts depicted in this movie find recovery. I would like to thank all of the the people involved in this movie. It was very moving but most of all it is REALITY for a lot of people.
Lo sapevi?
- QuizFran Boyd married Donnie Andrews in 2007. Andrews was the basis for Omar Little in The Wire (2002), and David Simon introduced the two of them. Subsequently, Simon was the best man at the wedding, and it was attended by many of the stars of The Wire. A couple of articles in The New York Times tell the couple's story.
- ConnessioniFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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Dettagli
- Tempo di esecuzione
- 1h(60 min)
- Colore
- Proporzioni
- 4:3
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