Bijo no harawata

The first half (actually a little more) of the movie is a standard pink eiga film with requisite nudity, sex scenes and violence. This time the story is Yakuza that are capturing women to become sex slaves in another country. To make the women more willing they inject a drug that causes them to become nymphomaniacs. But one of the women escapes, makes contact with another woman that learns of this. At this point the movie becomes a revenge story for the rest of the movie. There's still more nudity and sex to come but into the second half several scenes of gory violence take place. I won't give it all away. It is worth watching.

The acting is good by some, bad by others. I did like the basic story which moved right along.

One minor blooper or Behind the Scenes item is at about 27 minutes in, you can see for a second the actress has tape or a shibue covering her private part. Of course not ever Japanese pink movie uses it but they obviously did in this one.

As pink movies go this one was fully watchable. If you don't like pink movies then maybe it's not for you. As always, they are rarely classic film making. Still, this was different than most and kept my interest the entire time.

A sequel in name only, we have another decadent journey into the realm of horror perversion. While this is notably improved over the first installment, it still has much room to improve.

First of all the movie is really short, only about 66 minutes. That's hardly feature length. Though I digress, given what the film is most concerned with showing (graphic rape scenes) I think a short run time is just fine.

A woman witnesses her friend commit suicide and decides to investigate the matter on her own. In the course of her investigation, she uncovers a criminal group marketing a new designer drug and taking woman for slave trade. She tries to put an end to it, but is ultimately taken captive and viciously (and I do mean viciously) raped. She is injected with the drug, but OD's and dies, only to return as a slimy, mutant hermaphrodite.

The sex is handled more competently than the first film, but is ever bit as uncomfortable. The blood and gore are noticeably less until closer to the end when the blood monster goes on it's rampage. Those scene will stick with you for a while.

This could have worked, but is killed by the same problems as it's prequel, that and it's near obsession with graphic depictions of gang rape.

5/10

"Entrails of a Beauty" features a gang of Yakuza blokes gang-raping a woman and they drug her,and later on she dies and returns as this big slimy monster with a huge penis that has sharp teeth and also a big sloppy vagina.Crazy film,but not very good.The gore doesn't come until the last 20 minutes and most of the film is a standard soft core sex with lots of rape.Worth checking out,unfortunately heavily censored optically and nowhere near as much fun as "Entrails of a Virgin".

Entrails of a Beautiful Woman sounds similar to Entrails of a Virgin but the two movies have some significant differences and you don't need to know one to watch the other. This film is essentially a gangster drama with a few softcore pornographic scenes and some supernatural horror elements in the final third. The movie criticizes and exposes the loss of honour, structures and values among organized crime institutions.

This film is about a group of gangsters involved in drug dealing and human trafficking. A young woman named Yoshimi is looking for her sister who disappeared some time ago. She starts to suspect that her sister's boyfriend Higashi might have been involved in her disappearance. It turns out that her suspicions were correct as the boyfriend kidnaps her when he realizes that she is about to figure out the truth. He reveals that her sister has been sold to Africa via the Philippines. The gangsters plan on making Yoshimi suffer the same fate but the young woman manages to escape. The traumatized woman has a chance encounter with psychologist Hiromi as she is running for her life. She tells the psychologist everything she knows before having a mental breakdown and committing suicide. Hiromi feels unable to move on with her life and decides to avenge Yoshimi's tragic demise. She starts dating Higashi and hypnotizes him to manipulate him into murdering the clan members he is involved with. However, Hiromi's ambitious plan backfires and the gangsters set up a deadly trap for her. Just as the bad guys seem to be getting away with their evil deeds, a surprising twist of fate changes the tides and leads to a dramatic showdown.

This movie convinces on several levels. If compared to Entrails of a Virgin, this movie has a more complex plot with a few interesting twists and turns. The locations are once again cleverly chosen and vary from a revolting restaurant over a psychologist's office to gangster headquarters in a stylish apartment complex. The film has some decent atmospheric passages such as the scenes at an elegant bar or the surprising twist that occurs along an empty road on the outskirts of a metropolis. The special effects are quite memorable when the supernatural elements start occuring in the final third as the film turns into a bloody tale of revenge.

The film is however not without its flaws. The characters are overall less fleshed out than in the preceding Entrails of a Virgin. Lead actress Ozawa Megumi however does a decent job at portraying an empathic psychologist with clever ideas and a resilient mind. She is a strong heroine viewers will empathize and sympathize with. The light effects are once again underwhelming, especially in the opening third that takes place in some warehouse. The camera work is only of an average quality and somewhat unfocused and unsteady at times.

At the end of the day, Entrails of a Beautiful Woman can be seen as a spiritual predecessor to the Japanese V-Cinema throughout the nineties. This brutal gangster thriller isn't a far cry from the works of renowned directors such as Miike Takashi and Mochizuki Rokuro. The brutal stylistics and polarizing characters are quite similar but Entrails of a Beautiful Woman is missing the depth and wit of films like Shinjuku Triad Society and Another Lonely Hitman. This movie here is therefore only recommended to adamant fans of brutal Japanese gangster movies or over-the-top supernatural slashers.

AKA Guts of a Beautiful Woman

The second part of director Kazuo 'Gaira' Komizu's 'Guts Trilogy'. A young woman looking for her missing sister is kidnapped, drugged, and raped by a Yakuza gang. She discovers that her sister suffered the same fate before being taken to Africa and sold into slavery. The young woman escapes and manages to reach a clinic where she tells a nurse everything that happened. Then, with the drug still in her system, she runs to the clinic roof and jumps, killing herself. The nurse decides that she will seek revenge on the Yakuza gang responsible for the girl's rape and death. Unfortunately, her plan backfires, and she herself is captured, forcibly drugged, and raped. However, the gang overdo the drug dosage and the nurse dies - only to be resurrected as a hermaphrodite, inside-out, zombie/corpse, who promptly seeks revenge on all responsible for her own rape and murder.

If the first movie (Guts of a Virgin/Entrails of a Virgin) was Gaira's attempt at a 'cabin in the woods' type slasher, this is his take on the 'rape-revenge' genre. The sex/nudity is dialled back a little from the first film, but it's still pretty heavy. The gore, though, is amped up. Gaira obviously had a bigger budget this time around, and the prosthetics/splatter work is consistently pretty good. He even manages to work in a homage to the Alien chest-burster. The performances are still cartoonish, with inept Yakuza gang members serving as light-relief (these guys are definitely more Sopranos-style henchmen than Godfather), and as with the first film we have to wait too long before the blood 'n' guts start flying around, but it's well-shot, and overall is a slight improvement. 5.5/10.