Malèna

Sicily, 1940. A teenage boy (Giuseppe Sulfaro) is initiated into manhood when his friends introduce him to the glories of Malena (Monica Belluci), the most beautiful woman in town. Sulfaro becomes obsessed, following her wherever she goes on his bike, and he even spies on her in her home. His obsession is not the only one, as much as he wishes and wants to believe it were - the whole town worships her. Every man wants to have her, and every woman is deeply jealous of that fact. And, man, does that make life hard for Malena - her husband is fighting the war in Africa, and the rumors are flying, making life nearly impossible. Sulfaro might see her as a sex object initially, but the more he observes the more he sympathizes. This film begins as an enjoyable comedy, but it grows deeply serious. The climax is one of the harshest, most potent sequences I've seen in a long while. One will recognize the nostalgic tone of the movie if you're familiar with Cinema Paradiso, but I think this is actually a stronger film. Excellent.

The first time I got to watch this utterly beautiful film, I knew nothing of the awesomeness of Giusseppe Tornatore (Cinema Paradiso) or the ethereal beauty of Monica Bellucci.

Well, all the needed knowledge flooded my mind within the two hours I spent watching Malena. It's a coming-of-age film, set in the World War 2 years in a small town of Sicily. The main lead is a young boy named Renato, and through his perfectly understandable obsession of a married woman named Malena (there couldn't be a more perfect cast than Monica Bellucci in this role),we get to see him maturing over a few years time. Most of the team focuses on Malena of course, but it's all through Renato's eyes (he's stalking her all the time), and his affection for her. It's no wonder that all males in the town (even teenagers) mostly view her as a hot piece of meat, but this boy's pure love is what eventually makes the difference in his (and her) life.

The ending credits will leave you with the "life goes on" aftermath and possibly the strongest feeling of melancholy you ever achieved from a movie.

Great cinematography, excellent performances from Monica Bellucci(though she barely speaks throughout the film) and the boy playing Renato, amazing score by the grand Maestro Ennio Morricone (nominated for an Oscar), this film has become my absolute favourite and Monica Bellucci my most recent (and strongest) obsession! A perfect 10, though it might seem over the top to a few of you.

A gorgeous, voluptuous woman is the object of attention in this World War II period piece, set in an Italian town. The star is a horny 13-year-old who fantasizes about a relationship with this grown woman, "Malena," a sexy lady who gets all the mens' attention in the town, and all the wrath of the jealous town women.

This is a strange film at times but beautifully filmed and almost always interesting. Monica Bellucci is indeed a feast for any male's eyes. She is almost beyond description, looks-wise. What happens to her, unfairly, near the end is not pleasant. Otherwise, it's a pretty humorous film in segments, especially with dialog between the young kid and his dad. Some of the lines there and at other places made me laugh right out loud. Some of the language is not really profane but it's certainly crude. The kid is not that likable nor are his friends.

There is a such a mixture of genres in here that is makes the movie fresh almost every time I see it, which has been three times so far.

Malena is a beautiful and deeply touching film. It is a masterful combination of sites, sounds and colors. The two leading actors (Monica Bellucci and Giuseppe Sulfaro) are simply excellent at what they are supposed to convey in this movie. Apart from her truly majestic elegance, Monica Bellucci invests her character (Malena) with an aura of tragedy, of some profound and unrelenting emotional trauma and pain which remains unspoken throughout the film and reaches its climax at the very end. Malena's stunningly beautiful eyes remain constantly downcast, and her face -- tense and pierced through by psychic pain (she rarely raises her face, let alone speaks words). Renato (the teenage boy) wins his audience by his incredibly pure and valiant love for Malena (this affection he carries in his heart for several years). She becomes his muse, his courage, his sense of honor, his whole rationale for confronting difficult and disruptive life of the war-torn Italy. I agree completely with another commentator who said that the ending of the movie is perhaps one of the most genuinely melancholic moments in modern cinematography. Simply brilliant. Superb music! This movie should be watched several times to be fully appreciated.

Although mellowed by a narrative through the eyes of an adolescent, Malena is a movie that attempts to critique the savagery inherent in the 'civilized' society of men. Through the story, the viewer is shown the cruelty that people are capable of as a collective unit, with each individual playing a small part. It attempts to lay bare the gross hypocrisy and fragile morals that hide just beneath the surface.

Malena is also a discourse on beauty, and its brutal power. The feverish lust it produces in a man, and the severe and horrible envy in a woman. The viewer's feelings of appreciation for Malena's beauty are slowly overtaken by a feeling of utter despair for Malena's beauty, which is the cause of all her woes.

Technically the film is true to its period - a small Italian village that passes through the crisis of the 2nd World War. The story unfolds through the eyes of a young boy, who carries us along on a journey of lust, love and maturity. We watch helplessly as his innocent perspectives about life are jarred by the realities of society, while he watches helplessly the misfortunes of the beautiful Malena.