Christie Malry's Own Double-Entry

I see it in a festival in Athens.Brilliant English film!Hard to explain!What can i say??You M-U-S-T see this film!I can't write very good English,so i can't write a lot of the plot of the film.Go see it and you will see something you will remember a long time!

With a limited budget and resources, Paul Tickell has done a fantastic job of bringing Johnson's unique perspective to the screen. Nick Moran does well at playing a character that is almost a cipher but has a darkness within him that no-one detects until it's far too late. References to Princess Diana and attacks on Iraq bring the tale right up to date and, frustrating as it was, I can see why this was pulled from its original mid-September release date.

Luke Haines is a God.

Before it was picked up by ILC Pictures (handlers of Urban Ghost Story, among others) Christie Malry's Own Double-Entry caused a minor furore on the film circuit. Most distributors turned it down, prompting leading man Nick Moran to dash off missives to all and sundry, pleading for its release.

It's easy to see why they were nervous: as with his debut feature, Dublin-based outlaw yarn Crush Proof, director Paul Tickell would rather chew off his own leg than compromise his vision. As Moran says (with more than a hint of past grievances), "Malry... isn't some Mockney film, or romantic comedy." In this visually audacious, updated adaptation of the short novel by cult writer BS Johnson (who committed suicide in 1975), Moran plays the eponymous, none-too-gifted nerd, waging war on his enemies - real and imagined - using a simple, if highly effective credit and debit system.

Before the first hour's up, callous bosses, and others (including the Inland Revenue, the newsagent who sold his cancerous mother her cigarettes, Ben Elton and Oasis) have been duly filed away in the 'debit' bracket, and 'credited' with anything from a bomb through the window, to mass murder via the nation's water supply. (Media terrorist Chris Morris is a 'credit'.) Though shot well before 11 September 2001, Christie Malry's Own Double-Entry is bizarrely prophetic in places too - with its scenes of terrorism, governmental panic, and planes over the Middle East (direct results of Malry's extra curricular activities). By the time "God" has been singled out for more than a Chinese burn, Malry's fate is a foregone conclusion.

Interwoven throughout is a joint storyline - set in the 15th century and concerning Leonardo Da Vinci and the Franciscan monk who originally dreamt up the Double Entry system - though this works less effectively.

Following up a true original like Crush Proof wasn't going to be easy, but Tickell has just about pulled it off. Christie Malry's Own Double-Entry is a demented hybrid of Billy Liar and twisted Nietzschean excess, and every frame crackles with energy. The film is further enhanced by a terrific soundtrack by Auteurs frontman Luke Haines. Just don't expect to enjoy your hotdog.

At last! a decent British film that actually made me laugh out loud

at the dark, dark humour on display throughout this film. OK, so it

can't compete visually with Hollywood, and the ending is

somewhat shoe-horned in uncomfortably, but, it does have some

fine under stated acting and an anti-capitalist message we can all

relate to, to some extent at least! . Watch, as the seemingly dim

witted Christy see's the light and puts a shape to the confusion of

adulthood with a simple but single minded plan to have his

retribution on the powers that be that make his life difficult. Every

debit must have a credit indeed! See this film, then go read the

book. Good soundtrack,but bad, bad DVD cover, this won't help people

pick it up in Blockbusters!

Christie Malry's Own Double Entry should get a rare reprieve from the vaults of British film obscurity, a rare thing in British film, particularly as it came out during the attack of British idiotic Indies, out-and-out failures, mostly funded by the Taxpayer (e.g Shooting Fish, Rancid Aluminium, Lock, Stock.... etc).

Most of those films came and went. But Christie Malry, based on the novel of cult English experimentalist novelist BS Johnson, and in which Lock Stock actor Moran plays the lead, is the best of these, although ironically it was never released or given any attention, presumably due to its playful, po-faced attitude to terrorism, which would never play post 9/11 (it was made before those events). This in itself is ironic, as Christie is an interesting study in terrorism, a sort of book-keeping Billy Liar who starts his own Fight Club-like crusade worthy of the UniBomber, which attains an added poignancy post 9/11- after all, in the film, made remember in 1999, Christie's surreptitious efforts help start the second Gulf War (and he is portrayed by the media as an Arab).

I understand some of the criticisms of the film made by others below, such as Christie's unbelievable jobs, although Christie's bizarre double-entry system- e.g. "debit: Wagner's Lack of Sympathy: Credit: girl at butcher's shop smiled at me", to my mind makes him a more believable character- after all, he is hardly a balanced character.

I can add some more myself (the failure to update the seventies novel to the present decade, leading to weird anachronisms- a result of lack of funding or attention in art direction?). But I also believe the film is a brave attempt at finding intelligence and depth in the British indie.

Tickell is clearly an admirer of Greenaway, and this shows throughout, in the film's theatrical flair and sense of the visual, as well as the oddball eroticism, all part a way of understanding Christie's abnormal psychology. This is particularly evident in the 'historical' sub-plot of the film (the development of double-bookkeeping in Renaissance Milan by a priest with links to Da Vinci).

And I think the acting is marvellous throughout, particularly the Renaisance Italians and Shirley Ann Field as Christie's mother, and Moran, while not a brilliant actor, clearly works hard in the complex task of being Christie (he says it is his best film, although I don't think there's much competition- with the exception of Puritan, another little known British Indie with Moran at its centre).