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Cowboy Bebop

Titolo originale: Kaubôi bibappu: Cowboy Bebop
  • Serie TV
  • 1998–1999
  • VM14
  • 24min
VALUTAZIONE IMDb
8,9/10
157.735
LA TUA VALUTAZIONE
POPOLARITÀ
704
33
Megumi Hayashibara, Unshô Ishizuka, Aoi Tada, and Kôichi Yamadera in Cowboy Bebop (1998)
Home Video Trailer from Bandai Entertainment
Riproduci trailer1:26
3 video
99+ foto
Animazione disegnata a manoAnimazione per adultiAnimeCyberpunkSpazio e fantascienzaAnimazioneAvventuraAzioneCommediaDramma

Le disavventure futuristiche e le tragedie di un cacciatore di taglie accomodante e dei suoi partner.Le disavventure futuristiche e le tragedie di un cacciatore di taglie accomodante e dei suoi partner.Le disavventure futuristiche e le tragedie di un cacciatore di taglie accomodante e dei suoi partner.

  • Star
    • Kôichi Yamadera
    • Unshô Ishizuka
    • Megumi Hayashibara
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,9/10
    157.735
    LA TUA VALUTAZIONE
    POPOLARITÀ
    704
    33
    • Star
      • Kôichi Yamadera
      • Unshô Ishizuka
      • Megumi Hayashibara
    • 377Recensioni degli utenti
    • 48Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Serie TV più votata #46
      • Visualizza le migliori 250 serie secondo la valutazione degli utenti di IMDb

    Episodi26

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    Video3

    Cowboy Bebop
    Trailer 1:26
    Cowboy Bebop
    Cowboy Bebop
    Trailer 1:11
    Cowboy Bebop
    Cowboy Bebop
    Trailer 1:11
    Cowboy Bebop

    Foto701

    Visualizza poster
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    + 694
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    Interpreti principali99+

    Modifica
    Kôichi Yamadera
    Kôichi Yamadera
    • Spike Spiegel
    • 1998–1999
    Unshô Ishizuka
    Unshô Ishizuka
    • Jet Black
    • 1998–1999
    Megumi Hayashibara
    Megumi Hayashibara
    • Faye Valentine
    • 1998–1999
    Steve Blum
    Steve Blum
    • Spike Spiegel
    • 1998–1999
    Beau Billingslea
    Beau Billingslea
    • Jet Black
    • 1998–1999
    Kevin Seymour
    • Additional Voices…
    • 1998–1999
    Wendee Lee
    Wendee Lee
    • Faye Valentine
    • 1998–1999
    Isshin Chiba
    • Man 2…
    • 1998–1999
    Melissa Fahn
    Melissa Fahn
    • Edward Wong Hau Pepelu Tivruski IV
    • 1998–1999
    Aoi Tada
    • Edward Wong Hau Pepelu Tivruski IV
    • 1998–1999
    Hiroshi Naka
    • Jobim…
    • 1998–1999
    Tsutomu Tareki
    • Punch
    • 1998–1999
    Miki Nagasawa
    • Judy…
    • 1998–1999
    Toshihiko Nakajima
    • Carlos…
    • 1998–1999
    Jin Hirao
    • Antonio…
    • 1998–1999
    Skip Stellrecht
    • Vicious
    • 1998–1999
    Kazuhiro Nakata
    • Bodyguard 2…
    • 1998–1999
    Shinpachi Tsuji
    • Amjad…
    • 1998–1999
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti377

    8,9157.7K
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    Riepilogo

    Reviewers say 'Cowboy Bebop' is acclaimed for its genre-blending narrative, memorable characters, and high-quality animation. The show's unique fusion of space western, film noir, and action elements creates an immersive experience. Characters like Spike Spiegel and Faye Valentine are celebrated for their depth. Yoko Kanno's jazz-inspired soundtrack enhances the emotional and action scenes, while the episodic structure maintains consistent viewer engagement.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    wilko_3000

    Every good movie you've ever seen in one show.

    Cowboy Bebop is a truly post-modern show. Not in the tired "Scream" sense of self-awareness, but in its willingness to mix genres and blur boundaries. At the most basic level it's a Space Western. But Bebop is not content to be merely that, so there are added dashes of film noir, gothic horror, creature-feature, black comedy, screwball comedy, spy action, crime, romance, tragedy, action, philosophy, science, spirituality, fatalism, optimism, buddy-buddy stories, slapstick humour, parody-- just about every type of tale under the sun appears in some shape or form during Bebop's run. It's a show where each episode really is different from the last. Were it not for the recurring characters, it would be hard to believe that the brightly-coloured blaxploitation parody "Mushroom Samba" could possibly come from the same series as the bleakly violent "Real Folk Blues".

    The world that the series inhabits is distinctly post-modern, too; space ships fly through hyperspace gates, but once on the ground their pilots fight with twentieth-century handguns. Scenic bays would look for all the world like they were taken from modern-day Japan were they not dwarfed by Jupiter, the enormous gas giant looming in the sky like some enormous benevolent god.

    And the music - tribal drums and chants give way to electronic pulses that give way to jazz sax and trumpets that give way to rock guitars that give way to blues harmonicas... composer Yoko Kanno faultlessly turns her hand to an eclectc selection of genres and instruments, ably backed up by her band, "Seatbelts".

    All of which sounds terribly impressive, but why on Earth should you watch it? Because, buddy, it's one of the finest television shows ever made.

    I have to admit I'm not a big anime fan. Most anime that makes it over here seems to be either about schoolgirls with supernatural powers who battle evil, or adolescent boys who - for some convoluted reason - wind up having to pilot big giant robots. And whilst I'm assured that shows such as Escaflowne (schoolgirls and magic) and Evangelion (boys and robots) are actually rather good, they completely fail to get my blood pumping.

    Enter Bebop. Ultra cool Spike, grumpy strategist Jet, trigger-happy Faye, nutball Ed and intelligent dog Ein are as far away from the usual brats and bots anime as you can possibly get. Their motivation, too, is far from the usual anime fare. These guys aren't bounty hunters because they want to fight crime and keep the peace - all they want is a wad of cash, and bounty hunting seems like the best place to make big money fast. Although they will do the right thing when pressed, they rarely forget their true motivation - and if they do, their perpetual lack of food will soon remind them. Life isn't easy, and when you're a bounty hunter it's even harder.

    Not that the crew of the spaceship Bebop are one-note characters. As the series progresses, our initial assumptions about the characters are overturned. At first Spike appears to be the cliched laid-back slacker (who just happens to be a mean jeet-kun-do fighter), but we then learn of his fall from the criminal underworld and of a loss that killed him emotionally. Jet's the obvious gruff authority figure, until we realise that he actually cares for the crew of the Bebop as if they were his kids (and seems to have dabbled in pot and psychadelic drugs when he was a teenager). Faye's the usual feisty stand-offish female lead but only because her amazingly tragic past makes her push away friends for fear that she'll become attached to them. Ed's just some nutty kid until we meet her crazy father and realise that it could well be her deprived childhood that sent her over the edge. And Ein? Well sometimes it's hard being a super intelligent Welsh Corgi on a ship where nobody appreciates you, you know?

    But not every episode is deathly serious - the character development is mixed in perfectly with humour (both light and dark), fistfights, shoot-outs, car chases, aerial fights, space battles and some of the lushest animation you'll see in an animated TV series. And all of this spread over only 26 episodes.

    Yes, many people espouse the old "leave 'em wanting more" line, but so few of them actually do it; Buffy the Vampire Slayer is the perfect example of a series that spends three or four years being top-notch TV then freefalls due to apparent apathy from both the cast and writers. Bebop avoids this by wrapping every dangling plot thread up in just one season of television. And after the final jaw-dropping episode it's quite clear that the series is most definitely over.

    Never before or since have I seen a series of such astonishing variety, intelligence and style. Ten out of ten.
    suffer-smart-magnet

    A Story Worth Watching

    CB is a happy blend of story, action, and characters.

    Set in the future, CB takes its name from the spaceship, around which the story loosely revolves. The main characters, Spike and Jet, try to make their living while not getting killed, traveling around looking for bounties.

    Technically, the animation is very good, though a friend pointed out that sometimes the frame rate is low, or they use a still in a shot. These didn't bother me because they were used tastefully, and were balanced by action shots that carried a lot of energy.

    The voice acting for the english version is great, and adds to character depth. They seem to understand who the characters are and how they would react.

    The story line is interesting. With each episode being around 25 minutes, the time is filled with a balanced blend of action, character development, and plot. The story within an episode develops rapidly, while the whole series moves more slowly, with the exception of the last few episodes (where they were trying to wrap things up).

    If you've never tried any anime, this would be my first choice. I watched it on DVD, and would definitely watch it again.
    hyperexcel

    Superbly styled anime

    Cowboy Bebop should need no introduction; it's more than a uniquely defining series on several levels. Shinichi Watanabe crafted this mostly episodic anime with a beautiful plot arc that doesn't detract a bit from any moment in the series.

    Following the misadventures of a crew of unlikely bounty hunters through the future solar system, Bebop liberally dabbles in jazz, both the music and the attitude. The lead character, Spike Spiegel, is as much an antihero in the anime tradition as he would be in a Hemingway novel- witty and gutsy, with a twist of nihlistic worldview. Along with Spike, each part of the ensemble main cast do more than enough to stand out on their own, with perfectly human qualities. Jet Black, the gruff pilot, is truly epitomized in the episode "Ganymede Elegy," where he confronts an old flame. Ed and Ein, the genius teenage hacker and her supersmart Corgi dog, throw the limits of standard comic relief out the window. And who could forget Faye Valentine, the eat-your-heart-out sprite of a woman with pizazz, flair, and a penchant for gambling.

    If you're not a fan of anime because of its tendency to be far-fetched and downright weird at times, Bebop is the right starter series for you. A melodrama, a jazzy jam session, and a sci-fi detective thriller all wrapped into a tight, upbeat package. Superb.
    Fisherguy

    The greatest anime to date

    "One ship, one crew, one destiny" indeed. If you had to sum anime up into two words, it would undoubtably be "Cowboy Bebop." It's a 26 episode series that redefines what animation is and what it can do. The character developement is beyond comparison and the voice acting is unforgettable. If you see only one anime in your life, make it this one. I can't sum it up and give it the credit it deserves, but what I can say, is that it is the most compelling story to be turned into an anime that will have you laughing, and the more sensitive may even cry, but you will get goosebumps. All I can say is, don't forget to watch this before you die, it is worth it and then some.
    mattwakeman

    so good its just not real

    a series that is so good it is just a shame that so few people will ever get to see it. its not the thing to get around loads of people and there are so many others that would refuse to watch it because: 'it's just a cartoon'.

    well they are the unlucky ones. because this series is not only the best anime series that i have ever seen but it is the best series of any kind that i have ever seen. the characters, the dialogue, the awesome music, but most of all the writing. this is food for adults. for people that will be able, and willing, to empathise with what is in front of them.

    and the end, my god the end. get a hold of this series. watch it. it really is that good.

    "bang"

    IMDb's Top 50 Anime Series

    IMDb's Top 50 Anime Series

    See which anime series our fans recommend the most. Titles with more than 10,000 votes are featured in our ultimate anime watchlist.
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The city of Faye's memories is recognizably Singapore.
    • Blooper
      Spike's hair changes from green to black repeatedly throughout the show.
    • Citazioni

      Spike Spiegel: Hunger is the best spice they say.

    • Curiosità sui crediti
      Most of the episodes end with an intertitle that reads "SEE YOU SPACE COWBOY..." However, certain episodes end with different text: Session #03: EASY COME, EASY GO... Session #11: THE END Session #12: TO BE CONTINUED Session #13: DO YOU HAVE A COMRADE? Session #15: SLEEPING BEAST... Session #17: LIFE IS BUT A DREAM... Session #22: SEE YOU SPACE SAMURAI... Session #24: SEE YOU COWGIRL,SOMEDAY, SOMEWHERE! Session #25: TO BE CONTINUED Session #26: YOU'RE GONNA CARRY THAT WEIGHT.
    • Versioni alternative
      In "Session 22 Cowboy Funk" Spike, Jet and Faye go to a costume party to catch a bounty head. Jet is dress up as an hippy with a marijuana leaf on his shirt.In the TV version Cartoon Network edited out the leaf and replaced it with a peace sign.
    • Connessioni
      Featured in Cowboy Bebop: Session XX - Mish-Mash Blues (1998)

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    Dettagli

    Modifica
    • Data di uscita
      • 21 ottobre 1999 (Italia)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Kovboy Bibop
    • Aziende produttrici
      • Sunrise
      • Bandai Visual Company
      • Sunrise
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 24min
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.33 : 1

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