...E la notte si tinse di sangue

I sometimes question the motivations of a director who chooses subject matter such as this as material for a film. There is such a sadistic vent to this that it has kept me thinking for days. This is obviously a retelling of the Richard Speck story where a psychotic ex-Vietnam vet terrorizes and kills a group of nurses in a residential house in Northern Ireland. The movie is pretty well done in that it gets us involved with the women and with their assailant. They are real people with prospects; one is even pregnant. I think that's why this so affected me because when you see those teenage slasher movies you say to yourself that no one could be so stupid. The violence is amplified and unrealistic. This one is so close to home. The business of why people don't defend themselves is an issue, but when you see the connection to terror and to humanity, you see why this could happen. Still, I could never watch this again and I'm not sure it needed telling.

Evident by the lurid, nonsensical title that was most likely slapped on the final print by seedy exhibitors and greedy theater owners, Naked Massacre aims for the profound but falls victim to the basest genre trappings. The film advertises itself as being based on the infamous Richard Speck case. Speck was an American mass murderer in the sixties who killed six female nurses during a home invasion. The film is merely inspired by the story, changing the locale from Chicago to Ireland. The switch works, giving the horror film an interesting backdrop, a war torn country besieged by the IRA, and setting it apart from similar themed movies like Last House on the Left and Last House on the Beach. The main character of the film, not named Richard Speck though he shares certain similarities, is a Vietnam vet trying to return to the United States. Surprisingly for a movie of this ilk, the film spends more time with the killer than with his victims. The nurses are non-entities drawn in broad strokes. The most recognizable actress, Carole Laure, is known for starring in Sweet Movie, a Yugoslavian film much more successful in blending socio-political statements with explicit sex and violence. Once the killing starts the movie devolves into a nasty grindhouse film. Scenes where our main character terrorizes a pregnant victim or forces one woman to perform oral sex on another crosses the line of good taste and belittles the measured film that came before it. Still, the movie is worth a look and recommended because of its unique place among horror films. Though flawed, Naked Massacre deserves to be seen by a wider audience.

Richard Franklin Speck (1941 - 1991), the killer of eight student nurses living together in a Chicago Community Hospital during 1966. It was to be the night of July 13th - 14th that Specks inadequacies were to come to resurface, killing them one-by-one throughout the night. This was to be another dark night in America's history that was to add his name to the list of serial killers that have tainted its name: Ted Bundy, the Hillside Strangler, the Boston Strangler and David Berkowitz etc, etc.

With typical relish the film industry around the world then immortalised his deeds, within a certain scope, onto celluloid; Chicago Massacre: Richard Speck (2007 V) by Michael Feifer, Okasareta hakui (Violated Angels) (1967) by K. Wakamatsu, Speck (2002) by Keith Walley and 10 to Midnight (1983) by J. Lee Thompson and starring Charles Bronson as the cop on his tail. The lesser known, and possibly the less seen, of these films portraying the acts of his crime is the actual war zone setting of Northern Ireland during the mid nineteen-seventies that is the Naked Massacre. Giving too, its conjunctive title Born for Hell, this latter title comes from a segment of a tattoo that was on Speck's arm, and in the end, was to be his undoing, the full tattoo reads: BORN TO RAISE HELL.

What is intriguing about Naked Massacre, with its West German production that whilst being shot in Hamburg and Studio Bendestorf, Germany, again, and being dubbed into English, it is the 1970's exterior Belfast locations that sets this film apart to give it an air of historical reference. Ironically, too or just sheer coincidence, as both, then, Germany and Ireland were divided by the political, and with Northern Ireland, religious beliefs. Seeing our protagonist wander the derelict war-torn streets of Belfast, with its IRA slogans and with the English army patrols and armoured vehicles setting an atmosphere of desperation and bleak overtones in an environment were faction Vs. faction and soldier Vs. stone throwing youths. An interesting reflective on harsh times in both English and Ireland's history.

German born Mathieu Carriere is the US' Vietnam vet' drifter Cain Adamson, reprising the role as Richard Speck, who, while trying to get back home, finds himself waiting for a passage back to the States. It is here, while waiting, kicking stones and hanging around the local pub, he finds the dwelling of the student nurses.

Denis Heroux the Montreal born film director, producer and here, writer and director, has our woman hater disturbing these residents with his grudges and psychosis that are brutal and disturbing. While, in general, a film of female degradation, with its grainy film stock and basic environment, these European writers' too, have given us a tale of woes from the perspective of an eroding mind of a war vet' who questions his own existence while very easily blames others for his predicament. This downward spiral of sanity leads to a very claustrophobic and tense world of hate and retribution to those he finds responsible most: the female of the spices.

Whilst being a work of fiction here, one has to remember that the narrative is, loosely, based around fact, and the reality is that this film is hard-hitting and plays testament to the weakness of this male mind and its overpowering of the enduring "weaker sex". As the night progresses, we see the completeness of his insanity; vile, ruthless and completely out of control.

We can see violations of the fairer sex in films as I Spit on Your Grave (1978), Last House on the Left (1972) and in hindsight, Salo; 120 Days of Sodom (1975), this too, Naked Massacre, is not pleasant viewing. One should not fall into the trap of thinking this as macabre entertainment but it being a visual nightmare of a state of mind that in one summer's night in a nurse's dormitory, in the USA, a little piece of it died. Most mercilessly.

An earnestly crafted psycho thriller infused with a bit more constancy and seriousness than the median example of its type. Making it especially unsettling is the factual bedrock which underlies the grim story...this is most certainly a laundered elucidation of Richard Speck's notorious killing spree, to at least some degree of accuracy.

A communal household of young nurses in Ireland becomes a hellhole of horror when they are collectively besieged by a criminally disunited male youth, a recent veteran of the war in Vietnam.. His deep-seated anti-female resentments ignite with a flicker, and gradually escalate to a firestorm...the ensuing terror, torture, and death are gruesomely depicted with a straightforward, blank-faced directness that sensitive viewers might find disagreeable. Those of a tougher skin, however, may appreciate NAKED MASSACRE for its surprising testicular brass...a rattling nightmare to challenge the viewer's emotional acumen. Gritty, grievous, and plegmatic, this film is certainly not without its flaws, but it does answer loud and clear to its grim calling.

6/10

Now, this might have been a lot more interesting with actual Irish girls playing the parts of the nurses.

As it is, it is supposed the most accurate movie inspired by Richard Speck, the Chicago murderer. In this case, the events are set in Belfast during the height of the conflict there. The rapist murderer is an American returning from Vietnam and waiting to get home. This is no spoiler as the Speck story is well known.

It's hard to believe that the girls just sat there and waited for their deaths. They could have done something. Maybe fear overcame them.

War, family problems, infidelity; all factors that produce these creatures.