Vengo - demone flamenco

I think that if one has a personal understanding of the history of the circumstances which tie Andalucia and North Africa together, along with some of the cultural, social, and spiritual connections that are maintained between these two separate but connected worlds, the movie Vengo will strike you as being very symbolic.

There is a lot which is implied and will go right over your head if you are not aware of the culture and history of this region (as well as being aware of the life and struggles of Gatlif as a Gypsy man born in Algeria, caught between these two worlds). Gatlif does not spell anything out for you. He leaves it up to you to try to put the pieces together, and he knows that there are certain types of people, with a certain awareness, who will be attracted to his films.

I thought Vengo was incredibly deep with so much true emotion and so much of the subtle and misunderstood inner-struggles of the people of Andalucia being depicted through a number of overlapping stories and characters: The retarded nephew, the man whose daughter had died, the feuding Gypsy families, the exiled father of the son living in Morrocco, etc.

This movie told the tale of a people and their will to hold on to the purest ("Flamenco Puro!") sources of happiness and joy within their lives, amidst circumstances which seemed destined to tear them a part and undermine their unity.

An incredibly beautiful story with lots of information, emotion, and spirit. If you are open, this movie will touch your soul.

A family feud involving honor and integrity is at the center of this intriguing film directed by Tony Gatlif. We are taken to meet Caco, a man that is being threatened by an opposing clan because his brother Mario killed one of the Caracava men, something that will not be forgotten until justice is done. Since Mario is hiding in Morocco, Caco is a marked man because he represents his brother, the assassin.

Caco, is a man who loves his nephew Diego, that suffers from cerebral palsy. Diego, who is Mario's son, enjoys women like other normal young men his own age. Caco takes care for Diego to have a discreet encounter with a beautiful prostitute, la Catalana. Caco learns how the Caracavas are vowing to avenge their dead brother by sacrificing Diego.

"Vengo" mixes the action with music, song and dance performed by some of the best flamenco interpreters of the genre. Antonio Canales does a good job in his take of Caco, the head of his clan, and the loving uncle of Diego. Orestes Villason Rodriguez, who is physically handicapped, appears as Diego, who like any other member of this clan, loves his music and women with the same passion. Antonio Dechent appears as Alejandro, Caco's right hand man.

Tony Gatlif brings all the colors of Andalucia to a film and does justice to some of that exotic music and mixes the local gypsy music with Moroccan performers that add color to the movie.

The story is told by images and music. A real semiotic statement and another ode to the love of music by the gypsie people. The film tells you a story about a vendetta and the consequenses of it, played by real people with deep human emotions. A honest document, another masterpiece after Gadjo Dillo and Lacho Drome. I love this movie and it made me laugh and weep, also I couldn't sit still during the music scenes with authentic flamengo/gypsie music. Any musiclover should see this film to explore the roots of spanish music.

Indeed, not a bad documentary (barely a real film, the plot is just an excuse to the connection of the different flamenco scenes). Antonio Canales is surprisingly good as Caco, and the other characters are of no relevance to the story whatsoever. Orestes, Caco's nephew with cerebral palsy, is actually Antonio Canales' nephew. Undoubtable epic flavor in this escape/flamenco journey. Good details, as the nice landscapes in Cadiz and the references to Caco's relative "exiled" in the Spanish cities of North Africa. Great and not so commercial flamenco singers, such as La Paquera(R.I.P) and La Caita. Special attention to the closing song, "Naci en Alamo".

The story is told by images and music. A real semiotic statement and another ode to the love of music by the gypsie people. The film tells you a story about a vendetta and the consequenses of it, played by real people with deep human emotions. A honest document, another masterpiece after Gadjo Dillo and Lacho Drome. I love this movie and it made me laugh and weep, also I couldn't sit still during the music scenes with authentic flamengo/gypsie music. Any music lover should see this film to explore the roots of spanish music.