Aggiungi una trama nella tua linguaStory of a man whose misanthropy goes out of control due to a business trip together with a colleague.Story of a man whose misanthropy goes out of control due to a business trip together with a colleague.Story of a man whose misanthropy goes out of control due to a business trip together with a colleague.
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- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Emilie Benoît
- La femme du métro
- (as Émilie Benoit)
Recensioni in evidenza
This is a bleak, occasionally funny film, a little flawed by its obsessive mentality but worth seeing.
We follow an IT trainer barely holding down his job, struggling against loneliness, endlessly diagnosing the pointlessness of it all. Perhaps not entirely new territory for a French film - similar ground was covered not long ago by Cédric Kahn's L'Ennui. But there's enough observational wit here to hold our interest throughout, and the slightly unconvincing mid-section is compensated for by closing scenes that hit the right note.
The character's dislike of women is the film's most disturbing element. His hypotheses, while sometimes wild enough to entertain, are unlikely to be totally shared by the viewer. The shots of trains travelling to industrial parks made me think of Martin Parr's Boring Postcards and if you find something profound about multi-storey car parks, this is the film for you. There are also incidental treats such as the intriguingly dull food that "Our Hero" eats and his disgustingly nicotine-stained fingers.
We follow an IT trainer barely holding down his job, struggling against loneliness, endlessly diagnosing the pointlessness of it all. Perhaps not entirely new territory for a French film - similar ground was covered not long ago by Cédric Kahn's L'Ennui. But there's enough observational wit here to hold our interest throughout, and the slightly unconvincing mid-section is compensated for by closing scenes that hit the right note.
The character's dislike of women is the film's most disturbing element. His hypotheses, while sometimes wild enough to entertain, are unlikely to be totally shared by the viewer. The shots of trains travelling to industrial parks made me think of Martin Parr's Boring Postcards and if you find something profound about multi-storey car parks, this is the film for you. There are also incidental treats such as the intriguingly dull food that "Our Hero" eats and his disgustingly nicotine-stained fingers.
Unremittingly bleak and depressing, the film evokes as well as could be desired the legendary misery and emptiness that characterised Houellebecq's controversial novel of the same name. Like many French films, its manner is one of wistful profundity but it is painfully slow - or should that be, slowly painful? While this is an excellent and challenging film, it is not an enjoyable one and its difficult to think of any time when one might be in the 'right' mood to see it.
It is an extremely difficult film to watch, particularly as it targets the innermost core of all of our lives. But ultimately it is a very beautiful and deeply moving film. Any person who finds it cynical I have to say that they must have greatly missed the point of the film's entire message. For those who actually watch the film, they will see that the way the issues are dealt with is absolutely necessary, and the outcome is ultimately uplifting. Sure, it's very hard to watch, a difficult subject matter and even brutal. Yet it's extremely relevant to society and everybody. It shows the peak of what world cinema is doing at the moment (I will not restrict that term to just France) and everyone should try to see it. I will say that it is best to go in with a clear head without being swayed by conflicting views, and just let the film work for you.
Faithful adaptation of witty and interesting French novel about a cynical and depressed middle-aged software engineer (or something), relying heavily on first-person narration but none the worse for that. Downbeat (in a petit-bourgeois sort of way), philosophical and blackly humorous, the best way I could describe both the film and the novel is that it is something like a more intellectual Charles Bukowski (no disrespect to CB intended). Mordantly funny, but also a bleak analysis of social and sexual relations, the film's great achievement is that it reflects real life in such a recognisable way as to make you ask: why aren't other films like this? One of the rare examples of a good book making an equally good film.
Although very different, this is the type of film you may like if you appreciated Ghost World. The world is shown from an outsider's view who can't connect with people. It may not be on the same quality level and it has some freaky and disturbing shots at times but more often than not it hits right on the nail very firmly.
Some things depicted are grossly outdated even for a 1999 film like some of the clothing and the porn cinema. There are some brief pornographic images that could disturb some viewers. They didn't really bother me but seemed unnecessary although sex is an important topic of the film. It portrays life as a struggle that the main character refuses to waste his energy on. One is the masculine struggle for economical importance and dominance. The other is where the females have the power: sex. The gap between the haves and have-nots is much much bigger in the second department if you ask me (at least in western society) but there is an analogy between the two: they are both markets and humans have become products themselves in almost every way. It makes it hard to understand how people can stand life anymore. The main character is called "our hero" but the real hero is revealed in the end, struggling until the end, trying to make the best of it while the protagonist has given up on life.
Some things were disturbing, like when the protagonist recommends his colleague to kill a woman with a knife. It's not really convincing but explained as a way to gain power which is all what life seems to be about. Here, the characters become too much of a vehicle to carry ideas rather than real people. But mostly, the film is pretty real.
The female psychologist at the end also disturbed me, apparently she thought everybody who has no sex should either change that quickly or commit suicide, or at least has to stay absolutely miserable, as if nothing else matters in life than sex. If she applied her philosophy worldwide she'd be a mass murderer (for causing many suicides). Her beliefs might be more depressing than this film which is mostly funny in the first half and gets bleaker and sadder in the second, where tears get harder to suppress. The movie moved me in both ways and is good for that reason but also the sharp and keen insights on how the world worked...really I saw so many truths in this film, mostly the ones that were told by the main character. While he's clearly depressed his views are unfortunately too crystal clear and true for the film to be comfortable to watch. It hits you where it hurts which is exactly the intent of the writer Michel Houellebecq.
The main defect of the film is the reliance on voice overs. However the medium does add value by depicting precisely how things work in a discotheque for instance, or how things at work can be. There is also this dry humor at times that has to be timed, something that cannot be done in a book. Some typically French things also made me crack up, like waiting half a minute before nodding to the "garcon" that the wine is acceptable.
You will not relate to this movie if your (sex) life is fantastic and perfect and you don't understand depressed people or don't care about philosophy or psychology. Otherwise you have to see this movie!
There is a slight hint of optimism at the end as usual in Houellebecq's stories. It's just too bad I don't really love dancing!
Some things depicted are grossly outdated even for a 1999 film like some of the clothing and the porn cinema. There are some brief pornographic images that could disturb some viewers. They didn't really bother me but seemed unnecessary although sex is an important topic of the film. It portrays life as a struggle that the main character refuses to waste his energy on. One is the masculine struggle for economical importance and dominance. The other is where the females have the power: sex. The gap between the haves and have-nots is much much bigger in the second department if you ask me (at least in western society) but there is an analogy between the two: they are both markets and humans have become products themselves in almost every way. It makes it hard to understand how people can stand life anymore. The main character is called "our hero" but the real hero is revealed in the end, struggling until the end, trying to make the best of it while the protagonist has given up on life.
Some things were disturbing, like when the protagonist recommends his colleague to kill a woman with a knife. It's not really convincing but explained as a way to gain power which is all what life seems to be about. Here, the characters become too much of a vehicle to carry ideas rather than real people. But mostly, the film is pretty real.
The female psychologist at the end also disturbed me, apparently she thought everybody who has no sex should either change that quickly or commit suicide, or at least has to stay absolutely miserable, as if nothing else matters in life than sex. If she applied her philosophy worldwide she'd be a mass murderer (for causing many suicides). Her beliefs might be more depressing than this film which is mostly funny in the first half and gets bleaker and sadder in the second, where tears get harder to suppress. The movie moved me in both ways and is good for that reason but also the sharp and keen insights on how the world worked...really I saw so many truths in this film, mostly the ones that were told by the main character. While he's clearly depressed his views are unfortunately too crystal clear and true for the film to be comfortable to watch. It hits you where it hurts which is exactly the intent of the writer Michel Houellebecq.
The main defect of the film is the reliance on voice overs. However the medium does add value by depicting precisely how things work in a discotheque for instance, or how things at work can be. There is also this dry humor at times that has to be timed, something that cannot be done in a book. Some typically French things also made me crack up, like waiting half a minute before nodding to the "garcon" that the wine is acceptable.
You will not relate to this movie if your (sex) life is fantastic and perfect and you don't understand depressed people or don't care about philosophy or psychology. Otherwise you have to see this movie!
There is a slight hint of optimism at the end as usual in Houellebecq's stories. It's just too bad I don't really love dancing!
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Dettagli
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Extension du domaine de la lutte (1999) officially released in Canada in English?
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