Beautiful - Una vita da miss

OK so this film isn't destined for any Academy Awards, but it's a warm, winning flick that deserves to be recognized for it's very real strengths. Minnie Driver is usually wonderful, & she's wonderful here as Mona. Even as a kid (played by Colleen Rennison), Mona is feisty & determined, but you always see the ache beneath the bluster. We like Mona; you will too!

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This movie is better than its reviews. It does wander a bit in the second half, but engaging performances make it worth watching. Minnie Driver is well chosen- attractive , but human. Joey Lauren Adams steals the movie. Not about to change your life ( not a " message movie"), but does subtly make some nice points about beauty and beauty contests, families, friendship and self-esteem.

On the unbelievable side but still an interesting look at a woman totally dedicated to winning beauty pageants as a way to build self esteem. A pushy, driven person who never quite grew up and leaned heavily on a childhood friend for the guidance and support she never received growing up in a loveless home. Good show with a 2 hankie finale.

OK so this film isn't destined for any Academy Awards, but it's a warm, winning flick that deserves to be recognized for it's very real strengths. Minnie Driver is usually wonderful, & she's wonderful here as Mona. Even as a kid (played by Colleen Rennison), Mona is feisty & determined, but you always see the ache beneath the bluster. We like Mona; you will too!

The contrast between the newspaper reviewers--who clobbered "Beautiful"--and its generally favorable bulletin board comments is extreme. The movie I saw is funny, entertaining, and has something thoughtful to add to discussion of gender politics, as well as to the various earlier films about beauty pageants.

"Beautiful" asks whether or not it is OK to continue having beauty pageants, and yet drop the requirement that the participants have refrained from motherhood, thereby straying from the pageants' vestal virgin ceremony origins. "Beautiful" answers in the affirmative, since that way pageants may yet have value in the personal development and empowerment of young women. If they are done with a little common sense, pageants need not be about objectifying or patronizing women

Apparently, that view was too politically incorrect for most big media critics. How would they have reviewed "Beautiful," had it been directed by Robert Altman instead of Sally Field?