Socrate

In the first part of Socrate, Rossellini crams too many historical events for a one hour time span. This results in the characters themselves explaining too much to fill in the gaps for the viewer. The rest of the time we watch Socrates as he strolls around with his students, reciting his most overused quotes.

The second part, which is essentially Socrates' apology and his last days, feels almost like a different film in pace and gravity. But Plato's Apology of Socrates is ready-made material to ensure a great, dramatic scene. Another flaw is the awkward contrast between the professional actors playing Socrates and his wife Xanthippe against the rest of the characters, who are non-actors (a common practice in the neo-realist era of Italian cinema). For example, Meletus - Socrates' main accuser - seems completely inept at the crucial scene of the trial, like some teenage urchin that the director picked up from the street a few hours before filming.

On the positive side, it is refreshing to actually hear Mediterranean sounds for once in a film about Ancient Greece. Crickets and random dog barking are natural sounds still heard in Greece. It is not a small detail, as it works to create a strong sence of time and place. All and all, the film is watchable, albeit with quite a few flaws.

it is an useful film. for know. for remind. for search. because Rosselini gives more than a good biopic but a correct portrait of the life of Athenes, in its different aspects , the end of Peloponeses war consequences, portraits of the lead people around Socrates, a convincing Xantipa, , the essence of Dialogues by Plato, the atmosphere , the trial . sure, Jean Sylvere is the most inspired choice for meet Socrates because he has the admirable gift to inspire to the public the feeling of time trip. he is, in many scenes, with admirable grace, Socrates, the expected Socrates for the readers of Plato. the film has , in same measure, another virtue - it is a fundamental lesson for understand the present. not surprise, off course. but for a public for who the Old Greek is only history, for who Internet is more important than the book, this film could be a significant introduction to discover the reality out of appearances.

Apparently, no one else has seen this. That's a pity. Anyone who has studied Plato would love it, I think. Of course, it doesn't beat the actual reading of Plato's dialogues, but it's a nice supplement. The adaptation is straightforward. The Euthyphro, Apology, Crito, and Phaedo are reduced in size, but their contents are there. Also there is to be found pieces of The Republic and many others that I probably haven't read yet (the Protagoras and Lysias are mentioned directly). The Symposium, which is the only dialogue that I can say I know particularly well, is briefly alluded to. There's also a great scene where a man teases Socrates by citing Aristophanes' The Clouds, which was the play that, according to the Apology, sowed the seeds of his death. Rosselini's direction is subtle and exquisite. The camera moves perfectly. The production design is great. A lot of research went into this to make it as accurate as possible. I don't know of any film that has done as well in these aspects. The acting is also perfect. The man who plays Socrates IS Socrates. 9/10.

THIS is a masterpiece. JEAN SILVERE was a revelation. Also, ANNE CAPRILE, his wife, was superbly wrought. So perfect was SILVÈRE's portrayal, that for me, he became SOCRATES.

I was wary, however, in the beginning, because the conversations went by so quickly. But now I understand what was going on and, as the story progressed, I became absolutely engrossed in this great, tragic story of one of history's great martyrs of truth.

I was moved, and I am not ashamed to say, literally to tears, during the last somber scene. I must now praise ROSSELLINI's direction. It gave me a more solid understanding of those times.

Also, the serious and unobtrusive musical score, which pulsated on had a drone-like quality which disappointed me at first, but again, as the story progressed, I understood why it was composed in this manner. It gave this work of art, the final touch of perfection.

This needs to be seen by a wider audience. I hope it will, in time, be required viewing in all the halls of education, everywhere.

I shall never forget it.

Apart from his feature films,Italian director Roberto Rossellini was famous for some of his films which were made for television.It was in these films that he told the stories of some of the greatest philosophers who took birth on earth. Among these films one can mention the names of films about Blaise Pascal,Saint Augustine,René Descartes and Socrates.The film 'Socrates' is not a biography per se.It does not show all the important events which took place in the life of Socrates.It is an important film not only for viewers of cinema and television but also for admirers of philosophy.As a filmmaker,apart from 'Socrates', Rossellini reveals a lot about the times in which the great philosopher flourished.One gets to see the state of Athens when Socrates was condemned.The film 'Socrates' was not shot in Greece but most viewers wouldn't be able to recognize that the locations used in the film are in Spain.Locations are of less importance if the cast is good.This is one reason why actor Jean Sylvère has done a great job.He is perfect in his role as 'Socrates'.He looks so convincing as if the real Greek philosopher is in our midst.This is one of the main points of this film.