Odoru daisosasen

'Bayside Shakedown' is a movie that manages to be exciting, disturbing and funny all at the same time. The movie that starts out as crime drama and even seems to nod slightly in the direction of CSI also has plenty of humour-filled moments.

Though the film has three cases at the same time, the story doesn't get derailed, mainly because each of the plots only enhance the over-all feel of the film. The comedy prevents the serious parts from becoming tedious and the well-written surprise makes the film a fulfilling experience. Also a colourful cast undoubtedly helps.

The only criticism I can direct at the film is that the opening is rather slow, but things start to pick up at a nice pace.

Recommendable for people who like generally good films.

This movie is weird. This is the kind only japanese can make. But hopefully this is not (I hope so!) the kind only japanese people can love. It can't be glued to any genre and for example (as it's a huge success) Hollywood won't be able to make it again. Extraordinary action sequences, ultra-suspense and ZAZ-comic-like is a light sum-up of what can be found in this weird but very exciting movie.

BAYSIDE SHAKEDOWN (1998), which was a record-breaking hit when it first opened and spawned an equally successful sequel late in 2003, is a fantastic dramedy-thriller about a bureaucracy-heavy city police precinct involved in the hunt for a serial killer. The opening scene sets the delightful comic tone: a body floats dead centre in a small river that divides two districts, with cops from both sides wading frantically in the water to see who can get to it first and thus take on the case. On shore, two wisened detectives from the Wangan Police Station quietly mutter their hopes that if the body floats to the other side, they won't have to be bothered investigating the case. Naturally, they get the case, and young cop Yuji Oda spends the next several days hunting down the killer AND an unexpected group of kidnappers, dealing with interference that shows up in the form of secretive high-tech Feds led by an arch-rival, and witnessing the station commanders all but bury themselves in red tape and petty squabling in order to avoid doing real work, all while desperately trying to catch a few moments of desperately desired sleep. This is based on a TV show, but prior knowledge of it is unnecessary and you instantly feel a kinship with these memorable characters. Nice double-twist ending, too! I give it a 10.

I liked the characters and the style, so I believe the setup really had potential. But unfortunately they didn't make much out of it. Another reviewer called it "directionless". I agree. It just meanders along without any suspense, the story is totally unexciting. There is some subtle humor but that's all.

I'll still check out the second part though, maybe I'll like it better. (Probably not.)

One of the things that is most interesting about the whole odoru franchise is the contrasting characters: the young and eager Aoshima always looking out for the underdog, the beautiful yet scarred Sumire good at her job yet struggling to find her place, the salty old detective Waku, privileged Mashita who strives to prove his worth, and Yukino the lady cop who best understands what it is to have a loved one taken. Muroi presides over it all, the man in HQ who tries to clear the path for detectives on the front line among the more bossy and elitist higher ups.

The tv series did veer back and forth between tension and humour, but there was plenty of comedy relief. In this movie, the tone edges almost towards horror as one villain stalks, and harvests people's organs. There is also a crew of kidnappers on the loose snatching a police official and even a member of the core cast.

All in all though, it is nice to see all our favourite characters again, and see how their lives have evolved.